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Фотография в системе истории искусств

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B
University of Minnesota Press, 2013. — 368 p. From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs...
  • №1
  • 29,71 МБ
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Reaktion Books, 2009. — 192 р. Roland Barthes, one of photography's most influential critics, once described the 'trouble' introduced by the advent of photography. Approaches to the two subjects of literature and photography tend to assess the literary effects of photography, with literature seen as the older, broader, more established cultural form, and photography the new,...
  • №2
  • 16,44 МБ
  • дата добавления неизвестна
  • описание отредактировано
C
Intellect, 2013. — 162 p. — (Intellect Books - Critical Photography). Taking as its starting point the notion of photocinema—or the interplay of the still and moving image—the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. The book’s...
  • №3
  • 7,99 МБ
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Palgrave Macmillan, 2015. — 243 p. Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
  • №4
  • 3,12 МБ
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Palgrave Macmillan, 2015. — 243 p. Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
  • №5
  • 2,41 МБ
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D
Oxford University Press, 2007. — 295 p. Throughout his life, Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. Kafka's personal engagement with the medium - as a keen viewer and collector of photographs as well as an amateur photographer - is reflected in his writings, which explore...
  • №6
  • 2,83 МБ
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H
Routledge, 2012. — 380 p. Photography and architecture have a uniquely powerful resonance - architectural form provides the camera with the subject for some of its most compelling imagery, while photography profoundly influences how architecture is represented, imagined and produced. Camera Constructs is the first book to reflect critically on the varied interactions of the...
  • №7
  • 17,68 МБ
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Routledge, 2012. — 380 p. Photography and architecture have a uniquely powerful resonance - architectural form provides the camera with the subject for some of its most compelling imagery, while photography profoundly influences how architecture is represented, imagined and produced. Camera Constructs is the first book to reflect critically on the varied interactions of the...
  • №8
  • 16,09 МБ
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K
Watson-Guptill Publications, 1999. — 112 p. A look at Paris through the camera of kraft accompanied by excerpts from the world's greatest literature about Paris. Фотокнига на английском о Париже, о его местах и связи этих мест с худ. литературой.
  • №9
  • 14,56 МБ
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L
Bantam Books, 1964. — 228 p. Here is a unique new method of learning to write that is as revolutionary as it is simple. Based on the principle that all effective writing depends primarily on accurate, insightful observation, it teaches the student how to see life with the perceptive eye of the great photographer. Then, the student learns how to express himself and what he has...
  • №10
  • 50,60 МБ
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Bantam Books, 1964. — 228 p. Here is a unique new method of learning to write that is as revolutionary as it is simple. Based on the principle that all effective writing depends primarily on accurate, insightful observation, it teaches the student how to see life with the perceptive eye of the great photographer. Then, the student learns how to express himself and what he has...
  • №11
  • 14,79 МБ
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2nd Edition. — Routledge, 2013. — 233 p. This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed...
  • №12
  • 4,11 МБ
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P
Birkhauser Architecture, 2019. — 254 p. Landscape architecture and photography are closely interrelated, since the former is a constantly evolving thing that can be captured in stills, even eternalized, by photography. What role does photography play in landscape design? How does photography create a new context for landscape?The book investigates such questions in nine essays by...
  • №13
  • 25,26 МБ
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S
Reaktion Books, 1999. — 358 p. Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as...
  • №14
  • 27,01 МБ
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V
University of New Mexico Press, 1972. — 344 p. A book of extraordinary interest that demonstrates with hundreds of paintings and photographs shown side-by-side how ever since photography began in 1837, painters -great ones- have worked from photographs. The subtle additions and omissions, the corrections of the cameras distortion, illuminating fascinating depth the artists...
  • №15
  • 41,06 МБ
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Intellect Ltd, 2015. — 200 p. A new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the United Kingdom, Double Exposures brings together newly commissioned images and essays to explore new ways of bridging performance and photography. Ten years after Vason’s first book, Exposures, this ambitious project...
  • №16
  • 13,94 МБ
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А
Каталог выставки в Государственном Эрмитаже, Санкт-Петербург, 4 декабря 2015 – 17 января 2016. — СПб.: Изд-во Государственного Эрмитажа, 2015. — 97 с. — ISBN: 978-5-93572-620-1. Настоящее издание подготовлено к выставке «Ателье “Светопись Левицкого”. Ранняя русская фотография в собрании Государственного Эрмитажа», которая вслед за выставкой «Эпоха дагеротипа. Ранняя фотография...
  • №17
  • 3,47 МБ
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Г
М.: Новое литературное обозрение, 2011. — 209 с.: ил. — ISBN 978-5-86793-898-7. Оксана Гавришина — историк культуры, доцент кафедры истории и теории культуры РГГУ. Книга «Империя света» составлена из ее статей 2002-2010 годов и посвящена условиям фотографического «видения» — разноплановым, исторически обусловленным и обнаруживаемым внутри самой фотографии, а не в сопутствующих...
  • №18
  • 18,37 МБ
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Москва: Планета, 1971. — 104 с.: ил. Фотографическое видение, фотографический образ, поиски фотографических средств выразительности, взаимосвязь фотографии с изобразительными искусствами, кино и журналистикой - вот вопросы, которые рассматривает автор, основываясь в своих наблюдениях на практике отечественных и зарубежных фотомастеров.
  • №19
  • 61,73 МБ
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