State University of New York Press, 2006 —290 p. — ISBN10: 0791464121 / ISBN13: 978-0791464120 Samer Akkach's "Cosmology and Architecture in Pre-Modern Islam: An Architectural Reading of Mystical Ideas" is a work that anyone interested in the interplay between Islamic cosmology and traditional Islamic architecture should pick up. Insofar as the spiritual economy of Islam is...
Tauris Academic Studies, 2010. — 304 p. — (Library of Modern Middle East Studies). — ISBN10: 1848855443 What is "art" in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body has meant that Islamic and Western art...
Istanbul: YKY, 2015. — 166 s. Osmanlı Hat Sanatı Tarihi, bugün Türkiye'de bir güzel sanat dalı olarak yeniden canlanmış olan yazı çeşitlerinin ve tarzlarının tarih sahnesine çıkışlarına göre kurgulanmıştır.
İstanbul, Türkiye İş Bankası Kültür Yayınları, 2004. — 483 s. — ISBN: 975-458-328-5. Bu kitap böylece adlarını saydığım ve saymayıp adlarını ve çalışmalarını kaynakçada göstermiş olduğum incelemelere dayanmaktadır. Böylece yenilik getiren bir çalışma yerine, bu konuda çalışanların bulgularına yer vererek çok sayıda minyatürle örneklemek başlıca amacım oldu. Böylece bunları...
Aga Khan Trust for Culture, 2012. — 364 p. — ISBN: 978-0-9878463-0-3.
At the height of Islamic civilisations came a magni cent owering of the arts and architecture: the buildings created by the great Islamic dynasties rank among the nest monuments of world culture. To focus one’s attention on material details of these creations and on their representation in the pictorial arts...
Aga Khan Trust for Culture and Sakip Sabanci University & Museum, 2010. — 375 p. — ISBN: 978-605-4348-08-4. The script in which the Qur’an is written has been the primary contributing element to Islamic art, having developed over the centuries and provided Islamic art with its most constant decorative character. The concern to duplicate copies of the Qur’an in the most perfect...
Edinburgh University Press, 2019. — 280 p. — (Edinburgh Studies in Islamic Art). In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining...
Ithaca Press, 1999. — 192 p. — ISBN10: 0863723004 / ISBN13: 978-0863723001. This book is a collection of papers from the 15th Giorgio Levi Della Vida Conference which explore the meaning of Islamic art in liminal contexts. The volume opens with an extended essay on various modes of experience of Islamic art, examining the origins and the continuing use of the so-called Mantle...
Tehran: National Museum of Iran, 2014. — 126 p. — ISBN 978-964-421-183-6. Thanks to its extensive and rich collection of artifacts, the National Museum of Iran, as the flagship museum in Iran, has always endeavored to assemble exhibits on different topics in order provide specialists with research and the laymen with educational opportunities. This year, to celebrate the first...
Edinburgh University Press, 1998. — 248 p. The first object created by God, according to early Muslim commentators, was the pen, which he used to chronicle events to come. The word, in its various manifestations, is central to the Islamic faith. Surely a reflection of this centrality, profuse inscriptions mark countless Islamic objects, from the humblest oil lamps and unglazed...
Yale University Press, 1994. — 376 p. Virtually all the masterpieces of Islamic art--the Alhambra, the Taj Mahal, and the Tahmasp Shahnama--were produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands...
Routledge, 2016. — 465 p. — (The Formation of the Classical Islamic World 23). This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships...
Routledge, 2016. — 471 p. — (The Formation of the Classical Islamic World 23). This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships...
Metropolitan Museum of Art, 1998. — 124 p. — ISBN10: 0300086377 / ISBN13: 978-0300086379. One of the most accomplished works ever created by Islamic craftsmen, the minbar from the Kutubiyya mosque, Marrakesh, was begun about 1137 in Cordoba, a center of Andalusian arts and letters. This pulpit, which had been commissioned by the last Almoravid sultan, All ibn Yusuf, for his...
Phaidon Press, 1997. — 452 p. — (Art & Ideas). In this comprehensive survey, the authors highlight those characteristics that connect the various arts of all the Islamic lands, without minimizing the differences. Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a...
The British Museum Press, 1991. — 244 p. From the Alhambra to the Taj Mahal, from the Dome of the Rock to the ever evolving art of calligraphy, Barbara Brend traces the development of classic Islamic art from the seventh through the twentieth century. The term "Islamic art" suggests a unity of style and purpose, and these works are in fact instantly recognizable for their...
World Wisdom, 2009. — 248 p. — ISBN: 978-1-933316-65-9 (pbk. : alk. paper) Known as an expert on Islam, Sufism, and Islamic arts & crafts, Burckhardt presents in-depth analyses of seminal examples of Islamic architecture, from Spain and Morocco to Persia and India. He examines Koranic calligraphy and illumination, arabesque, carpets and rugs, Persian miniatures, and much more...
Sindbad, 1985. — 286 p. Voici une synthèse magistrale pour connaître et comprendre l'art de l’Islam. Partant de ses principes généraux : alliance de la pratique artistique et de la quête spirituelle (ésotérisme) ;"aniconisme", et non refus de l’image ; rôle fondamental de la langue et prédestination à la calligraphie ; étude des formes et "alchimie de la lumière" ; génie de...
British Museum Press, 2005. — 147 p. This stunning book highlights outstanding examples of design and craft in paintings and manuscripts, calligraphy, metalwork, ceramics, glass, wood and ivory. It offers an exceptional view of an imposing collection of arts from across the Muslim world. The book opens with an introduction asking 'What is Islamic Art?' This sets out the...
New York: Metropolitan Museum of Art, 1997. — 50 p. Astrology in Arabic was called 'ilm ahkam al-nujum' which can be translated as "the science of the judgments of the stars". Its relationship to astronomy was a very close one, since astrology was considerate to be a branch of astronomy — a dependency that is also evidenced by the names assigned to the two sciences ( astronomy...
Edinburgh University Press, 2015. — 456 p. — (Edinburgh Studies in Islamic Art). The subject of this book is the so-called London Qazvīnī, an early 14th-century illustrated Arabic copy of al-Qazvīnī’s The Wonders of Creation and the Oddities of Existing Things , which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the...
Harry N Abrams, Inc., 1970 — 263 p. — ISBN10: 0810980142 / ISBN13: 978-0810980143 All aspects of Islamic art are carefully surveyed within an historical framework in this well-illustrated study
İstanbul: İş Bankası Kültür Sanat Yayınları, Birinci Baskı, 1977. — 520 s. Bu kitabımızda, Türklerin yerleşik yaşamdaki kıdemleri sorununa bir hayli açıklık getirilmektedir. Türklerde şehir ve şehir yaşamının erken devri üzerine sepilen bu aydınlığın, bundan böyle, uygarlık konusunda Türkler hakkında araştırıcıların daha olumlu yargılara varmalarını kolaylaştıracağı umudundayız....
Brill, 2010. — xii, 288 p. — (Handbook of Oriental Studies. Section 1 The Near and Middle East 90). — ISBN 9789004186309; E-ISBN 9789047422372. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book...
Jaca Book, 2018. — 221 p. — (Arte mondo). L'Iran è un paese di frontiera. È luogo di passaggio, cerniera fra Oriente e Occidente e sede privilegiata di autonoma elaborazione artistica. Quella persiana è una delle grandi culture dell'antichità che hanno mantenuto vive attraverso i secoli tradizioni religiose, politiche, urbanistiche e artistiche, adattandole e modificandole...
Brill, 2019. — xii, 178 p. — (Jerusalem Studies in Religion and Culture 25). In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a...
Hurst, 2020. — 328 p. — ISBN-10 1787383059 / ISBN-13 978-1787383050. Against a backdrop of Islamophobia, Europeans are increasingly airbrushing from history their cultural debt to the Muslim world. But this legacy lives on in some of Europe's most recognizable buildings, from Notre-Dame Cathedral to the Houses of Parliament. This beautifully illustrated book reveals the Arab...
Amercain University in Cairo Prees, 1999. — 242 p. In 1827, a brilliant young French engineer and draftsman arrived in Alexandria at the start of a long and fruitful love affair with Egypt and its art, both ancient and contemporary. Emile Prisse d'Avennes (1807-79) spent a total of nineteen years in Egypt, traveling throughout the country to collect the stunning images that he...
Dover Publications, 1978. — 46 p. — ISBN-13 978-0486236582. Ever since the Arab conquest of Egypt in the seventh century, Cairo has been one of the great centers of Islam. The noted French historian Prisse d'Avennes published from 1869 to 1877 his monumental L'art arabe, a sumptuous set of plates illustrating a wide range of art treasures located in and around Cairo. In the...
Flammarion, 2002. — 296 p. Islamic ceramic tilework is surely one of the most magnificent forms of decorative art in the world. Through the centuries Islamic potters and craftsmen have displayed a skill and ingenuity that verge on the miraculous. From Morocco in the west to India in the east, their work adorns mosques and minarets, palaces and mausoleums, revealing an...
Metropolitan Museum of Art. 1992. — 432 p. — ISBN10: 0870996371, ISBN13: 978-0870996375. Language: English In 711 an army of Arabs and Berbers from North Africa, united by their faith in Islam, crossed the Strait of Gibraltar and arrived on the Iberian Peninsula. In less than a decade the Muslims brought most of the peninsula under their domination; they called the Iberian...
Metropolitan Museum of Art, 2012. — 236 p. Learn about art and culture of the Islamic world and glean ideas for supporting studies of English language arts, math, science, social studies, world history, and visual arts. — The Goals of this Resource—Why Include Islamic Art in Your Teaching?—The Structure of this Guide—Recurring Themes in the Art of the Islamic World—Frequently...
Museum With No Frontiers, 2010. — 407 p. — (Islamic Art in the Mediterranean, Egypt). Mamluk Art: The Splendour and Magic of the Sultans tells the story of almost three centuries of political security and economic stability achieved by the sultans' successful defence against Mongol and Crusader threats. The intellectual, scientific and artistic currents that flourished then are...
İstanbul: Kabalcı Yayınevi, 2001. — 198 s. Eski Türkler evreni nasıl tasarlıyorlardı? Evrenle ilgili düşünceleriyle gök, yer ve atalar tapımı gibi dinsel inançlar ve ayinleri arasında ne tür ilişkiler vardı? Emel Esin, Türk Kozmolojisine Giriş'te bu ve benzeri soruların yanıtını arıyor. Yüksek Öğrenimini Paris'te Ecole des Sciences Politiques'in tarih bölümünde yapan ve Türk...
2nd Edition. — The Yale University Press, 2003. — 380 p. — ISBN10: 0300088698 / ISBN13: 978-0300088694. This illustrated book provides an overview of Islamic art and architecture during a time that witnessed the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text,...
Skira, 1977. — 200 p. While it is true that the Islamic religion prohibited the representation of human figure, there were, nevertheless, certain forces at work in the Muslim East which made figural painting possible. One of the purposes of this book is to put the historical record straight and show the unsuspected range and character of Arab painting, a unique and splendid art...
Crabtree Publishing Company, 2011. — 48 p. — ISBN-10 0778721744 / ISBN-13 978-0778721741. Reading age : 10 - 13 years. The contributions to arts and culture by early Islamic empires is considerable. This book explores their great works of literature, as well as such artistic works as Arabesque art, calligraphy, mosques and tombs, palaces, weaving, textiles, metalware, pottery,...
Brill, 2001. — 329 p. A detailed and well-illustrated study of the history, architecture and symbolism of the early 8th-century mosque. The heavily annotated text includes analyses of the mosque's mosaic, interior decoration, clock and colonnade and broader discussions of the ambiguous meaning of the mosque's decorations, the topography of early medieval cities and the visual...
Wiley-Blackwell, 2017. — 1448 p. The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. - This two-volume...
Wiley-Blackwell, 2017. — 1448 p. The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. - This two-volume...
University of Texas Press, 2018. — 2018. — 480 р. — ISBN: 978-1477312469. Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in...
Wiley-Blackwell; 1 edition — 2010 — 184 pp. — ISBN10: 1405129581 / ISBN13: 978-1405129589 Picturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous. It presents a unique addition to the anthropology of art and religion,...
Edinburgh University Press, 2013. — 534 p. Explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world - 30 case studies explain different aspects and contexts of calligraphy in Islamic architecture - Geographically wide-ranging – covers North Africa, the Middle East, South Asia, China and Spain - Takes an interdisciplinary...
Edinburgh University Press, 2013. — 534 p. Explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world - 30 case studies explain different aspects and contexts of calligraphy in Islamic architecture - Geographically wide-ranging – covers North Africa, the Middle East, South Asia, China and Spain - Takes an interdisciplinary...
Edinburgh University Press, 2013. — 534 p. Explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world - 30 case studies explain different aspects and contexts of calligraphy in Islamic architecture - Geographically wide-ranging – covers North Africa, the Middle East, South Asia, China and Spain - Takes an interdisciplinary...
I.B. Tauris, 2001. — 160 Pages.
Five essays explore aspects of aesthetics in classical Islamic thought in light of contemporary theories, offering new perspectives on Islamic with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the philosophers of the Middle Ages...
Ashgate, 2005. — 354 p. Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the topic, the three subsequent volumes being entitled: Islamic Visual Culture, 1100-1800; Islamic Art and...
Yapı Kredi Yayınları, 1998. — 323 S. Erken dönem İslam sanatının doğası üzerine yapılmış bu klasik çalışma, son zamanlarda gün ışığına çıkmış olan malzemeleri de içerecek şekilde güncellenmiştir. Oleg Grabar yeni eklediği bir bölümde, İslam sanatının oluşumuna dair alternatif modeller geliştirirken kronolojisini de daha görünür kılıyor ve Müslüman dünyasının çağdaş sanatına...
Ashgate, 2006. — 388 p. Islamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art,...
Ashgate, 2006. — 487 p. Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic...
Prestel, 2009. — 221 p. A renowned scholar of Islamic art, history and culture, Oleg Grabar introduces in this book a wide range of illuminated manuscript masterpieces from the eighth to the seventeenth century. The heroes of grand epics such as Alexander the Great are found side-by-side with mythical monarchs, sultans, and even monsters. Illuminated manuscripts of the Koran,...
Yale University Press, 3rd Printing, 1978. — 340 p. — ISBN: 9780300040463. This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its...
BAR Publishing, 2012. — 159 p. — (BAR International Series 2436). I. METALWORK AND TEXTILES The Freer Canteen: Jerusalem or Jazira? - Teresa Fitzherbert Mamluk Textiles - Maria Sardi The Captivating Power of Textiles - Miriam Ali-de-Unzaga II. CERAMICS Unravelling the Enigmatic Fourteenth-Century Mamluk and Mongol Fine Wares: How to Solve the Problem - Rosalind A. Wade Haddon...
Oxford University Press, 2018. — 353 p. The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate...
Tehran: Central Council of the Celebration of the 2500th Anniversary of the Founding of the Persian Empire by Cyrus the Great in collaboration with Franklin Book Program, Inc., 1971. — 120 p. Album of miniatures in the Baysonghori manuscript of that Shahnameh of Ferdowsi, which was prepared by the order of the Timurid prince Baysunghur Mirza at 1426 and finished at January 31,...
Skira, 1977. — 182 p. Tout au cours de son histoire, la Perse a possédé une tradition qui s'est tenacement maintenue en dépit des vicissitudes des temps et d'une situation géographique difficile. L'âpre plateau iranien, le coeur de la Perse, explique l'importance vitale de l'eau dans ce pays; les montagnes neigeuses qui le cernent la lui envoient. Zone de transit à...
Indiana University Press, 2010. — 305 p. — ISBN-10 0253353777 / ISBN-13 978-0253353771. Over the course of ten centuries, Islam developed a rich written heritage that is visible in paintings, calligraphies, and manuscripts. The Islamic Manuscript Tradition explores this aspect of Islamic history with studies of the materials and tools of literate culture, including pens, inks,...
Brill, 2016. — 235 p. — (Arts and Archaeology of the Islamic World 8). In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique...
Brill Academic Publishers, 2007. — 496 p. — (Islamic History and Civilization 68). The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the...
Baku: Aspoligraf, 2011. — 400 p. Foreword The genesis of miniature painting in XIII century XIV century - early Tabriz style - the Age revolutionary changes XV century - The era of dissemination of Tabrizi painters XVI century - The blossoming of Tabriz Safavi painting
Ullmann, 2013. — 608 p. Ce livre montre toute la diversité de l'art et de l architecture islamiques, textes scientifiques et photos de très grande qualité à l appui. L'Islam, la deuxième religion de l'humanité après le christianisme, la plus jeune également, a marqué le monde de son empreinte et l'a profondément modifié depuis la venue du prophète Mahomet au VIIe siècle. Dans...
Ullmann, 2013. — 608 p. Ce livre montre toute la diversité de l'art et de l architecture islamiques, textes scientifiques et photos de très grande qualité à l appui. L'Islam, la deuxième religion de l'humanité après le christianisme, la plus jeune également, a marqué le monde de son empreinte et l'a profondément modifié depuis la venue du prophète Mahomet au VIIe siècle. Dans...
İstanbul: Literatür Yayınları, 2007. — 641 s. — ISBN 9789750404054. Dünya Dini ve Kültürel Güç Olarak İslam-İslam Dünyasında Sanat ve Kültür-Cami -İslam’da Bilim -Suriye ve Filistin: Emevi Halifeliği - Irak, İran ve Mısır: Abbasiler - İslam Süsleme SanatıTunus ve Mısır: Aglebiler ve Fatımiler -Aglebiler-Fatımiler-Sicilya ve Güney İtalya’daki Fatımi Etkileri -Suriye, Filistin ve...
Könemann, 2004. — 639 p. Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. This book follows the historical development of the Islamic dynasties and regions, showing the variety of their forms of artistic expression from the...
Könemann, 2004. — 639 p. Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. This book follows the historical development of the Islamic dynasties and regions, showing the variety of their forms of artistic expression from the...
H.F. Ullmann Publishing Gmbh, 2015. — 624 p. — ISBN-10 3848008386 / ISBN-13 978-3848008384. Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. This book follows the historical development of the Islamic dynasties and regions,...
H.F. Ullmann Publishing Gmbh, 2015. — 624 p. — ISBN-10 3848008386 / ISBN-13 978-3848008384. Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. This book follows the historical development of the Islamic dynasties and regions,...
H.F. Ullmann Publishing Gmbh, 2015. — 624 p. — ISBN-10 3848008386 / ISBN-13 978-3848008384. Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. This book follows the historical development of the Islamic dynasties and regions,...
Singapore: Concept Media/Aga Khan Award for Architecture, 1990. — 241 p. — (Series: Exploring Architecture in Islamic Cultures) - ISBN-10 : 1855740125 / ISBN-13 : 978-1855740129. This book records the proceedings of the international seminar entitled "Expressions of Islam in Buildings", held in Indonesia in 1990. Leading specialists including historians, architects,...
Thames and Hudson, 1999. — 288 p. — ISBN10: 0500203059 / ISBN13: 978-0500203057 "Hillenbrand brings a fresh viewpoint to old and standard concepts...an interesting and refreshing work." - The Times Higher Education Supplement Embracing a thousand years of history and an area stretching from the Atlantic to the borders of India and China, Robert Hillenbrand - a world authority...
Edinburgh University Press, 2021. — 449 p. — (Edinburgh Studies in Islamic Art). Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension,...
Homer Yayınları, 2005. — 304 s. İslam sanatı ve mimarlığının dünya çapındaki uzmanı Robert Hillenbrand, bin yıllık bir tarihi ve Atlantik'ten Hindistan ve Çin sınırlarına uzanan bir alanı ele alarak, İslam uygarlığına ait sanatların yeni bir sentezini oluşturan rakipsiz bir eser yazdı. Hillenbrand, mimarlık, hat sanatı, kitap süsleme, resim, seramik, cam, dokuma ve metal...
National Gallery of Art, Washington — 2004 — 59 pp.
Prepared in conjuction with the exhibition Palace and Mosque: Islamic Art from the Victoria and Albert Museum, this packet is a resource for teaching Islamic art and culture, from its beginnings in the 7th century up to the 18th century. Drawing on 20 examples of architecture, calligraphy, manuscript illumination, and the...
Edinburgh University Press, 2020. — 320 p. — (Edinburgh Studies in Islamic Art). Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rūm were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume....
Edinburgh University Press, 2017. — 200 p. Explores the pictorial, material and technological richness of the Persian world In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the...
Edinburgh University Press, 2017. — 200 p. Explores the pictorial, material and technological richness of the Persian world In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the...
Edinburgh University Press, 2009. — 304 p. — (Edinburgh studies in Islamic art). The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central...
Edinburgh University Press Ltd., 2009. — 304 p. — (Edinburgh Studies in Islamic Art). — ISBN10: 0748635823 / ISBN13: 978-0748635825. The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination...
Otto Harrassowitz Verlag, 2008. — 300 p. — (Abhandlungen für die Kunde des Morgenlandes 63). This edited volume brings together current research on the art, architecture, and archaeology of the northern littoral of the Black Sea, the Crimea, the Caucasus, and the Volga-Ural regions, covering the time span from the Seljuk period to the twentieth century. The authors are...
Edinburgh University Press, 2019. — 314 p. — (Edinburgh Studies in Classical Islamic History and Culture). Transforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the world’s most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figures and scenes that have puzzled modern scholars, focusing on five...
C.H.Beck, 2023. — 162 S. Dieses Buch bietet einen lebendigen Überblick über die islamische Kunst von ihren Anfängen bis in die Moderne. Es stellt sowohl die Grundzüge dar, die sich in der gesamten islamischen Welt finden, und zeichnet die vielfältigen regionalen Traditionen nach, die den Reichtum der islamischen Kunst ausmachen. Lorenz Korn erklärt das «Bilderverbot» des Islam...
Arkeoloji ve Sanat Yayınları, 1982. — 250 S. Tutarlı bir tarih yazıcılığı ve kültür yorumu kavramsal bir durulaşma gerektirir. Kavramsal durulaşma kavram tanımının donması değil, tanımın giderek daha geniş ilişkileri içine alması ve daha geniş bir 'consensus'a oturmasıdır. Türk Tarihi, Türkiye Tarihi ile ilgili konularda bu durulaşmanın bundan yüzyıl öncesine göre çok ilerde...
Rosen Education Service — 1st Edition — 2010 — 233 pp. — ISBN10: 1615300198 / ISBN13: 978-1615300198 The many followers of Islam are spread around the globe from traditional lands in the Middle East and parts of Africa to metropolitan European cities. This extremely varied group of people nevertheless shares a distinct and rich style of arts, architecture, poetry, epic...
Los Angeles County Museum of Art/Arthur M. Sackler Gallery/Smithsonian Institution Press, 1989. — 396 p. Presents illuminated manuscripts, paintings, drawings, ceramics, metalwork, and jade-, stone-, and woodcarving shown in a major exhibition of Timurid art and artifacts.
Museum With No Frontiers, 2010. — 328 p. — (Islamic Art in the Mediterranean, Italy). Islamic Culture in Medieval Sicily illustrates how the great artistic and cultural heritage of the Arabs who ruled the island in the 10th and 11th centuries was assimilated and reinterpreted during the Norman reign that followed, achieving its acme in the resplendent age of Ruggero II in the...
Penguin Books, 1980. — 64 p. — ISBN10: 0140052380 / ISBN13: 978-0140052381 Spread by lightning-swift conquests in the seventh and eighth centuries, Islam enveloped many different cultures from India to Spain. Only gradually did these various cultures come to share a common artistic style — a fusion of influences from a vast social and geographical range. Architecture,...
Parkstone Press Ltd, 2009. — 256 p. — ISBN: 978-1-78042-993-9.
Islamic art is not the art of a nation nor of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art,...
Parkstone International, 2012. — 256 p. Islamic art is not the art of a nation nor of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all...
Parkstone International, 2015. — 256 p. Islamic art is not the art of a nation nor of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all...
Parkstone International, 2009. — 256 p. Les arts de l’Islam ne sont pas les arts d’une nation ni ceux d’un peuple, mais ceux d’une religion, l’Islam. Partis d’Arabie, ses croyants prosélytes surent conquérir, en quelques siècles, un territoire allant de l’océan Atlantique à l’océan Indien. Multiculturel et pluriethnique, cet art polymorphe et hautement spirituel, au sein duquel...
Parkstone International, 2009. — 256 p. Les arts de l’Islam ne sont pas les arts d’une nation ni ceux d’un peuple, mais ceux d’une religion, l’Islam. Partis d’Arabie, ses croyants prosélytes surent conquérir, en quelques siècles, un territoire allant de l’océan Atlantique à l’océan Indien. Multiculturel et pluriethnique, cet art polymorphe et hautement spirituel, au sein duquel...
Parkstone International, 2015. — 256 S. Die islamische Kunst ist weder die Kunst einer Nation noch eines Volkes, sondern die Kunst des Islam. Die von der arabischen Halbinsel kommenden Gläubigen eroberten innerhalb weniger Jahrhunderte ein Gebiet, das sich vom Atlantik bis zum Indischen Ozean erstreckte. Diese vielgestaltige, sehr spirituelle, multi-kulturelle und...
Routledge, 2024. — 328 p. — ISBN: 978-1-032-44814-5 Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional...
McGill-Queen's University Press, 2022. — 448 p. Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the...
Edinburgh University Press, 2016. — 320 p. — (Edinburgh Studies in Islamic Art). Located on the Temple Mount in Jerusalem, the Dome of the Rock was constructed at the end of the seventh century by order of caliph ‘Abd al-Malik. This seminal structure has been much studied but no definitive interpretation yet exists of the meanings conveyed by the Dome at the time of its...
Editör: Coşkun Yılmaz. — İstanbul: TC Kültür Bakanlığı Yayınları, 2022. — 96 s. — ISBN 978-975-17-5308-3. Fotoğraf sanatının dünyadaki saygın isimlerinden Sayın İzzet Keribar’ın objektifinden derlenen bu özel seçkinin bir kısmını “MİRAS: İstanbul’da Osmanlı Mimarisi ve Çini Sanatı” adıyla, 2-30 Ekim 2021 tarihleri arasında Türk ve İslam Eserleri Müzesi’nde sizlerle...
State University of New York Press, 1987. — 224 p. — ISBN-10 9780887061752 / ISBN-13 978-0887061752. With remarkable breadth of vision, Seyyed Hossein Nasr reveals for both Western and Muslim readers how each art form in the Islamic tradition is based upon a science of nature concerned, not with the outer appearance of things, but with their inner reality. Ranging across...
Brill, 2006. — 657 p. — (Muqarnas. Supplements 11). The sixteenth-century Ottoman architect Sinan is today universally recognized as the defining figure in the development of the classical Ottoman style. In addition to his vast oeuvre, he left five remarkable autobiographical accounts, the Adsız Risale, the Risāletü'l-Miʿmāriyye, Tuḥfetü'l-Miʿmārīn, Teẕkiretü'l-Ebniye and...
Getty Publications, 1996. — 384 p. Precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world. One exceedingly rich and valuable source of information, however, is the Timurid pattern scroll in the collection of the Topkapi Palace Museum, examined here by Gulru Necipoglu." "In The Topkapi Scroll - Geometry and...
Brill, 2016. — xviii, 242 p., 71 ills. — (Arts and Archaeology of the Islamic World 5). Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif, also known as the Temple Mount, Lawrence Nees provides...
Edinburgh University Press, 2005. — 384 p. People have been searching for meaning in Islamic art for centuries. This generously illustrated book explores the iconography of Islamic art from an illuminating range of perspectives. An overarching theme connects these varied approaches, linking the interpretation of objects to textual sources. The result is a collection of...
Edinburgh University Press, 2023. — 752 p. — (Edinburgh Studies in Islamic Art). This volume offers an overview of the state of the field, and shows the importance of Islamic inscriptions for disciplines such as art history, history and literature. The chapters range from surveys to detailed exploration of individual topics, providing an insight to some of the most recent...
Edinburgh University Press, 2021. — 508 p. — (Collected Papers in Islamic Art). This lavishly illustrated volume features 19 articles by Bernard O’Kane on a wealth of topics in medieval Islamic art. O’Kane examines controversial subjects such as the Siyah Qalam album paintings and major masterpieces of both Arab and Persian illustrated manuscripts. He analyses Egyptian and...
Novi Sad: Bratstvo jedinstvo, 1971. — 278 p. Knjiga je bogato ilustrovana crno-belim i fotografijama u boji. Istorijski pregled Nastajanje džamija i prva ostvarenja religiozne arhitekture Stara abasidska umetnost Umetnost Tulunida Samanidska umetnost Umetnost Gaznavida Umetnost Fatimida Umetnost u Španiji i Magrebu Seldžučka umetnost Umetnost Mongola Osmanlijska umetnost...
İstanbul: A.Turizm Yayınları, 1992. — 132 s. Bu kitabın amacı Çinili Köşk Müzesi'nde sergilenen eserlerin bir bölümünü Türk çini ve keramik sanat tarihsel gelişimi içinde tanıtmaktır. Kitapta günümüzde sergilenen üç yüzü aşkın eserden yüz kadarı resimleriyle birlikte sunulmuştur. Eserlerin seçiminde Türk çini ve keramiklerinin sanat tarihi içindeki yerini ve gelişimini gösteren...
I.B.Tauris, 2012. — 544 p. The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the...
I.B.Tauris, 2012. — 544 p. The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the...
Brill, 2023. — 302 p. — (Arts and Archaeology of the Islamic World 19). These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and...
Singapore: Concept Media/Aga Khan Award for Architecture, 1983. — 104 p. — (Series: Exploring Architecture in Islamic Cultures). — ISBN 13 9789971843694. Proceedings from a regional seminar organised by the Aga Khan Award for Architecture held in Kuala Lumpur, Malaysia, in 1983, which brought together forty participants from nine countries in South-East Asia and further afield...
Singapore: Concept Media/Aga Khan Award for Architecture, 1989. — 156 p. — (Exploring Architecture in Islamic Cultures). — ISBN 10 981-00-0555-5. This book records the proceedings of the third in a series of regional seminars within the general title "Exploring Architecture in the Islamic World". This seminar was held in Malta in 1989. Architectural criticism ultimately can...
E. P. Dutton, 1964 — 160 p. — ISBN10: 9999237886 / ISBN13: 978-9999237888 The story of Moslem art is told almost as a travelogue of the Islamic countries. Following a brief introduction, which pinpoints the beginnings of the arts among the Arabs, the varieties of design are described in terms of the various cities and countries which are prominently Moslem, and have been...
Institut français d'archéologie orientale, 1917. — 74 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 40). Cette étude concerne les revêtements céramiques dans les monuments d'art musulman en Egypte; c'est un des chapitres destinés au travail d'ensemble, que nous nous proposons de faire, sur la décoration en mosaïque et en carreaux...
Thames & Hudson, 1985. — 288 p. — ISBN10: 0500201501 / ISBN13: 978-0500201503. David Talbot Rice was Lecturer on Byzantine and Near-Eastern Art at the Courtauld Institute, London, and then Watson-Gordon Professor of Fine Art at Edinburgh University. His books included Islamic Art (1965, rev 1975), published in the World of Art, The Art of Byzantium (1959) and The Byzantines...
Routledge, 2016. — 214 p. Despite political upheavals under Muslim domination in the Middle Ages, Palestine was a center of great artistic activity recognized for its incredible dynamism. Its unique contribution to the Islamic “macrocosm,” however, never became the subject of extensive study. Numerous archeological excavations on this relatively small geographic area reveal the...
Routledge, 2016. — 214 p. Despite political upheavals under Muslim domination in the Middle Ages, Palestine was a center of great artistic activity recognized for its incredible dynamism. Its unique contribution to the Islamic “macrocosm,” however, never became the subject of extensive study. Numerous archeological excavations on this relatively small geographic area reveal the...
Brill, 2014. — 342 p. — (Arts and archaeology of the Islamic world 2). Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests...
Lienart, 2021. — 331 p. Les émirs mérinides partagèrent avec leurs prédécesseurs le même amour pour les beaux bâtiments. Dans la seconde moitié du XIIIe siècle, ils choisirent Fès comme nouvelle capitale. Par sa dimension spirituelle et intellectuelle, la vieille cité les avait aidés à renforcer leur pouvoir et leur avait apporté du prestige. En moins d'un siècle, entre 1276 et...
Lienart, 2021. — 331 p. Les émirs mérinides partagèrent avec leurs prédécesseurs le même amour pour les beaux bâtiments. Dans la seconde moitié du XIIIe siècle, ils choisirent Fès comme nouvelle capitale. Par sa dimension spirituelle et intellectuelle, la vieille cité les avait aidés à renforcer leur pouvoir et leur avait apporté du prestige. En moins d'un siècle, entre 1276 et...
Lienart, 2016. — 291 p. Hommes de culture, attachés à la centralisation du pouvoir, sensibles aux modèles européens et ottomans, les Saadiens firent de Marrakech leur capitale, restant méfiants à l'égard de Fès, citée intellectuelle où les autorités religieuses ne leur étaient pas toujours favorables. A l'initiative de deux souverains remarquables, Mulây 'Abd Allâh al-Gâlib...
The American University in Cairo Press, 2007. — 232 p. — ISBN-10 9774160959 / ISBN-13 978-9774160950. This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman...
Brill, 2006 — xiv, 314 pp. 64 illus. — (Handbook of Oriental Studies. Section 1 The Near and Middle East, Volume: 82) — ISBN: 978-90-04-14789-8 This is the first comprehensive examination of block printing in the medieval Islamic world. Examples of Arabic block prints have been preserved in various collections across the globe, but they have long been treated as curiosities and...
Trans-Atlantic Publications, 2nd Edition, 2010 — 236 p. — ISBN10: 1874044376 / ISBN13: 978-3-902782-03-8 This thematic travel guide explores the intellectual, scientific and cultural heritage seen in Mamluk architecture and decorative arts through eight suggested travel itineraries. Seven of these are one-day trips, one being two-days, around Cairo and the northern cities of...
Cambridge: Cambridge University Press, 2019. — 403 p. Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new...
Imprimerie Nationale, 2012. — 187 p. Si l'on mesure à l'aune de l'architecture la production des édifices religieux en Espagne, dans les Asturies et dans le califat omeyyade, on saisit la disparité qui existe entre le David mozarabe et le Goliath arabe. Au regard des minuscules chapelles et des espaces cloisonnés des églises du Nord de la Péninsule, l'immensité de la salle de...
Imprimerie Nationale, 2012. — 187 p. Si l'on mesure à l'aune de l'architecture la production des édifices religieux en Espagne, dans les Asturies et dans le califat omeyyade, on saisit la disparité qui existe entre le David mozarabe et le Goliath arabe. Au regard des minuscules chapelles et des espaces cloisonnés des églises du Nord de la Péninsule, l'immensité de la salle de...
Thames & Hudson, 2002. — 319 p. A beautifully illustrated survey of Islamic architecture and architectural decoration from the frontiers of Iran to the heart of India. From Isfahan through Samarqand and to the Taj Mahal, the luxurious 'Persian style' took Islamic art to new aesthetic heights. In this superbly crafted survey, Henri Stierlin discusses the vast scope of Islamic...
New York: The Metropolitan Museum, 1994. — 149 p. — ISBN: 0-87099-693-2. The two fourteenth-century manuscripts that are the subject of this catalog. The poetic antology "Mu'nis al-ahra" and "Shahnama".
University of Washington Press, 2002. — 224 p. — ISBN-10 0295981334 / ISBN-13 978-0295981338. The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the...
Malibu, California: J. Paul Getty Museum, 1995. — 100 p. — ISBN: 0892363622. In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an...
Westerham Press Ltd., 1976. — 393 p. — ISBN-10 9780728700819 / ISBN-13 978-0728700819. Catalog of an exhibition organized by the Arts Council of Great Britain in association with the World of Islam Festival Trust. Includes indexes. Illus. (some col.) incl. map and diagr. Bibliography: p. 375-383. Subject: Hayward Gallery. Islamic art - Decoration and ornament, Islamic -...
Brill, 2015. — xii, 218 p. — (Islamic History and Civilization 116). Ce livre présente une étude historique et culturel sur l'art figuration humaine et le portrait dans un contexte islamique médiéval basé sur des sources littéraires et iconographiques. Avec: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati This book...
Edisud, 2000. — 263 p. — (L' Art Islamique en Méditerranée Series). A la découverte d'un art de vivre raconte l'histoire des échanges entre la frontière occidentale du Maghreb et Al-Andalus sur plus de cinq siècles. A ce carrefour, les circonstances politiques et sociales ont donné naissance à un courant culturel, technique et artistique dont l'envergure se révèle dans la...
NY: The Metropolitan Museum of Art, 1973. — 418 p. Situated on the great plateau of central Iran, Nishapur was for centuries an important political and cultural center: a seat of governmental power in eastern Islam, a dwelling place for diverse ethnic and religious groups, a trading stop on commercial routes from Transoxiana and China, Iraq and Egypt. Nishapur's most...
Metropolitan Museum of Art, 1987. — 328 p. — ISBN10: 0870994026 / ISBN13: 978-0870994029. One of the greatest cities in medieval Iran was Nishapur, located in the eastern province of Khurasan. Historical records attesting to its immense importance as a center of Islamic culture made it a logical and promising site for excavation. Founded during the Sasanian dynasty (and given...
American University in Cairo Press, 2002. — 303 p. Cairo's Islamic monuments are part of an uninterrupted tradition that spans over a thousand years of building activity. No other Islamic city can equal Cairo's spectacular heritage, nor trace its historical and architectural development with such clarity. The discovery of this historic core, first visually by nineteenth-century...
Garnet Publishing Limited, 2006. — 286 p.
Printed and bound in Lebanon by International Press.
Chapters:
Umayyad and Tulunid Architecture
Fatimid Architecture
The Decorative Arts of the Tulunids and Fatimids
Ayyubid Architecture
The Architecture of the Bahri Mamluks
The Decorative Arts of the Ayyubids and Mamluks
The Architecture of the Burji Mamluks
Edisud, 2002. — 250 p. — (L' Art Islamique en Méditerranée Series). Genèse de l'Art Ottoman: Héritage des émirs présente les oeuvres artistiques et architecturales réalisées en Anatolie occidentale au XIVe et XVe siècles, sous l'influence de la dynastie ottomane, alors en pleine ascension. Les émirs turcs ont opéré une fusion stylistique entre les traditions d'Asie Centrale et...
Ankara: Türkiye İş Bankası Kültür Yayınları, 1992. — 291 s. Bu kitap, Anadolu Selçuklularının mimari süsleme ve el sanatlarını bir bütün olarak ele a!lp, özlü bir şekilde sunmak amacı ile hazırlanmıştır. Konumuz sadece Anadolu Selçuklu devriyle ilgili olduğundan, ancak gereğinde, 1 4. yüzyıl Beylikler devrinin çeşitli sanatlardaki uzantılarına değinilmiştir. Çeşitli çevrelerin...
İstanbul: Maarif Basımevi, 1955 — 850 s. Son Hattatlar yahut İbnülemin’in verdiği isimle Kemâlü’l-Hattâtîn; Gelibolulu Âlî’den ve Müstakimzâde Süleyman Saadeddin Efendi’den devralının biyografi yazımının son halkasını temsil ediyor. İbnülemin kaynaklardan ulaştığı yahut bizzat tanıştığı hattatların ayrıntılı yaşamöykülerini ve eserlerinden numuneleri bir araya getiriyor. Bu...
Л.: Искусство, 1985. — 167 с., илл. Иллюстрируемая рукопись поэмы Фирдоуси "Шахнаме", датируемая 1333 годом, хранится в Санкт-Петербурге в Государственной Публичной библиотеке им. М.Е.Салтыкова-Щедрина. Это ценнейший, поистине уникальный памятник известен в литературе, однако в предлагаемом издании впервые дается подробная научная характеристика его содержания, полностью...
Л.: Искусство, 1985. — 167 с. Иллюстрируемая рукопись поэмы Фирдоуси "Шахнаме", датируемая 1333 годом, хранится в Санкт-Петербурге в Государственной Публичной библиотеке им. М.Е.Салтыкова-Щедрина. Это ценнейший, поистине уникальный памятник известен в литературе, однако в предлагаемом издании впервые дается подробная научная характеристика его содержания, полностью публикуются...
СПб.: Петербургское Востоковедение, 2007. — 352 с. — (Iranica)
Настоящая книга продолжает серию книг «Iranica», рассказывающую о современном Иране во всех проявлениях его общественной жизни.
Этот проект воспроизводит на русском языке аналогичную иранскую книжную серию «Книга об Иране». Данная серия книг была задумана в 1375/1996 г. в Центре международных культурных...
Душанбе: Дониш, 1978. — 185 с. Работа посвящена школам миниатюрной живописи XVI в. Тебриза, Мешхеда, Шираза. На примерах иллюстраций к произведениям Джами из собраний СССР, сопоставлении их с миниатюрами XVI в., иллюстрирующими поэмы других авторов, дается картина развития живописи данного периода во всем ее многообразии. Показана эволюция художественных средств и приемов как...
Душанбе: Ифрон, 1974. — 127 с. В книге рассматриваются принципы и практики иллюстрирования поэтических текстов персидской литературы в миниатюрах XIV-XVII вв. из советских собраний. Издание иллюстрировано цветными репродукциями. Текст на русском и английском языках.
Л.: Изд. Академии Наук СССР, 1932. — 76 с. Бухарская коллекция рукописей Азиатского музея образовалась в результате двух поездок В. А. Иванова в Бухару, которые он совершил летом и осенью 1915 года по поручению Академии Наук со специальною задачей собирания рукописей.1 2 3 * Всего за две поездки им было собрано 1057 рукописных томов на арабском, персидском и турецком языках....
М.: Искусство, 1982. — 208 с. Книга является первой в советской искусствоведческой литературе работой, знакомящей читателя с наиболее значительными палестинскими художниками, в произведениях которых ярко отразилась героическая борьба палестинских арабов за свою свободу и независимость. Авторы рассказывают о зарождении и развитии современных художественных направлений в культуре...
Москва: Издательская фирма "Восточная литература" РАН, 1997. — 422 с, ил. ISBN: 5-02-017707-5 В книге на материале мифологии, эпоса, поэзии, а также произведений пластических искусств прослежены различные облики устойчивых символических художественных образов, просуществовавших в искусстве Ирана с V в. до н. э. почти до наших дней. Реконструкция того смысла, который им...
Москва : Фаир, 2008. — 334, [1] с. : ил. Книга представляет собой богато иллюстрированный, всесторонний обзор истории искусства, рожденного исламской традицией. На примере конкретных памятников автор ярко и содержательно показывает основные этапы его формирования и развития в разных регионах мира, затрагивая при этом все стороны общественной жизни - от государственной политики...
Пер. с англ. М.: Фаир, 2008. 600dpi (текстовой слой, интерактивное оглавление). Отсутствует "Введение" (стр. 3-23). Представленная здесь богато иллюстрированная история исламского искусства обозревает блистательные достижения мусульманских художников и ремесленников на протяжении более чем 1200 лет, с седьмого по девятнадцатый век н.э. Зодчество, рукописная книга, керамика и...
Таганрог: Ирби, 2009. — 288 с.: ил. — ISBN: 5-94673-050-9. Эта книга обращена к самой сути искусства ислама. Она излагает основные принципы, благодаря которым можно приоткрыть дверцу, ведущую к кладезям этого искусства, где бы они не обнаруживались. автор проводит читателя через основные аспекты исламского искусства и участие этого искусства в литургии и поляризации кочевых и...
Таганрог: Ирби, 2009. — 288 с.: ил. — ISBN 5-94673-050-9. Эта книга обращена к самой сути искусства ислама. Она излагает основные принципы, благодаря которым можно приоткрыть дверцу, ведущую к кладезям этого искусства, где бы они не обнаруживались. автор проводит читателя через основные аспекты исламского искусства и участие этого искусства в литургии и поляризации кочевых и...
СПб: Российская Национальная Библиотека, 2008. — 133 с., 121 ил. — ISBN 978-5-8192-0330-9 Издание посвящено одной из наиболее ценных в художественном отношении коллекции Отдела рукописей Российской национальной библиотеки - персидским рукописным книгам XIV-XVII веков. На страницах издания приводятся данные о формировании собрания, дается краткая история развития искусства книги...
СПб.: Российская Национальная Библиотека, 2008. — 132 с.: 121 ил. Издание посвящено одной из наиболее ценных в художественном отношении коллекции Отдела рукописей Российской национальной библиотеки - персидским рукописным книгам XIV-XVII веков. На страницах издания приводятся данные о формировании собрания, дается краткая история развития искусства книги Ирана, но главное —...
М.: Искусство, 1974. — 187 с.: 88 л. ил. — (Из истории мирового искусства). Борис Владимирович Веймарн (1909—1990) — историк искусства, востоковед, доктор искусствоведения (1968), действительный член АХ СССР (1973), специалист по искусству Ближнего и Среднего Востока. Соавтор и редактор фундаментальных искусствоведческих изданий «Всеобщая история искусств» (т. 1–6, 1956–66),...
Москва: Искусство, 1974. — 187 с. — (Из истории мирового искусства). Борис Владимирович Веймарн (1909–1990) — историк искусства, востоковед, доктор искусствоведения (1968), действительный член АХ СССР (1973), специалист по искусству Ближнего и Среднего Востока. Соавтор и редактор фундаментальных искусствоведческих изданий «Всеобщая история искусств» (т. 1–6, 1956–66), Краткой...
Пер. с англ., комментарий, послесловие – Т. Х. Стародуб. — М.: Садра, 2016. — 448 с. — ISBN: 978-5-906016-74-4. Мы представляем вниманию читателя первое на русском языке издание основополагающего труда профессора Олега Грабра «Формирование исламского искусства». Перевод выполнен по второму изданию английского оригинала книги без каких-либо сокращений текста, с сохранением...
Казань: Издание Комбината Издательства и Печати АТССР, 1923. — 250 c. Настоящая работа является первой попыткой дать на русском языке очерк истории искусств мусульманского Востока. Громадный интерес к культуре и искусству Востока, проявившийся с особенной силой за последние годы и на Западе и у нас, и отсутствие соответствующих руководств на русском языке - эти факты послужили...
Казань: Издание Комбината Издательства и Печати АТССР, 1923. — 250 c. Настоящая работа является первой попыткой дать на русском языке очерк истории искусств мусульманского Востока. Громадный интерес к культуре и искусству Востока, проявившийся с особенной силой за последние годы и на Западе и у нас, и отсутствие соответствующих руководств на русском языке - эти факты послужили...
М.-Л.: Искусство, 1947. — 201 с. Имя кази-Ахмеда ибн-Мир-мунши аль-Хусейни впервые появилось в научной литературе в 1925 г. в статье проф. А. А. Семенова «Рукопись Бустан шейха Саади, работы гератского мастера начала XVI в. Сул-тан-Мухаммед-Хандана»; касаясь местонахождения могилы Бехзада, автор статьи сослался на «замечательную лицевую рукопись», принадлежащую московскому...
Монография. — М.: Искусство, 1988. — 474 с., включая иллюстрации.
600 dpi (слой распознанного текста).
Искусство стран Магриба относится к народам, населяющим ныне страны Алжира, Туниса и Марокко.
М.: Садра, 2019. — 408 с.: ил. — (Единство красоты: Ислам и изобразительное искусство). Основной лейтмотив предлагаемой вниманию читателей книги – идея о том, что наивысшей ступени своего развития творческая деятельность иранцев достигла в искусстве письма и художественного оформления рукописей. Книга Хамида-Резы Келичхани вводит читателя в удивительный мир каллиграфии, в...
М.: Издательство восточной литературы, 1963. — 24 с., 37 л. ил. Крупнейшие рукописные собрания мира сохранили выдающиеся по своим художественным достоинствам произведения пера каллиграфов Переднего Востока. К числу таких собраний относится фонд персидско-таджикских рукописей Государственной Публичной библиотеки им. М. Е. Салтыкова-Щедрина в Ленинграде, насчитывающий около...
М.: Российский государственный гуманитарный университет, 2006. — 288 с., иллюстр. (Серия Orientalia et Classica, вып.10) — ISBN: 5-7281-0389-8. В монографии реконструируется внутренний смысл памятников сефевидской живописи 16 века. Миниатюрная живопись рассматривается как выражение религиозно-мистической мусульманской концепции устройства "двух миров" - скрытого и явленного,...
М.: РГГУ, 2006. — 288 с. В монографии реконструируется внутренний смысл памятников сефевидской живописи 16 века. Миниатюрная живопись рассматривается как выражение религиозно-мистической мусульманской концепции устройства "двух миров" - скрытого и явленного, субстанциального и акцидентального. Автор останавливается на таких проблемах, как числовая, цветовая и астральная символика...
Сб. науч. статей. — М.: Садра, 2019. — 272 с.: ил. — (Единство красоты. Ислам и изобразительное искусство). Серия «Единство красоты» объединяет работы, посвященные прекрасному в исламской культуре. В данной книге, открывающей блок по изобразительному искусству, собраны статьи иранских ученых, в которых рассматривается то, чем является изобразительное искусство для ислама....
Сб. науч. статей. — М.: Садра, 2019. — 272 с.: ил. — (Единство красоты. Ислам и изобразительное искусство). — ISBN 978-5-906859-33-4. Серия «Единство красоты» объединяет работы, посвященные прекрасному в исламской культуре. В данной книге, открывающей блок по изобразительному искусству, собраны статьи иранских ученых, в которых рассматривается то, чем является изобразительное...
М.: Дизайн. Информация. Картография, 2009. — 234 с. — (Древо). Книга авторитетнейшего ученого С.Х. Насра не представляет собой ни историю исламского искусства, ни его анализ, это, скорее, эссе о философии исламского искусства. Книга, без сомнения, вызовет интерес широкого круга читателей, интересующихся проблемами мирового искусства. Для облегчения чтения имена собственные, а...
Каталог выставки в Государственном Эрмитаже, Санкт-Петербург, 13 июня - 17 сентября 2000 г. — СПб.: Славия, 2000. — 360 с. Текст сопровождается параллельным переводом на английский язык. Альбом содержит множество цветных фотоиллюстраций.
СПб.: Изд-во Гос.Эрмитажа, Славия, 2001. — 150 с. — ISBN: 5-88654-141-1 От автора: Мусульманское искусство - термин одновременно и простой, и сложный. Под ним обычно подразумевают искусство народов, исповедующих ислам. Правомерность такого сугубо религиозного выделения художественного явления нередко вызывала и вызывает возражения со стороны исследователей и публицистов. Одним...
Каталог выставки. — М.: ГМВ, 2020. — 84 с.: ил. Выставка, приуроченная к перекрестному году культуры Россия – Египет, знакомит с уникальными образцами арабской народной картины XIX–XX веков из коллекции отечественного востоковеда Ю.Н. Завадовского (1909–1979), сохранившейся в музее Дома русского зарубежья им. А.И. Солженицына и в Государственном музее Востока, а также из...
Каталог коллекции. — Чтение, перевод и комментирование арабографичных надписей Р.М. Шукуров. — М.: Государственный музей Востока, 2015. — 380 с.: ил. — ISBN: 978-5-903417-79-7. В книге представлены исламские изделия с росписью под лаком, собранные музеем за период с 1918 по 2010 гг. Помимо значительной коллекции иранских вещей сюда также вошла небольшая группа индийских...
М.: Наука. Главная редакция восточной литературы, 1989. — 278 с. — ISBN: 5-02-016708-8. Книга посвящена исследованию принципов формирования изобразительного искусства Ирана на широком фоне иных проявлений художественной культуры: литературы, ремесла, философии. Прослеживается логика движения искусства, его трансформации на пути перехода от графических форм художественного...
М.: Прогресс-Традиция, 2021. — 270 с. — ISBN 978-5-89826-591-5 Книга исследует правила организации изобразительных образов и композиции в искусстве Ирана. Изобразительное искусство средневекового Ирана рассматривается на широком фоне иных проявлений культуры; литературы, философии, ремесла. Прослеживается логика движения искусства, его трансформации на пути перехода от...
Москва: Прогресс-Традиция, 2021. — 280 с. — ISBN 978-5-89826-591-5. Книга исследует правила организации изобразительных образов и композиции в искусстве Ирана. Изобразительное искусство средневекового Ирана рассматривается на широком фоне иных проявлений культуры; литературы, философии, ремесла. Прослеживается логика движения искусства, его трансформации на пути перехода от...
М.: Алетейа, 1999. — 248 с. В книге обсуждаются теоретические проблемы искусства и архитектуры Ислама. На первый план выдвигаются вопросы категориального осмысления рукотворной "вещи". Актуальные проблемы теодицеи, символа и метафоры, образа Человека и Храма, архитектурного прототипа и копии рассматриваются как с точки зрения современных подходов к искусству и архитектуре, так и с...
М.: Наука. Главная редакция восточной литературы, 1989. — 248 с.: ил. Книга посвящена исследованию принципов формирования изобразительного искусства Ирана на широком фоне иных проявлений художественной культуры: литературы, ремесла, философии. Прослеживается логика движения искусства, его трансформации на пути перехода от графических форм художественного выражения до сугубо...
М.: Прогресс-Традиция, 2016. — 1328 с.: ил. — (Теория истории искусств). — ISBN 978-5-89826-443-7. Книга посвящена предпосылкам сложения культуры Большого Хорасана (Средняя Азия, Афганистан, восточная часть Ирана) и собственно Ирана с IX по XV век. Это было время, внесшее в культуру Средневековья Хорасана весомый вклад не только с позиций создания нового языка (фарси-дари) в IX...
М.: Прогресс-Традиция, 2016. — 400 с.: илл. — (Теория истории искусств). Книга посвящена предпосылкам сложения культуры Большого Хорасана (Средняя Азия, Афганистан, восточная часть Ирана) и собственно Ирана с IX по XV век. Это было время, внесшее в культуру Средневековья Хорасана весомый вклад не только с позиций создания нового языка (фарси-дари) в IX веке, но по существу...
М.: Прогресс-Традиция, 2016. — 400 с., илл. — (Теория истории искусств). Книга посвящена предпосылкам сложения культуры Большого Хорасана (Средняя Азия, Афганистан, восточная часть Ирана) и собственно Ирана с IX по XV век. Это было время, внесшее в культуру Средневековья Хорасана весомый вклад не только с позиций создания нового языка (фарси-дари) в IX веке, но по существу...
М.: Наука. ГРВЛ, 1983. — 176 с.
В работе впервые в восточном литературоведении, искусствознании и истории культуры проводится типологическое сопоставление памятников словесности ("Шах-наме" Фирдоуси) и изобразительного искусства (ранних иллюстраций к поэме). Свои выводы и предположения автор сопоставляет с выводами современной науки о логике развития средневековой культуры в...
Москва: Прогресс-Традиция, 2019. — 481 с. — ISBN 978-5-89826-652-3. Книга посвящена предпосылкам сложения культуры Большого Хорасана (Средняя Азия, Афганистан, восточная часть Ирана) и собственно Ирана с IX по XV век. Это было время, внесшее в культуру Средневековья Хорасана весомый вклад не только с позиций создания нового языка (фарси-дари) в IX веке, но по существу создания...
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