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История анимации

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Тег объединяет книги, содержащие сведения об истории анимации и о творчестве отдельных лиц в контексте истории анимации, а также книги, содержащие исторические справки, исторический экскурс или биографическую справку — всё, что может послужить материалом для изучения истории анимации (animation studies, history of animation etc.).
Информация рассеяна по многим разделам, поэтому тег будет пополняться.
Буду рад помощи в подборе книг.

Связанные файлы

Wesleyan University Press, 2012. — 332 p. What do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt...
  • 20,53 МБ
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New Brunswick, NJ; London: Rutgers University Press, 2016. — 288 p. — ISBN-10: 0813576628; ISBN-13: 978-0813576626. In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including...
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Oxford University Press, 2003. — 672 p. In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent...
  • 41,35 МБ
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Turner Publishing Inc.,1994. — 192 p. The 50 greatest animated cartoons, selected by a panel of more than 1,000 cartoon historians and animation professionals. Lavishly illustrated, intelligently written, filled with fascinating interviews, and a long-overdue acknowledgment of an overlooked art form. The book showcases some of the greatest cartoons of all time, including...
  • 39,98 МБ
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Routledge, 2016. — 238 p. — ISBN13: 978-1138035317 A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the...
  • 7,73 МБ
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Routledge, 2016. — 476 p. — ISBN13: 978-1138035324 A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the...
  • 22,84 МБ
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Routledge, 2016. — 426 p. — ISBN13: 978-1138035331 A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the...
  • 17,20 МБ
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CRC Press, 2018. — 164 p. — ISBN13: 978-1-1385-5446-7 Giannalberto Bendazzi brings to light some of the lost relics of animation history with his new book, Twice the First: Quirino Cristiani and the Animated Feature Film. Unlike other works, however, Bendazzi focuses on the growth of animation in non-western countries. This book particularly emphasizes the contributions of...
  • 24,05 МБ
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Praeger, 2006. — 208 p. — I SBN: 0–275–99019–2 Since late evening cartoons first aired in 1960, prime-time animated series have had a profound effect on American television and American culture at large. The characters and motifs from such shows as The Flintstones and The Simpsons are among the best-known images in world popular culture; and tellingly, even series that have not...
  • 596,18 КБ
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Edinburgh University Press, 2021. — 232 p. Until the 1990s, animation occupied a relatively marginal presence in Hollywood. Today, it is at the very heart of both the film industry and contemporary popular culture. Charting the major changes and continuities in Hollywood animation over the past thirty years, this groundbreaking book offers an authoritative history of Hollywood...
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Springer, 2011. — 200 p. Das zu Beginn der achtziger Jahre von Maria Lassnig an der Universität für angewandte Kunst begründete Studio für experimentellen Animationsfilm war das erste Zentrum für Animationsfilm in Österreich. Es prägt bis heute das Genre und hat auch in der internationalen Kunstszene große Bedeutung erlangt. Der Band widmet sich als erste umfassende Publikation...
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Springer, 2017. — 228 p. — ISBN: 978-3-658-13017-6, ISBN: 978-3-658-13018-3 Der Sammelband analysiert die grundsätzliche Bedeutung, die Animation in unserer medialisierten Welt einnimmt. Animation bewegt Bilder, Emotionen, die Kunst, die Industrie und wandelt auch die Forschung — sie stellt traditionelle Disziplinen und Theorien des (Audio-)Visuellen vor neue Herausforderungen....
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Univ Of Minnesota Press, 2011. — 296 p. — ISBN: 978-0-8166-4658-6, ISBN: 978-0-8166-4659-3 This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchan’s engaging descriptions and...
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[Uncorrected Proof], The Bobbs-Merrill Company, 1977. — 127 p. Richard Williams Raggedy Ann & Andy is one of the most beautiful animation feature-lenght ever made. Sadly, nowadays it's almost forgoten. Anyway, someone (TheThiefArchive) upload this movie to the tube, it's a very nice restoration, so if you didn't watch it, why don't you take a look at this... This one was the...
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McFarland & Company, 2010. — 221 p. — ISBN: 978-0-7864-5860-8. Exploring a selection of anime adaptations of famous works of both Eastern and Western provenance, this book is concerned with appreciating their significance and appeal as independent texts. The author evaluates three aspects of anime adaptation--how anime adaptations develop their original sources in stylistic,...
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McFarland & Company, 2006. — 256 p. — ISBN10: 0786427647; ISBN13: 978-0786427642. Today’s animation is much more than kids’ stuff. Increasingly complex subject matter has produced a corresponding increase in artistic interest, and forms once specific to certain cultures have crossed borders to enjoy international popularity. Japanese animation has been particularly successful...
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3rd Ed. —Stone Bridge Press, 2015. — 2440 p. — ISBN10: 1611720184, 13 978-1611720181. "Impressive, exhaustive, labyrinthine, and obsessive-The Anime Encyclopedia is an astonishing piece of work."-Neil Gaiman Over one thousand new entries...over four thousand updates...over one million words... This third edition of the landmark reference work has six additional years of...
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3rd Ed. —Stone Bridge Press, 2015. — 1160 p. — ISBN10: 1611720184, 13 978-1611720181. "Impressive, exhaustive, labyrinthine, and obsessive-The Anime Encyclopedia is an astonishing piece of work."-Neil Gaiman Over one thousand new entries...over four thousand updates...over one million words... This third edition of the landmark reference work has six additional years of...
  • 3,13 МБ
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Stone Bridge Press, 2006. — 898 p. — ISBN: 978-1-933330—10—5. Bigger and better! Our first edition rocked the anime world with its in-depth entries on anime famous and obscure and its superb index/film finder. Now this fantastic book is 40 percent larger--with all-new entries on hundreds of anime released after 2001, updates on older entries, and over fifty thousand words on...
  • 126,99 МБ
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McFarland & Company, 1997. —238 p. — e-ISBN: 978-1-4766-0725-2 Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop’s dress was lengthened so that her garter didn’t show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These...
  • 2,08 МБ
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University of California Press, 2005. — 243 p. — ISBN13: 978-0520236172 In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have...
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Palgrave Macmillan, 2018. — 282 p. — ISBN13: 978-3319734286 This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques...
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Equinox Publishing Limited, 2010. — 269 p. — ISBN13: 978-1845533526 Animation films are widely consumed in the general population and the study of animation films has blossomed. But music and sound are often marginalized, despite the significance of music, voice talent, sound design and effects for both the films and their marketing. Drawn to Sound unpacks animation film sound...
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Scarecrow Press, 2009. — 304 p. Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the...
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Bloomsbury Academic, 2018. — 185 p. — ISBN: 978-1-5013-2879-4 Animator Norman McLaren is best known for his experimental films using pioneering techniques and his work as founder of the animation department of the National Film Board of Canada (NFB), but little mention is made of his Scottish heritage or his personal life. Nichola Dobson examines some of the key events and...
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Scarecrow Press, 2009. — 311 p. — ISBN: 978-0-8108-7623-1 Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above...
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Springer VS, 2018. — 216 p. — ISBN: 978-3-658-15996-2 Der Sammelband widmet sich dem spezifischen Verhältnis von Animation und verschiedenen Transformationsprozessen. In den geplanten Aufsätzen werden (Ver-)Wandlungen von Formen und Körpern, von Zeit und Raum, aber auch der Wandel von wissenschaftlichen Definitionen oder (inter-)kulturellen Bezügen untersucht. Ziel ist es, die...
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Portland House, 1988. — 160 p. This is the only full account of Disney’s career to benefit from free access to the Walt Disney archives. The author conducted dozens of interviews with past and present Disney employees and selected hundreds of previously unpublished drawings, paintings and photographs for inclusion in this book. This spectacular book offers the most...
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University Press of Kentucky, 2005. — 232 p. — ISBN: 0813172098 With a Foreword by Leonard Maltin. Max Fleischer (1883-1972) was for years considered Walt DisneyÕs only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major...
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Chronicle Books, 2018. — 224 p. — ISBN: 978-1-4521-6385-7 The 1950s and 1960s at The Walt Disney Studios marked unprecedented stylistic directions brought on by the mid-century modern and graphic sensibilities of a new wave of artists. This volume explores the contributions of these heroes with special emphasis on the art of Lee Blair, Mary Blair, Tom Oreb, John Dunn, and Walt...
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Chronicle Books, 2016. — 208 p. — ISBN: 978-1-4521-5861-7 The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. Artists from all over the world flocked to California to be part of the magic, and their groundbreaking styles influenced such classics as Dumbo and Bambi as well as shaped the masterpieces that followed such as Alice in...
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Chronicle Books, 2017. — 248 p. — ISBN13: 978-1452151939 Walt Disney always envisioned the studios that bear his name remaining relevant by consistently taking creative risks and doing the unexpected. Heading into the 1940s, he crafted an entirely new division of the studio called the Character Model Department, which focused solely on the details of character development. This...
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Chronicle Books LLC, 2015. — ISBN: 978-1-4521-3743-8; ISBN: 978-1-4521-5860-0. Exploring the work of some of Disney's first concept artists, much of it newly rediscovered, this volume delves into the lives and art of four key players that shaped the look and feel of beloved early Disney shorts and feature films. Foreword by Pete Docter Inspired! Albert Hurter Ferdinand Horvath...
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CRC Press, 2019. — 138 p. — ISBN13: 978-0-8153-8204-1 Rolf Giesen’s Puppetry, Puppet Animation and the Digital Age explores the unique world of puppetry animation and its application in the digital age. With the advent of digital animation, many individuals see puppetry and 2D animation as being regulated to a niche market. Giesen’s text argues against this viewpoint, by...
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Jefferson, NC; London:McFarland & Co, 2012. — 245 p. — ISBN-10: 0786446404; ISBN-13: 978-0786446407 Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study...
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McFarland and Company, 2014. — 216 p. With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai...
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Lyons Press, 2018. — 313 p. — ISBN10: 1630762784, ISBN13: 978-1630762780. True PDF Few morose thoughts permeate the brain when Yosemite Sam calls Bugs Bunny a "long-eared galut" or a frustrated Homer Simpson blurts out his famous catch-word, "D'oh!" A Celebration of Animation explores the best-of-the-best cartoon characters from the 1920s to the 21st century. Casting a wide...
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University of California Press, 2011. — 341 p. — ISBN: 978-0-520-26723-7, ISBN: 978-0-520-26724-4 This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became...
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Hong Kong University Press, 2010. — 256 p. — ISBN: 978-962-209-097-2, ISBN: 978-962-209-098-9 This book is an inter-disciplinary study of the subject of anime, a popular form of Japanese animation. Using a variety of research methods and spanning a period of nine years including intensive fieldwork conducted in Japan and other parts of Asia, the study aims to provide an...
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ReferencepointPress, 2015. — 80 p. — ISBN13: 978-1-60152-665-6 The Discovering Art series introduces readers to major art forms, styles or movements, and periods. Books in the series discuss early development and pioneers; important changes over time in style, tools and techniques; influential artists; and more. The series serves as an excellent starting point for student...
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University of California Press, 1994. — 114 p. Kenner provides a brief, lively history of animation before focusing on the Warner Brothers animation studio, out of which came the wildest, most outrageous cartoons of the 1940s and 1950s. Chuck Jones was one of the directors responsible for the classics featuring the likes of Bugs Bunny, Daffy Duck, and the Road Runner, and his...
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Theme Park Press, 2018. — 216 p. — ISBN10: 1683901622, ISBN13: 978-1683901624 In this one-of-a-kind «biography,» Disney historian Jim Korkis chronicles the animated life of Mickey Mouse, from his birth on a train to proud parents Walt and Lillian Disney, to his upcoming 90th birthday bash. It’s the full and complete story of Disney’s forever-young mouse. Most Disney fans...
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Theme Park Press, 2013. — 296 p. — ISBN10: 0984341501, ISBN13: 978-0984341504 In his 85 years of animated existence, ever-youthful Mickey Mouse has lived a memorable life. Now Disney historian Jim Korkis chronicles that life in mesmerizing detail. From Mickey's humble beginnings on Walt's Disney sketch pad through his dozens of films to his embodiment of the Disney dream and...
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Focal Press, 2012. — 206 p. With the development and accessibility of animation tools and techniques, filmmakers are blurring the boundaries between documentary filmmaking and animation. The intimacy, imperfection and charm of the animated form is providing live-action and animation directors with unique ways to tell stories, humanize events and convey information not easily...
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Indiana University Press, 2016. — 248 p. — ISBN: 978-0-253-02405-3 Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland’s literary and art scenes were also producing a rich array of criticism and early experiments...
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Springer, 2012. — 197 p. — ISBN: 978-1-4614-2100-9, ISBN: 978-1-4614-2101-6 Disney Stories: Getting to Digital explores how Disney, the man and the company, used technological innovation to create characters and stories that engage audiences in many different media, in particular in Video Games and on the Internet. Drawing on Disney films from the twenties and thirties, as well...
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University of Massachusetts Press, 2007. — 152 p. From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five...
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NY: A Da Capo Press, 1986. — 190 p. — ISBN: 0-306-80191-4. This is the most comprehensive book on the animated cartoons ever produced, with inside stuff on every series made between the years 1909 and 1981. Betty Boop, Mickey Mouse, Bugs Bunny, Popeye, Rocky & His Friends, Huckleberry Hound, Top Cat, Spider Man, The Flintstones - they're all here along with information on their...
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Chelsea House Publications, 2012. — 120 p. Hayao Miyazaki is one of the world's most respected Japanese animation filmmakers. He is known for creating compelling characters, engaging stories, and breathtaking animation, all of which have earned him international acclaim while setting box-office records. Miyazaki, who began his career in 1963 as an in-betweener for Toei Doga...
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Chelsea House Publications, 2011. — 142 p. — ISBN13: 978-1-60413-836-8 Best known for creating Mickey Mouse, Walt Disney is one of the 20th century’s most honored and important icons of animation. After producing animated shorts and launching his own animation studio, Disney introduced Mickey Mouse to the world in 1928, and released the first American animated feature film,...
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Chelsea House Publications, 2011. — 176 p. The seven-time Oscar-winning team of William Hanna and Joseph Barbera created or produced some of film and television's most beloved cartoon characters, including Tom and Jerry, the Flintstones, Yogi Bear, Jonny Quest, the Jetsons, and Scooby-Doo. They also pioneered and revolutionized television animation with a less-expensive style...
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Palgrave Pivot, 2016. — 132 p. — ISBN13: 978-1137551627 Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children’s television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray’s Camberwick Green (1966),...
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University of Nebraska Press, 2011. — 296 p. — ISBN: 978-0-8032-3512-0 Although some credit the environmental movement of the 1970s, with its profound impact on children’s television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That’s All Folks? makes...
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Wiley-Blackwell, 2014. — 216 p. French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011. The first book dedicated exclusively to this history. Explores how French animators have forged their own visual styles,...
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Focal Press, 2013. — 288 p. Гайд анимации от легендарного диснеевского художника-аниматора Floyd Norman, лауреата (2005г.) премии Легенды Диснея за экстраординарный и существенный вклад в историю «The Walt Disney Company». История, опыт, советы, приемы, маркетинг. Animated Life is a guided tour through an entire lifetime of techniques, practical hands-on advice and insight into...
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Palgrave Macmillan, 2014. — 231 p. — ISBN: 978-1-349-46122-6, ISBN: 978-1-137-33094-9 British Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and...
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CRC Press, 2018. — 186 p. — ISBN13: 978-1-1385-7128-0 Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, the book will overview the whole history of Japanese animated film, including the latest tendencies and the experimental movies. In addition to some of the most acclaimed directors Miyazaki Hayao, Takahata Isao, Shinkai...
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Farrar, Straus and Giroux, 2009. — 356 p. The Simpsons is one of the most successful shows to ever run on television. From its first moment on air, the series's rich characters, subversive themes, and layered humor resounded deeply with audiences both young and old who wanted more from their entertainment than what was being meted out at the time by the likes of Full House,...
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Paik K., Iwerks L., Catmull E., Jobs S., Lasseter J. — Chronicle Books, 2007. — 320 p. — ISBN13: 978-0-8118-5012-4, ISBN13: 978-1-4521-4765-9 In 1986, gifted animator John Lasseter, technology guru Ed Catmull, and visionary Steve Jobs founded Pixar Animation Studios. Their goal: create a computer animated feature, despite predictions that it could never be done. An...
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Bloomsbury Academic, 2013. — 184 p. Demystifying Disney: A History of Disney Feature Animation provides a comprehensive and thoroughly up-to-date examination of the Disney studio's evolution through its animated films. In addition to challenging certain misconceptions concerning the studio's development, the study also brings scholarly definition to hitherto neglected aspects...
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University Press of Mississippi, 2011. — 192 p. In this volume Don Peri expands his extraordinary work conducting in-depth interviews with Disney employees and animators. These recent interviews include conversations with actors and performers rather than solely animators. This book offers Peri's extensive interviews with Marc Davis, Frank Thomas, and Ollie Johnston, three of...
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University Press of Mississippi, 2008. — 256 p. — ISBN13: 978-1-934110-67-6 This book includes interviews with Ken Anderson, Les Clark, Larry Clemmons, Jack Cutting, Don Duckwall, Marcellite Garner, Harper Goff, Floyd Gottfredson, Dick Huemer, Wilfred Jackson, Eric Larson, Clarence Nash, Ken O’Connor, Herb Ryman, and Ben Sharpsteen. Walt Disney created or supervised the...
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McFarland & Company, 2014. — 424 p. — ISBN13: 978-0786476503 Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These...
  • 3,62 МБ
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McFarland & Company, 2014. — 424 p. Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made...
  • 18,67 МБ
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John Libbey Publishing, 2011. — 304 p. — ISBN: 978-0-86196-900-5. Cartoons—both from the classic Hollywood era and from more contemporary feature films and television series—offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender...
  • 6,51 МБ
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WallFlower Press, 2012. — 234 p. — ISBN10: 0231161980, ISBN13: 978-0231161985 As critical interest has grown in the unique ways in which art animation explores and depicts subjective experience — particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary — this volume offers detailed analysis of both...
  • 13,39 МБ
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McFarland & Company, 2017. — 320 p. — e-ISBN: 978-1-4766-2741-0 The history of animated cartoons has for decades been dominated by the accomplishments of Walt Disney, giving the impression that he invented the medium. In reality, it was the work of several pioneers. Max Fleischer--inventor of the Rotoscope technique of tracing animation frame by frame over live-action...
  • 30,44 МБ
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New Barnet: John Libbey, 2012. — 248 p. — ISBN: 9780-86196-705-6. Soviet Animation and the Thaw of the 1960s examines the remarkable animation that emerged during the post-Stalin period of liberalization in the Soviet Union as an avenue of expression for a new spirit of aesthetic freedom. Drawing on extensive archival research, Laura Pontieri reconstructs the dynamics inside...
  • 34,52 МБ
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Bloomsbury Academic, 2010. — 241 p. — ISBN13: 978- 0- 8264- 2956- 8 This is an introduction to some of the world’s top animation filmmakers, whose faces and voices remain largely unseen and unappreciated outside of the animation community. Skip Battaglia: Skip Man Motion Aaron Augenblick: Last Exit to Brooklyn Chris Landreth’s Psychorealism JibJab: Redefi ning the Toon PES Play...
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Palgrave Macmillan, 2013. — 194 p. — ISBN: 978-1-349-43709-2, ISBN: 978-1-137-01746-8 Animated Documentary, the first book to be published on this fascinating topic, considers how animation is used as a representational strategy in nonfiction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world. On...
  • 3,16 МБ
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TwoMorrows Publishing, 2012. — 288 p. Hailed as one of the fathers of Saturday morning television, Lou Scheimer was the co-founder of Filmation Studios, which for over 25 years provided animated excitement for TV and film. Always at the forefront, Scheimer's company created the first DC cartoons with Superman, Batman, and Aquaman, ruled the song charts with The Archies, kept...
  • 70,39 МБ
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University Press of Kentucky, 2006. — 440 p. Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case,...
  • 30,65 МБ
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The MIT Press, 2013. — 376 p. — ISBN13: 978-0262528405 A behind-the-scenes history of computer graphics, featuring a cast of math nerds, avant-garde artists, cold warriors, hippies, video game players, and studio executives. Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz...
  • 3,38 МБ
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Random House Value Publishing; Revised edition, 1994 — 356 p. Hundreds of full-color and black-and-white illustrations and photographs accompany a definitive chronicle of the history of animation, from magic-lantern shows, through the art of Walt Disney and the growth of cartoon characters, to Beavis and Butthead. The Silent Era, 1914-1928 The Disney Era, 1928-1941 The Studio...
  • 112,66 МБ
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University of Texas Press, 2012. — 295 p. — ISBN13: 978-1-934110-67-6 The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors...
  • 17,66 МБ
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Routledge, 2003. — 272 p. — ISBN: 0–415–28325–6 In September 1960 a television show emerged from the mists of prehistoric time to take its place as the mother of all animated sitcoms. The Flintstones spawned dozens of imitations, just as, two decades later, The Simpsons sparked a renaissance of primetime animation. This fascinating book explores the landscape of television...
  • 1,95 МБ
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University Press of Mississippi, 2011. — 340 p. For ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928, when Steamboat Willie was released. That first Disney Studio cartoon with synchronized sound made its main character — Mickey Mouse — an...
  • 4,08 МБ
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University Press of Kentucky, 2010. — 296 p. Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned...
  • 2,40 МБ
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Www.animationmeat.com, 1995. — 10 p. With foreword by Walt Stanchfield. It is management’s wish that the «Disney Tradition’ be revitalized and maintained. The tradition, as we see it, reflects the desires and aspirations of Walt, who strove to bring animation to a highly developed art. In attempting to recapture the quality attained in former years we need but to refer to the...
  • 24,06 КБ
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1st Hyperion edition. — Abbeville Press, 1981. — 575 p. The most complete book ever written on the subject, this is the fascinating inside story, told by two long-term Disney animators, of the gradual perfection of a relatively young and particularly American art form — which no other movie studio has been able to equal. An out-of-print collector's item since 1986, the...
  • 148,79 МБ
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1st Hyperion edition. — Abbeville Press, 1981. — 575 p. The most complete book ever written on the subject, this is the fascinating inside story, told by two long-term Disney animators, of the gradual perfection of a relatively young and particularly American art form — which no other movie studio has been able to equal. An out-of-print collector's item since 1986, the...
  • 111,85 МБ
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Palgrave Macmillan, 2018. — 261 p. — ISBN: 978-3-319-95491-2, ISBN: 978-3-319-95492-9 This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international...
  • 6,32 МБ
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McFarland & Company, 2011. — 515 p. In the course of its rich history, cinematic animation has developed from silent monochrome images to sound-filled shorts that ran theatrically with newsreels and aventure serials, and ultimately to prestigious feature films like Disney's Fantasia. This expanded update of Graham Webb's The Animated Film Encyclopedia: 1900-1979 (McFarland,...
  • 7,76 МБ
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Rutgers University Press, 2002. — 192 p. — ISBN: 0-85331-203-7 The «cartoon"in the output of the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck in Looney Tunes, and the satiric vision of the Simpsons on television is synonymous with the United States, but the genre rarely is taken seriously. Nevertheless, cartoons are important artistic and...
  • 580,08 КБ
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Pocket Essentials, 2004. — 157 p. — ISBN: 1903047463 9781903047460 Packed with facts as well as expert opinions, this book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. From the moment Mickey Mouse stepped aboard Steamboat Willie, animation has been a global phenomenon. Whether its Bugs Bunny or Tom...
  • 1,10 МБ
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Faber & Faber, 2001. — 342 р. — ISBN 978-0571202287. The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit? Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of...
  • 34,99 МБ
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Springer, 2014. — 152 p. This book will be of interest to scholars and students of Asian studies, cultural industries, economic geography, and related areas of study. It discusses the results of a microscopic survey focusing on topics such as how animation studios form business relationships and how workers gain skills in the industry. The methodology was based on traditional...
  • 5,02 МБ
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История пермской анимации. — С.-Петербург: Маматов, 2012. — 123 с. Мультфильмы на базе творческо-производственного объединения «Пермьтелефильм» (студия Пермского областного телевидения) создавались на протяжении 32 лет, с 1965 по 1997 годы. За это время было выпущено 40 анимационных картин (рисованных, кукольных, пластилиновых), которые демонстрировались не только местным...
  • 6,75 МБ
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М.: ГИИ, 2011. — 181 с. Режиссеру и художнику анимационного кино Ивану Максимову удалось то, что удается немногим — создать свой собственный мир. Каждый из его фильмов — фрагмент этого виртуального мира, во всей своей целостности и полноте существующего в его воображении. В монографии, представляющей собой первое серьезное исследование особенностей стиля режиссера, использован...
  • 3,19 МБ
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М.: Наука, 2001. — 782 с. Эта книга является первым монографическим трудом на русском языке, посвященным описанию отличительных черт и истории японской анимации, и одним из весьма немногих таких исследований, написанных не на японском языке. Борис Андреевич Иванов (1978 г. рождения, москвич) является специалистом в области филологии и киноведения. Владеет (с разной степенью...
  • 133,34 КБ
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М.: Наука, 2001. — 782 с. Эта книга является первым монографическим трудом на русском языке, посвященным описанию отличительных черт и истории японской анимации, и одним из весьма немногих таких исследований, написанных не на японском языке. Борис Андреевич Иванов (1978 г. рождения, москвич) является специалистом в области филологии и киноведения. Владеет (с разной степенью...
  • 75,15 КБ
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М.: Наука, 2001. — 782 с. Книга является первым монографическим трудом на русском языке, посвященным описанию отличительных черт и истории японской анимации. Предисловие Введение Древняя Япония Новая Япония (1853-1959) Новая японская анимация (1960-1970) Классика 1970-х Начало "Золотого века" (1980-1985) Отаку входят в игру (1986-1989) Подъем и падение (1990-1994)...
  • 218,42 КБ
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М.: Наука, 2001. — 782 с. Борис Андреевич Иванов (1978 г. рождения, москвич) является специалистом в области филологии и киноведения. Владеет (с разной степенью свободы) пятью живыми и несколькими мертвыми языками. С 1993 года работает в качестве профессионального переводчика для ведущих российских телекомпаний. С 1998 года также переводит японские анимационные фильмы для...
  • 2,12 МБ
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2-е изд., испр. и доп. — Москва, 2007. — 396 с. В какой стране выпускается больше всего в мире анимационных сериалов в год? В какой стране существуют ежегодные «горячие десятки» полнометражных анимационных фильмов, в то время как в других странах и десяти таких фильмов в год не производится? В какой стране в школе учат рисовать комиксы, киноактеры заимствуют комические позы и...
  • 2,19 МБ
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М. : Искусство, 1980. — 239 с. Книга рассказывает об Иване Петровиче Иванове-Вано — одном из зачинателей советского мультипликационного фильма. Его лучшие картины — «Сказка о царе Дурандае», «В некотором царстве», «Конек-горбунок», «Времена года», «Левша», «Сеча при Керженце» — принесли отечественной мультипликации признательность зрителей, международный авторитет, открыли в...
  • 60,10 МБ
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БрГУ, Брест; 2013, 29 страниц. Содержание. Введение. Понятие и терминология «аниме» и «манга». Первые шаги аниме (1907 – 1970-е). Золотой век аниме – современность. Появление новых жанров и отаку. Заключение. Список использованной литературы.
  • 66,60 КБ
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Периодика, 1977. — 131 с. Редактор киностудии "Таллинфильм" Сильвия Кийк рассказывает об эстонских советских мультипликационных фильмах, знакомит читателей с создателями мультфильмов и их работой. Автор адресует свой рассказ прежде всего юным читателям, но книгу с интересом прочтут и взрослые - все, кто любит мультипликационные фильмы. Одноглазый волшебник По следам чудес Как ожил...
  • 48,14 МБ
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М.: Эйзенштейн-центр. — 125 с. — ISSN: 0235-8212. Номер, посвященный анимации. «Киноведческие записки» — российский историко-теоретический журнал о кино; публикует как новые работы по теории и истории кино, созданные российскими и зарубежными исследователями, так и архивные материалы классиков мирового киноведения. Процесс: проблемы и размышления Хроника развития анимационных...
  • 1,32 МБ
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М.: ВГИК, 2012. — 59 с. — ISBN: 978-5-87149-134-8. Учебно-методическое пособие содержит рабочую программу курса «История анимации», перечень рекомендуемой литературы и методические указания по выполнению курсовой работы. Материалы подготовлены на основе действующего Государственного образовательного стандарта высшего профессионального образования по направлению (071106...
  • 4,14 МБ
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Учеб. пособие по направлению подготовки 51.03.02 Народная художественная культура, профиль Руководство студией кино-, фото-, видеотворчества. — Кемерово: КемГИК, 2016. — 235 с. — ISBN: 978-5-8154-0356-7. В учебном пособии рассматриваются основные аспекты работы над анимационным фильмом и краткая история анимационного кино в творческих портретах известных аниматоров. Особое...
  • 14,92 МБ
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СПбГУКиТ, преподаватель Хлыстунова С.В., Санкт-Петербург, 2014. — 16 с. Предмет - история отечественного кино. Творческая работа О художнике Творческая биография Его взгляд на творчество На пути к "Сказке сказок" «Сказка сказок»: время, память и вечность
  • 45,42 КБ
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Кишинев: Литература артистикэ, 1982. — 137 с. В книге прослеживается становление и развитие мультипликации в республике: от объемной куклы к плоской марионетке и к рисованному фильму. В ней анализируется творчество режиссеров-мультипликаторов, рассматриваются связи молдавской мультипликации с литературой. Войдемте в съемочную группу Вперед... к истокам! Здравствуй, Гугуцэ!...
  • 28,42 МБ
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М.: Гаятри, 2007. — 304 с. Известный режиссер-аниматор Федор Савельевич Хитрук, автор фильмов «История одного преступления», «Топтыжка», «Каникулы Бонифация», «Фильм, фильм, фильм», «Икар и мудрецы» и трилогии о Винни-Пухе, размышляет о профессии, делится секретами мастерства, рассказывает об опыте своей работы и о пути, который привел его в анимацию. Первый том книги состоит...
  • 100,82 МБ
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М.: Гаятри, 2008. — 304 с. Второй том книги известного режиссера-аниматора Федора Савельевича Хитрука, автора фильмов "История одного преступления", "Топтыжка", "Каникулы Бонифация", "Фильм, фильм, фильм", "Икар и мудрецы" и трилогии о Винни-Пухе, посвящен его педагогической и исследовательской работе. В нем рассказывается о почти пятидесятилетнем опыте подготовки режиссеров и...
  • 66,95 МБ
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Auckland University Press, 2009. — 278 p. A companion to the author's bestselling biography of Len Lye, this compelling volume shifts the focus from Lye's life to his art practice and innovative aesthetic theories about "the art of motion," which continue to be relevant today. Going beyond a general introduction to Lye and his artistic importance, this in-depth book offers a...
  • 12,25 МБ
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Penguin Books, 2004. — 312 p. — ISBN: 978-1-101-66266-3 The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of...
  • 9,29 МБ
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Vintage, 2007. — 912 p. — ISBN10: 0679757473, ISBN13: 978-0679757474 The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature...
  • 5,41 МБ
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М.: ВГИК, 2016. — 33 с. Брошюра, содержащая биографию Александра Ханжонкова. Первый кинопродюсер России Александр Ханжонков. Его имя можно поставить в ряд с именами выдающихся русских предпринимателей Третьякова, Морозова, Мамонтова, деятельность которых никогда не сводилась исключительно к получению прибыли — они ставили перед собой и решали задачи, сопряженные с интересами...
  • 9,60 МБ
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М.: ВГИК, 2009. — 68 с. — ISBN: 978-5-87149-116-4 Сборник воспоминаний и статей о Народном артисте СССР, режиссере, художнике, профессоре ВГИКа Иване Петровиче Иванове-Вано (1900 – 1987) включает в себя воспоминания дочери, редактора, режиссеров и художников, многие годы работавших с мастером. Предназначен для студентов гуманитарных факультетов университета. Галина Иванова...
  • 583,41 КБ
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