Boston: The Page Company, 1914. — 378 p. A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance. By Julia de Wolf Addison - Author of " The Art of the Pitti Palase ", " The Art of the National Gallery ", etc.
Paris: Imprimerie Berthaud Freres, 1927. — 96 p. Villard de Honnecourt, né autour de l'an 1200, est originaire du village de Honnecourt-sur-Escaut, situé près de Cambrai. Comme les compagnons de son temps, il fait son apprentissage en allant de ville en ville et de chantier en chantier. Il deviendra plus tard magister latomus, c'est-à-dire maître d'œuvre, profession qui englobe le...
Wyd. 6 — Warszawa, Arkady, 1984. — 166 s. Tom II. Średniowiecze: Sztuka bizantyjska Sztuka islamu Sztuka Indii Sztuka Azji Wschodniej Sztuka wczesnego średniowiecza w Europie Sztuka gotycka Sztuka ruska w okresie średniowiecza
Boydell Press, 2013. — 202 p. — (Boydell Studies in Medieval Art and Architecture 5). Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying...
Yale University Press, 2017. — 216 p. In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states - the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions,...
Yale University Press, 2017. — 212 p. In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states - the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic...
BAR Publishing, 1982. — 392 p. — (BAR International Series 125/Papers in Italian Archaeology 3). ARCHITECTURE AND ARCHAEOLOGY - David Andrews - Medieval domestic architecture in Northern Lazio - Underground grain storage in Central Italy - The walls of Tuscania. A study in medieval urban topography and defence WALL PAINTINGS - John Osborne - The Christological scenes in the...
Routledge, 2018. — 342 p. Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to...
Naturalis, 1987. — 264 S. Europa, wie wir es heute verstehen, bildete sich in langen Wirren, in deren Verlauf nicht nur die Herrscher des Römerreichs abgelöst, sondern auch das kulturelle Erbe einer langen Entwicklungszeit in der Antike verwandelt wurde. Das alte Imperium in seiner Spätphase mit den krassen sozialen Unterschieden konnte sich in seiner Ohnmacht und Unordnung auf...
Brill, 2019. — xvi, 316 p. — (Art and Material Culture in Medieval and Renaissance Europe, Volume: 14). Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the...
Brill, 2022. — 630 p. — (East Central and Eastern Europe in the Middle Ages, 450-1450, Volume 87) This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh...
Hazan, 2005. — 384 p. Bien que relevant encore du Moyen Age, le XIVe siècle connaît une première affirmation de l'artiste de cour, tels Jean Pucelle, Claus Sluter, Simone Martini, comme de l'artiste des cités florissantes d'Allemagne ou d'Italie, alors soucieuses d'embellissements, comme Giotto, Ambrogio Lorenzetti ou Andrea Pisano. Installés à l'intérieur des cités, les...
Palgrave Macmillan, 2011. — 224 p.
Ekphrasis, a genre of poetry describing a work of art, has traditionally existed on the ideological battleground between the verbal and visual arts. Medieval ekphrases, however, reveal ekphrasis as a process rather than a genre and show how it works with cultural memory to transform, shift, and revise composition. Claire Barbetti explores the...
The Boydell Press, 2020. — 356 p. — (Boydell Studies in Medieval Art and Architecture 19). Medieval tombs often depict husband and wife lying side-by-side, and hand in hand, immortalised in elegantly carved stone: what Philip Larkin's poem An Arundel Tomb later described as their "stone fidelity". This first full account of the "double tomb" places its rich tradition into...
The Metropolitan Museum of Art, 2016. — 214 p. The Cloisters is the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. This splendid new guide, richly illustrated with more than 175 color pictures, offers a broad introduction to the remarkable history of The Cloisters as well as a lively and informative discussion of the treasures...
R. Paknio leidykla, 1990. — 272 p. 800-aisiais metais popiežius Leonas III Romoje vainikavo Frankų valstybės karalių Karolį Didįjį. Nuo šios datos knygos autorius Johnas Beckwithas veda skaitytoją tolyn, per tris ankstyvųjų Viduramžių laikotarpius, aptardamas architektūrą, tapybą, skulptūrą, iliuminacijas ir dramblio kaulo dirbinius. Otonų laikotarpis žymus dėl dvare...
Praeger, 1964. — 276 p. Beginning with the coronation of Charlemagne as Emperor of the West in A.D. 800, John Beckwith guides us through the architecture, painting, sculpture, illuminations and ivories of the three great periods of early medieval art. The Ottonian period, perhaps best known for the great center of art and craftsmanship attached to the court, presented an...
Palgrave Macmillan, 2005. — 154 p. This book presents the hypothesis that the Bayeux tapestry, long believed to have been made in England, came from the Loire valley in France, from the abbey of St. Florent of Saumur. This is based on a number of different kinds of evidence, the most important of which is signs of a St. Florent/Breton influence in the portrayal of the Breton...
Praeger, 2009. — 347 p. — (Praeger Series on the Middle Ages).
Materials, Methods, and Masterpieces of Medieval Art provides a comprehensive and detailed analysis of the work done by artists in western Europe during the Middle Ages. Art historian Janetta Rebold Benton uses examples such as the Book of KellS /i>, Bury Saint Edmunds CrosS /i>, and the Bayeux Tapestry, and the...
Da Capo Press, 1975. — 308 p. List of Illustrations Two Twelfth-Century Paintings from Constantinople A Newly Discovered Cimabue Nativity and Adoration of the School of Pietro Cavallini in the Collection of Mr. John G.Johnson An Antiphonary with Miniatures by Lippo Vanni Early Paintings by AlegrettoNuzi A Panel by Roberto Oderisi Notes on Tuscan Painters of the Trecento in the...
De Gruyter, 2021. — 425 p. This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and...
De Gruyter, 2021. — 425 p. This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and...
The Boydell Press, 2017. — 230 p. — (Boydell Studies in Medieval Art and Architecture 12). The first full-scale study of the medieval funerary monuments of South Wales. South Wales is an area blessed with an eclectic, but largely unknown, monumental heritage, ranging from plain cross slabs to richly carved effigial monuments on canopied tomb-chests. As a group, these monuments...
Cambridge: Cambridge University Press, 2011. — 726 p. Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the...
The Boydell Press, 2017. — 220 p. — (Boydell Studies in Medieval Art and Architecture 10). An examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been...
Liveright, 2022. — ISBN 1631493922. For history readers, travelers, and scholars alike, an indispensable behind-the-scenes guide to the great cathedrals of Paris. “So infectious is R. Howard Bloch’s passion for his subject that even those unable to do the traveling required will find in Paris and Her Cathedrals an inspiring guide to these time-hallowed masterpieces of medieval...
Brepols, 2009. — 442 p. — (Profane Arts of the Middle Ages 1). Technical Aspects of the Misericord Misericords as an Interpretative Tool in the Study of Choir Stalls Misericords and the World of Bruegel Tutivillus Where the Abbot Carries Dice: Gaming-Board Misericords in Context Flying Low Down Under: Representations of Winged Mammals Fowl, and Birds on English Misericords The...
Routledge, 2009. — 442 p. The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and...
NY: The Metropolitan Museum of Art, 2005. — 390 p. Prague, the Gothic jewel of the kingdom of Bohemia and capital of the modern Czech Republic, has been lauded by poets as "the dream of delirious architects" whose "magic needs no wand." Today, after decades of political isolation, the city again draws throngs of tourists eager to see its imposing castle, its soaring cathedral and...
Woodbridge: The Boydell Press, 1998. — 262 p. — (Clarendon Studies in the History of Art). The analysis of the meaning of the mosaics is masterly - a stimulating book, full of challenging and convincing ideas, very well documented, lavishly illustrated, and beautifully produced. The twelfth-century mosaics made for the Norman kings of Sicily at Cefalù, Palermo and Monreale were...
The Boydell Press, 2019. — 282 p. — (Boydell Studies in Medieval Art and Architecture 15). Essays on aspects of iconography as manifested in the material culture of medieval England. Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and...
Routledge, 2013. — 328 p. — (British Archaeological Association conference transactions 35). From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy...
Brill, 2015. — 342 p. — (Studies in Netherlandish Art and Cultural History 13). Wall-mounted memorials (or 'epitaphs') enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and...
NY: The Metropolitan Museum of Art, 1995 Gallo-Roman and Provincial Roman Art, Third to Fifth Century Tribal Movements, First Half of Fifth to Early Sixth Century Continental Migration Art, Sixth and Seventh Centuries Great Britain, First to Tenth Century Scandinavia, Sixth to Eleventh Century Carolingian Art, Late Seventh to Early Ninth Century
New York: Metropolitan Museum of Art. 2000. — 429 p. — ISBN: 0-87099-968-0. The arts of the Early Medieval period form a major, yet little-known, part of the material from the Middle Ages in The Metropolitan Museum of Art. Recent research on this fascinating period from approximately A.D. 400 to 800 reveals a more comprehensive picture of what has been traditionally referred to...
Reaktion Books, London, 2014. — 302 p. Lead White: Strange Matter The Metz Pontifical: Official Matter The Macclesfield Psalter: Personal Matter The Wilton Diptych: Heaven and Earth The Westminster Retable: Heaven on Earth, Part I The Thornham Parva Retable: Heaven on Earth, Part II Epilogue Acknowledgements Photo Acknowledgements
The Boydell Press, 2017. — 364 p. — (Boydell Studies in Medieval Art and Architecture 9). The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly"...
Routledge, 2022. — 420 p. Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a...
Routledge, 2022. — 420 p. Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a...
Routledge, 2022. — 420 p. Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a...
Routledge, 2022. — 420 p. Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a...
Sillabe, 2013. — 186 p. The volume, accompanied by a wide selection of images, intends to offer the reader a complete view of the entire monumental complex of Siena, with the Cathedral with its imposing façade, the precious Crypt and the Baptistery famous for its extraordinary Baptismal Font. According to the usual historical-artistic-architectural approach, the complex is...
Brepols, 2019. — 378 p. — (Medieval Monastic Studies 3). The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle...
Citadelles & Mazenod, 2000. — 303 p. L'histoire de la Méditerranée au Moyen-Age est profondément marquée, de 1096 à 1270, par le phénomène très controversé des Croisades : guerres saintes et économiques à la fois, dans lesquelles se mêlent une inspiration religieuse et une volonté d'expansion politique. Bien que cette période de l'histoire ait été fréquemment analysée et...
Jaca Book, 2019. — 397 p. — (Arte mondo). Questo volume, che copre un arco temporale dal IV secolo al gotico internazionale (prima metà del XV secolo), si propone di mettere in evidenza i nessi storici e culturali, i momenti emergenti e le linee di sviluppo delle esperienze artistiche più significative lungo tutto il Medioevo nei territori italiani e in quelli europei....
Jaca Book, 2020. — 241 p. — (Arte mondo). Il termine arti minori con cui si comprende miniatura, oreficeria, avori, ecc. è sempre stato non felice e molto limitante. L'espressione "arti decorative" usata all'estero a sua volta non fa giustizia di questo vasto contributo dell'espressione figurativa. Liana Castelfranchi non solo mostra lo splendore "nascosto" dell'arte medievale,...
The Metropolitan Museum of Art, 2010. — 370 p. The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century. The earlier pieces evidence traces of Roman and Early...
NY: The Metropolitan Museum of Art, 1993. — 689 p. History of the Collection The Fabric, Weaving Procedure, and Yarns How Tapestries Were Used in the Middle Ages The Character of Medieval Tapestry Design Stylistic Development of Tapestry Design in France and the Southern Netherlands, 1375 - 1525 History of Tapestry Weaving in Europe during the Late Middle Ages
La Renaissance du Livre, 2001. — 223 p. Les Très riches Heures du Duc de Berry constituent, de l'avis unanime, l'un des plus beaux, et pour beaucoup, le plus beau des manuscrits enluminés du Moyen Age. C'est en tous cas le plus réputé. Jean, duc de Berry, était fils, frère et oncle des rois de France. Il fut donc mêlé à tous les grands moments de l'histoire de son époque. Sa...
Parkstone International, 2020. — 396 p. September 4, 476 A. D. marked the end of the Western Roman Empire. After several centuries of prosperity, Europe sank into chaos. With Charlemagne, a new dynamic begins that of a civilising reconstruction. The Romanesque period is part of the rediscovery of this Roman Empire, lost in memories, but living on in the architectural...
Brepols, 2023. — 268 p. — (Habsburg Worlds 6). Starting from a political reality, which is, at the same time, artistic and cultural, the book Ars Hasburgica aims to review the still so common historiographical conception of the Renaissance that conceives this period from a geographically Italocentric, artistically classicist and politically centered the idea of "national" arts...
Brill, 2017. — 201 p. — (Art and Material Culture in Medieval and Renaissance Europe 9). English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between...
The Boydell Press, 2022. — 413 p. — (Boydell Studies in Medieval Art and Architecture 24). Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work. The essays collected here form a tribute to Joanna Cannon, whose scholarship and...
Brill, 2021. — 328 p. — (Art and Material Culture in Medieval and Renaissance Europe 16). Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the...
NY: The Metropolitan museum of art, 1981. — 150 p. Lenders to the Exhibition Foreword Philippe de Montebello Abbot Suger, the Abbey of Saint-Denis, and the New Gothic Style Sumner McKnight Crosby Monumental Sculpture at Saint-Denis Under the Patronage of Abbot Suger: The West Facade and The Cloister Charles T. Little Stained Glass at Saint-Denis Jane Hayward For the Service of...
London: Longmans and Co., 1909. — 194 p., with 125 Pl. With examples of Mohammedan art and carvings in bone in the Department of British and Medieval Antiquities and Ethnography of the British Museum. The present catalogue deals with the carved ivories of post-classical, mediaeval, and more modern times contained in the Department of British and Mediaeval Antiquities. The history...
Lille: L. Quarre, Libraire - editeur. 1886. - 742 p. Apres avoir recueilli et fait imprimer un nombre considerable de documents inedits sur l histoire de l art dans la Flandre, l Artois et le Hainaut avant le XV siecle , nous aurions regarde notre oeuvre comme incomplete, si nous n avions pas trace en meme temps le tableau d ensemble des origines et des commensements de l Ecole...
Werner Dausien, 1983. — 196 S. Die Kultur und Kunst des Großmährischen Reiches geht zurück auf eine Entwicklung, die nach der slawischen Landnahme um 400—550 begann, von 830 bis 900 ihre Hochblüte erlebte und 973 mit dem Aufgehen in Böhmen endete. Eindrucksvolle Zeugnisse der Kultur wie auch des Reichtums liegen aus archäologischen Ausgrabungen vor, die überraschende Funde...
BAR Publishing, 2021. — 816 p. — (BAR International Series 3032). En este trabajo se analiza, por primera vez en su conjunto, la producción escultórica cristiana hispana fechada entre los siglos VI y X. Frente a los tradicionales estudios de tipo formal o iconográfico, aquí se desarrolla y aplica una metodología arqueológica, basada en los métodos estratigráfico y tipológico....
Cornell University Press, 2019. — 263 p. Fifty Early Medieval Thingsintroduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects--artifacts, structures, and archaeological features--created...
University of Chicago Press, 1984. — 495 p. Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds...
University of Chicago Press, 1984. — 260 p. Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds...
University of Chicago Press, 1984. — 365 p. Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds...
University of Chicago Press, 1984. — 302 p. Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds...
New York: Metropolitan Museum of Art. 1970. — 265 p. — ISBN: 0-87099-002-0 The Metropolitan Museum's Centennial exhibition The Year 1200 consists of masterpieces of Western European art created between 1180 and 1220. It is an attempt to bring into focus the stylistic trends that stretched from the twelfth century into the beginnings of High Gothic, which culminated in the court...
NY., 1971. From the outset, the collecting of illuminated manuscripts at The Cloisters was considered a delicate procedure, to be followed with prudence. It was felt by those involved in acquisitions that the bulk of material there should be architectural elements, sculpture, and decorative arts—objects enhancing the environmental quality of the institution—and that manuscripts...
Routledge, 2018. — 176 p. First published 2000 by Westview Press. This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to...
Harry N. Abrams, 1998. — 374 p. A catalogue of a major exhibition that opened at The Metropolitan Museum of Art, New York, in November 1993, which focuses on the world of medieval Spain, presenting themes that proved important throughout the centuries from AD 500 to 1200.
Yale University Press, 1993. — 480 p. Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C. R. Dodwell provides a comprehensive guide to all forms of this art―from wall and panel paintings to stained glass windows, mosaics, and embroidery―and sets them against the historical and...
Oxford University Press, 2018. — 273 p. The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, thus...
Brill, 2022. — 507 p. — (Art and Material Culture in Medieval and Renaissance Europe 18). Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a...
Haus der Brandenburgisch Preußischen Geschichte Potsdam, 2013. — 240 S. Der Band analysiert vor dem Hintergrund des historischen Kontextes, in dem sie zwischen dem Ende des 14. Jahrhunderts und der zweiten Hälfte des 16. Jahrhunderts als Protagonist gesehen wurde, das künstlerische Schaffen (Gemälde, Skulpturen, Goldschmiede, Stoffe, Miniaturen), das gefördert oder direkt...
Deutscher Kunstverlag/Nationalgalerie Prag, 2019. — 716 S. 'Vornehmste Stadt des Reichs' nannte Kaiser Karl IV. Nürnberg im Jahre 1366. Da hatte er die freie Reichsstadt längst zu seiner zweiten Residenz nach Prag, der Hauptstadt Böhmens, erkoren. Es war ihm gelungen, die städtischen Eliten in seine Pläne einzubinden und sich ihren wirtschaftlichen Ehrgeiz zunutze zu machen....
L'Erma di Bretschneider, 2012. — 205 p. — (Lerm Arte 7). Il restauro della Madonna di Tindari ha riportato inaspettatamente alla luce una straordinaria scultura medievale, svelata nella sua arcana bellezza, una volta liberata dagli strati di ridipinture. Il recupero della policromia originale, in cui l’attenta e calibrata pulitura ha permesso di non perdere anche il sottile...
Thomson Gale, 2005. - 525 p. Although the traditional term Middle Ages suggests that the years between the final fall of the Roman Empire in the sixth century and the full flowering of the Renaissance (literally rebirth of Roman and later Greek culture) in the fifteenth century was merely an interval between two great periods of civilization, the history of the arts and...
BAR Publishing, 1982. — 282 p. — (BAR International Series 152). Church-Building in Palestine before the 'Crusades - Denys Pringle Western Chronicles of the First Crusade as Sources for the History of Art in the Holy Land - Xenia Muratova Die Fassade der Grabeskirche zu Jerusalem - Helmut Buschhausen Romanesque Sculpture from the Rhone Valley to the Jordan Valley - Alan Borg...
Cambridge University Press, 1995. — 704 p. The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the invading Crusaders in Syria-Palestine during the first century of their quest to recapture and control the holy sites of Jerusalem, Bethlehem, and Nazareth. Commissioned by kings and queens, patriarchs, bishops, knights, and...
The Pennsylvania State University Press, 1986. — 164 p. — (Monographs on the fine arts 42). The Nazareth capitals are the most important and finest figural sculptures to have survived from the Crusader States between 1099 and 1291. Excavated in 1908, these capitals have long been known, but never fully discussed in terms of function, form, and meaning. This book aims to restudy...
Garland Publishing, 1998. — 480 р. — ISBN 0-8153-1753-0 This annotated bibliography will help researchers to accurately interpret motifs in medieval art and literature. Five chapters describe overview studies and identify and briefly annotate journal articles in English and all major European languages. "Medieval Art" treats library catalogs of illuminated medieval manuscripts,...
Philipp von Zabern, 2016. — 159 S. Während des gesamten Mittelalters war die Johannes-Offenbarung ein wesentliches Thema der Buchkunst. Das Christentum las die Apokalypse als universalen Schlüsseltext, der Aufschluss über das bevorstehende Ende der Welt, den göttlichen Plan der Heilsgeschichte, die Rolle der Kirche und die Wege zur Errettung des Einzelnen versprach. Zur...
Routledge, 2017. — 233 p. Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to...
Penn State University Press, 2017. — 236 p. In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to...
Edizioni Chartesia, 2019. — 230 p. I palazzi del potere civile, gli edifici di culto, le torri e le dimore nobiliari, le fortificazioni e i grandi protagonisti della storia: il volto dell'antica Trevigi emerge vividamente dalle pagine di questo elegante volume da collezione, impreziosito dalle firme di sei autorevoli studiosi che illustrano in modo chiaro e approfondito la...
New York: Metropolitan Museum of Art. 1986. — 322 p. — ISBN: 0-87099-408-5 Suger, abbot of the French abbey of Saint-Denis, lived from 1081 to 1151. This book of essays about his life and achievements grew out of a symposium sponsored by the International Center of Medieval Art and by Columbia University. The symposium was held in 1981 simultaneously at The Cloisters and...
Amsterdam University Press, 2021. — 384 p. Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively,...
De Gruyter, 2023. — 260 p. This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America...
Hirmer Verlag, 1980. — 672 S. Die Ausstellung »Wittelsbacli und Bayern«, die im Sommer 1980 in München und Landshut gezeigt wird, erinnert daran, daß vor 800 Jahren, am 16. September 1180, Kaiser Friedrich Barbarossa den Pfalzgrafen Otto von Wittelsbach mit dem bayerischen Herzogtum belehnte, zugleich an die Herrschaft der Wittelsbacher in Bayern, die mit diesem Tag begann und...
NY: The Metropolitan Museum of Art, 1968. — 361 p. Illuminated Manuscripts Paintings and Drawings Sculpture Ivories Metalwork Goldsmiths' Work Enamels Stained Glass Embroideries and Tapestries Various Media
Les Belles Lettres, 1928. — 200 p. — (Publications de la Faculté des Lettres de l’Université de Strasbourg 43). Les Céramiques de Patleina. Les Miniatures de deux Tétra-évangiles Slaves (serbe et bulgare). Le Roman d'Alexandre illustré de la Bibliothèque de Sofia.
Thames & Hudson, 2021. — 208 p. — (World of Art). The Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this...
Prestel, 1994. — 188 p. The Bayeux Tapestry, the world-famous embroidered work over 73 meters long on display in the northern French town, depicts the Norman conquest o f England in the year 1066. The tapestry is arguably the most important, but certainly one of the most enigmatic works of art of the early Middle Ages, providing the viewer with an unparalleled insight into this...
Rizzoli, 1981. — 472 p. — (Mondo della figura). Benché si convenga generalmente nel collocare la cruciale svolta evolutiva dell’arte occidentale attorno alla metà e persino alla fine dell’XI secolo, non va dimenticato che anche il secolo dell’Anno Mille vide l’avvento di un autentico “rinascimento”, seguìto alla crisi politica e artistica verificatasi tra la fine del IX e gli...
Museum With No Frontiers, 2019. — 318 p. — (Islamic Art in the Mediterranean). Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the...
Almqvist & Wiksell International, 2006. — 225 р. — ISBN: 91-22-02154-X — (Lund Studies in Historical Archaeology 2). The medieval aristocracy was a small but important group in society. Much research has been focused on different aspects of the aristocracy, and on a European level one might at first think that there were a lot of differences within the aristocracy. It is true...
Wellcome Collection, 2018. — 352 p. Dripping with blood and gold, fetishized and tortured, gateway to earthly delights and point of contact with the divine, forcibly divided and powerful even beyond death, there was no territory more contested than the body in the medieval world. In Medieval Bodies , art historian Jack Hartnell uncovers the complex and fascinating ways in which...
NY: The Metropolitan Museum of Art, 1982. — 256 p. The Romanesque and Gothic art that was assembled by Raymond Pitcairn in the early part of this century represents the world's finest and most extensive collection of medieval sculpture and stained glass still in private hands. Raymond Pitcairn's activities as a collector began with an architectural commission—the creation of a...
Akademie-Verlag, 1994. — 212 S. — (Artefact 7). Die Frage nach dem formalen und funktionalen Kontext von Skulptur und Frauenkloster in der Zeit um 1300 war bisher vorwiegend auf die alemannischen Klöster ausgerichtet. In ihrem Milieu vermutete noch die Kunsthistoriographie der 30er Jahre die Entstehung einer Reihe plastischer Bildtypen. Vesperbild, Christus als Kind, Maria im...
J. Paul Getty Museum, 2004. — 184 p. — ISBN10: 089236758X / ISBN13: 978-0892367580. Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's...
University of Michigan Press, 1962. — 292 p. In a discipline which has been evolving as rapidly as art history in the past generation an essay which first saw the light in 1935 might well appear obsolete. But perhaps the very compartmentalization of modern art-historical studies may leave relatively intact, and still useful, a book the original reason for which was the evident...
Brepols, 2003. — 308 p. — (International Medieval Research 10). When a monk living at the beginning of the last millennium described Europe ‘cladding itself everywhere in a white mantle of churches’, he precipitated several questions for historians to answer. Was there a surge in church-building at the time? If so, what were the causes of this, and what were the purposes? Does...
New York: Metropolitan Museum of Art. 1975. — 609 p. — ISBN: 0-87099-092-6 The Centennial celebration of The Metropolitan Museum of Art demonstrated the Museum's extraordinary capacity to present exhibitions that are both scholarly and popular. The Year 1200 exhibition most clearly expresses this ability. This was a distinguished exhibition, drawn from the treasures of museums...
New York: Metropolitan Museum of Art, 1970. — 400 p. — ISBN: 0-87099-001-2. Thanks to the perseverance and unparalleled expertise of Dr. Florens Deuchler, Dr. Konrad Hoffmann, and their staff, The Year 1200 is one of the most important exhibitions ever to be assembled in the Western Hemisphere. Each of its more than three hundred objects has been chosen from hundreds to explain...
Harry N. Abrams, 1968. — 272 p. — (Panorama of World Art). The final stage of medieval artistic development, first styled "Gothic" by contemptuous Renaissance critics who understood little of its motivation and cared even less, is a uniquely exciting period in the history of European art. Originating in the lle-de-France in the mid-twelfth century, the new style soon spread...
NY: The Metropolitan Museum of Art, 2009. — 204 p. What is distinctive about medieval drawings? How do they differ from Renaissance drawings, which have shaped our definition and perception of the form? Why were drawings so often chosen to illustrate manuscripts and how did they evolve throughout the period? Who were the artists responsible for them? These and other questions are...
Nationalgalerie Prag/Germanisches Nationalmuseum Nürnberg, 2016. — 704 S. Die tschechisch-bayerische Ausstellung anlässlich des 700. Geburtstags des herausragenden Herrschers, der als einer der großzügigsten Kunstmäzene sowie als einer der am häufigsten abgebildeten Monarchen der mittelalterlichen europäischen Geschichte in die Geschichte eingegangen ist, präsentiert eine...
Biblioteca Universale Rizzoli, 1980. — 417 p. Prima di quell'awenimento straordinario che si concretò, nel corso del V secolo, attraverso la conquista e l'occupazione di gran parte dell'Impero romano a opera degli invasori, la giovane arte cristiana aveva conosciuto un vivace splendore e un'ampia unità. Tale unità fu spezzata dalle grandi invasioni, ma i barbari si fecero...
Metropolitan Museum of Art; Yale University Press, 2013. — 388 p. One of the most lavishly illustrated codices of the Middle Ages, the Belles Heures (1405–1408/9) is the only manuscript executed in its entirety by the famed Limbourg brothers. Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated Book of Hours, intended for private...
Metropolitan Museum of Art; Yale University Press, 2013. — 388 p. One of the most lavishly illustrated codices of the Middle Ages, the Belles Heures (1405–1408/9) is the only manuscript executed in its entirety by the famed Limbourg brothers. Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated Book of Hours, intended for private...
Peeters, 2022. — 445 p. In het centrum van Leuven staat de monumentale Sint-Pieterskerk. Ze werd in de vijftiende eeuw opgetrokken onder de leiding van onder meer Sulpitius van Vorst en Matheus de Layens. Gilden, universitaire faculteiten en elitefamilies brachten het gebouw tot leven met schitterende religieuze plechtigheden, muziek en overdadige kunstwerken. Een machtig...
Cambridge University Press, 2017. — 651 p. In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic Middle Ages. Taking into account a wide range of issues, including style and iconography, technique and material, function and patronage, she examines mosaics within their historical context. She asks why mosaic was such a...
Oxbow Books, 2016. — 352 p. Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of...
Oxbow Books, 2016. — 352 p. Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of...
Routledge, 2018. - 385 p. The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and...
Routledge, 2019. — 220 p. This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand,...
Routledge, 2019. — 220 p. This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand,...
Routledge, 2023. — 264 p. Late Saxon and Viking Art (1949) is a lavishly-illustrated examination of the art of the Saxon era – the carvings, sculpture, illustrations, drawings and paintings that emerged from the Anglo-Saxon and Viking cultures. Sir Thomas Downing Kendrick KCB FBA FSA (1895 – 1979) was a British archaeologist and art historian.
Expressão e Cultura, 1978. — 179 p. — (O Mundo da Arte). Em fins do século II a.C., duas tribos germânicas, conhecidas pelos historiadores latinos como os címbrios e os teutões, deixaram suas pátrias na Jutlândia e começaram uma longa marcha em direção ao sul, alcançando os limites da Itália, em 113 a.C. Ão chegarem, para surpresa própria e consternação de seus Inimigos,...
Bertelsmann, 1968. — 184 S. — (Schätze der Weltkunst). Betrachtet m an das Jahrtausend europäischer Geschichte zwischen 400 und 1400 - also die Zeitspanne zwischen Antike u nd Renaissance - mit dem nötigen Abstand als Ganzes, so verliert die Gleichgültigkeit der Germanen gegenüber Roman Bedeutung angesichts ihrer Bemühungen, sich mit Rom in irgendeiner Weise zu arrangieren. Rom...
Brepols, 2009. — 298 p. — (Architectura Medii Aevi 2). In the Christian art of western Europe images survive from as early as the sixth century that show figures of founders or donors bearing a model of the building they caused to be constructed, renovated or embellished. Previous studies have tended to turn on the question of how accurately these models represent the buildings...
Franz Steiner, 1981. — 246 S. — (Forschungen zur Kunstgeschichte und christlichen Archäologie 12). Zum Geleit. Vorwort. Zum Text. Abkürzungen und Abkürzungsverzeichnis der zitierten Literatur. Zur Herkunft der Spolienkapitelle. Von Joachim Kramer. Mittelalterliche Restaurierungen der Spolienkapitelle. Von Friedrich Wilhelm Deichmann. Das System der Anordnung von Kapitellen und...
Thomas Kren, Mark Evans, Janet Backhouse, and Nancy Turner. Edited by Thomas Kren with Mark Evans. Los Angeles : J. Paul Getty Museum, 2005. — 112 p. — ISBN: 978-0-89236-829-7. Jean Bourdichon was the court painter to four successive French kings including Louis XII and his predecessor, Charles VIII. Bourdichon painted the Hours of Louis XII for the king of France around the...
Wbooks, 2019. — 192 p. Today, it is hard to believe that a Catalan traveller in the high Middle Ages would have had no difficulty following Mass in a country church somewhere in Norway and understanding the images found there. Between 1100 and 1350, the liturgical rituals and the decorations of altars were practically the same throughout Western Europe. Europe’s cultural unity...
Brill, 2019. — 420 p. — (Reading Medieval Sources 3). With many excellent books on medieval stained glass available, the reader of this anthology may well ask: "what is the contribution of this collection?" In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and...
Rowman & Littlefield, 2019. — 366 p. Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries:...
Rowman & Littlefield, 2019. — 366 p. Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries:...
Cambridge University Press, 2022. — 355 p. In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world - Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental...
Arthistoricum, 2017. — 602 S. Es brauchte mehrere Generationen, um die Kathedrale Saint-Étienne von Auxerre zu vollenden, und dennoch weist der Bau eine bemerkenswerte Einheitlichkeit auf. Neben der Architektur verdienen vor allem die zahlreichen Bilderzyklen der Glasmalerei und die Skulpturen Beachtung. Diese „sprechenden Bilder“ sind nicht nur dekorative Elemente, sondern...
Routledge, 2021. — 390 p. Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of...
Museum With No Frontiers, 2003. — 328 p. — (Islamic Art in the Mediterranean, Italy). Islamic Culture in Medieval Sicily illustrates how the great artistic and cultural heritage of the Arabs who ruled the island in the 10th and 11th centuries was assimilated and reinterpreted during the Norman reign that followed, achieving its acme in the resplendent age of Ruggero II in the...
Oxbow Books, 2011. — 196 p. The Bayeux Tapestry, perhaps the most famous, yet enigmatic, of medieval artworks, was the subject of an international conference at the British Museum in July 2008. This volume publishes 19 of 26 papers delivered at that conference. The physical nature of the tapestry is examined, including an outline of the artefact's current display and the latest...
Metropolitan Museum of Art New York, 2006. — 240 p.
Faces in medieval sculpture are explorations of human identity, marked not only by evolving nuances of style but also by ongoing drama of European history. The eighty-one sculpted heads featured in this beautifully illustrated volume provide a sweeping view of the Middle Ages, from the waning days of the Roman Empire to the...
NY: The Metropolitan museum of art, 1987. — 174 p. Medieval Art can be said to have begun in the catacombs of Rome and to have culminated—over a thousand years later—in the soaring arches of Reims and Chartres, but from its fugitive and funerary beginnings to its glorious close, it encompassed the splendor of Byzantium, the warrior trappings of the Avars and the Celts, the...
Brepols, 2022. — 444 p. — (Medieval Monastic Studies 6). When Saint Dominic (c. 1174-1221) came to Rome to seek papal approval of the Order of Preachers, he founded two houses on the periphery of the city - a nunnery at S. Sisto, in structures rebuilt by Pope Innocent III, and a priory next to the early Christian basilica of S. Sabina. The Dominicans modified and enlarged the...
Harper, 1958. — 456 p. — (Harper torchbooks 44). Emile Males book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully...
Brill, 2004. — 277 p. — (Studies in Medieval and Reformation Traditions 52). This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century English Church liturgy and politics. Carolyn Malone posits that architectural motifs, as signs, complemented not only the façade s sculptural program of the Church Triumphant but also its use...
Pindar Press, 2013. — 865 p. Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the...
Archaeopress, 2020. — 152 p. Barbaric Splendour: The Use of Image Before and After Rome' comprises a collection of essays comparing late Iron Age and Early Medieval art. Though this is an unconventional approach, there are obvious grounds for comparison. Images from both periods revel in complex compositions in which it is hard to distinguish figural elements from geometric...
Brepols, 2010. — 224 p. — (Studies in the Visual Cultures of the Middle Ages 5). This collection of essays explores the intersection of different traditions and approaches to Romanesque art in current scholarship and, in the process, serves also to highlight promising future directions. Robert A. Maxwell and Kirk Ambrose, Introduction: Romanesque Sculpture Studies at a...
Routledge, 2003. — 275 p. — (The British Archaeological Association: Conference Transactions 26). In 2000 the annual conference of The British Archaeological Association met at Angers in France. This publication contains sixteen papers from the conference, in English and French, covering a number of different aspects of the history, art and architecture of Anjou and its...
Routledge, 2003. — 274 p. — (The British Archaeological Association: Conference Transactions 26). In 2000 the annual conference of The British Archaeological Association met at Angers in France. This publication contains sixteen papers from the conference, in English and French, covering a number of different aspects of the history, art and architecture of Anjou and its...
Amsterdam University Press, 2023. — 238 p. How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia,...
Cambridge Scholars Publishing, 2022. — 160 p. This beautifully illustrated landmark book (with more than five dozen specially commissioned original colour photographs) compellingly connects the Green Man phenomenon in medieval England to a specific Christian meaning and understanding rather than a mysterious and undefined pagan one. The meaning and significance attached to such...
Routledge, 2011. — 410 p. — (British Archaeological Association conference transactions 33). The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the...
Yale University Press, 2014. — 600 p. Art and Architecture of Ireland is an authoritative and fully illustrated survey that encompasses the period from the early Middle Ages to the end of the 20th century. The five volumes explore all aspects of Irish art – from high crosses to installation art, from illuminated manuscripts to Georgian houses and Modernist churches, from...
The Boydell Press, 2019. — 380 p. — (Boydell Studies in Medieval Art and Architecture 16). New interpretations of an art form ubiquitious in the Middle Ages. English alabasters played a seminal role in the artistic development of late medieval and early modern Europe. Carvings made of this lustrous white stone were sold throughout England and abroad, and as a result many...
Thames & Hudson, 2021. — 352 p. Most people know that the Bayeux Tapestry depicts the moment when the last Anglo-Saxon king of England, Harold Godwinson, was defeated at the Battle of Hastings in 1066 by his Norman adversary William the Conqueror. However, there is much more to this historic treasure than merely illustrating the outcome of this famous battle. Full of intrigue...
Thames & Hudson, 2021. — 352 p. Most people know that the Bayeux Tapestry depicts the moment when the last Anglo-Saxon king of England, Harold Godwinson, was defeated at the Battle of Hastings in 1066 by his Norman adversary William the Conqueror. However, there is much more to this historic treasure than merely illustrating the outcome of this famous battle. Full of intrigue...
Oxbow Books, 2022. — 418 p. Canterbury Cathedral possesses a unique marble mosaic pavement, dating from the early twelfth century, which has long intrigued scholars and been the subject of speculation and debate. It forms part of the floor of the Trinity chapel, adjacent to the site where the shrine of St Thomas Becket stood, prior to the Reformation. Since the mosaic is older...
Oxford University Press, 2002. — 276 p. — (Oxford History of Art). In the first millennium, a rich and distinctive artistic tradition emerged in Europe. Early Medieval Art explores this tradition and tracks its development from c. 300 AD through c. 1000 AD, revealing forms of artistic expression ranging from brilliant illuminated manuscripts to decorative chairs, rich...
Akademie-Verlag, 1977. — 108 S. — (Berliner Byzantinistische Arbeiten 46). E. Neubauer - In memoriam G. N. Tschubinaschwili — Exkurse zur Architektur des Mittelalters in Georgien K. Onasch - Kunst und Gesellschaft im Modell der Dreieinigkeitsikone Andrej Rublevs A. Effenberger - Das Apsismosaik aus der ravennatischen Kirche San Michele in Affricisco. Versuch einer...
Brill, 2014. — 228 p. — (Art and Material Culture in Medieval and Renaissance Europe 1). According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a...
C.H.Beck, 2009. — 130 S. Zwischen 1200 und 1500 entfaltete die Gotik ihren Glanz in der Architektur, der Skulptur wie der Malerei und breitete sich in ganz Europa aus. Klaus Niehr stellt in seinem anschaulichen Überblick die Entwicklung des Kirchenbaus dar und erklärt, welche Funktionen die Bilder in dieser Zeit erfüllten, was sie darstellten und wie sie an den Betrachter...
Routledge, 2016. — 316 p. The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache’s career, both as a scholar of wide-ranging interests and as a builder of bridges between the French...
New York: George Braziller, 1977. This book presents a colection of colour plates from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including the Book of Kells, the Lindisfarne Gospe ls, and the Book of Durrow.
ARC Humanities Press, 2018. — 260 p. Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping the conception of an interconnected medieval world. The growth in...
New York: The Metropolitan Museum of Art, 2005. — 193 p. goals and design of this resource map overview of medieval art and its time The Old World of Rome Changes (ca. 300–ca. 800) Borderland Cultures Carolingian Art and Its Time (ca. 800–ca. 900) Ottonian Art and Its Time (ca. 900–ca. 1000) Byzantium and Its Art (843–1453) Romanesque Art and Its Time (ca. 1000–ca. 1150) Early...
Jaca Book, 2019. — 223 p. Quella realtà che noi oggi chiamiamo Europa, percorsa da secoli di guerre e con un presente denso di interrogativi, sperimentò una piena koinè a partire dai movimenti monastici che si svilupparono dalla "Regola" di san Benedetto. Le missioni irlandesi, la riforma carolingia, sino a Cluny e al movimento benedettino, proseguito dai cistercensi e altri...
Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 1959. — 318 s. Praca niniejsza jest pierwszą próbą przedstawienia dziejów średniowiecz nego rzemiosła artystycznego na obszarze Polski.
Harvard University Press, 1966. - 632 p. The polarization of European fifteenth-century painting in Italy and the Lowlands French and Franco-Flemish book illumination in the fourteenth century The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 The problem of Burgundy The regional schools of the Netherlands and their importance for the...
New York: Meridian Books, 1957. — 180 р. — (Meridian).
Язык: English.
This book is a sublime example of scholarship in its highest form. That being said it is not a book for the casual reader. Panofsky does not insult your intelligence but expects you to think. This book would be an excellent addition, indeed an mandatory one, for any library of history. I would also recommend...
Boydell & Brewer, 2014. — 476 p. A full and provocative reappraisal of the Bayeux "Tapestry", its origins, design and patronage. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the...
Penn State University Press, 2022. — 240 p. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution...
Penn State University Press, 2022. — 240 p. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution...
Pennsylvania State University Press, 2023. — 264 p. Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art...
Pennsylvania State University Press, 2023. — 264 p. Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art...
Routledge, 2021. — 281 p. — (Music and Visual Culture). Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the...
Routledge, 2021. — 254 p. — (Music and Visual Culture). Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the...
Skira, 2022. — 226 p. Una selezione di capolavori provenienti dalla Galleria Nazionale dell’Umbria di Perugia, scelti tra dipinti, sculture e oreficerie dell’Italia centrale e realizzati da grandi maestri come Arnolfo di Cambio, Vigoroso da Siena, Duccio di Buoninsegna, Taddeo di Bartolo, Lorenzo Salimbeni e Gentile da Fabriano, racconta l’elegante stagione dell’arte italiana...
Penn State University Press, 2019. — 232 p. In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the...
Penn State University Press, 2019. — 232 p. In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the...
Toledo: Museum of Art, 2002. — 64 p. — ISBN: 0-935172-19-X. The Cloister Gallery, designed in the 1920s, enchants visitors to the Toledo Museum of Art. For many, its spatial effects, subtle lighting, and precious works of art evoke the spirit of the Middle Ages. Central to the gallery's aura of serene spirituality are the architectural elements drawn from the medieval world....
Walter de Gruyter, 1969. — 204 S. — (Grundriß der Slavischen Philologie und Kulturgeschichte 16). Einleitung Die älteste serbische Kunst bis zum Ende des XII. Jahrhunderts Die Anfänge der monumentalen Kunst in Raszien Der reife raszische Stil (1200—1300) Die serbische Kunst vom Ende des 13. Jh. bis zur Schlacht an der Marica (1371) Die Kunst des Morava- und Donaugebiets von...
C.H.Beck, 2008. — 130 S. Dieser Band führt sachkundig und lebendig in die Gattungen und Formen der Kunst zwischen 800 und 1200, der Zeit der Vorromanik und Romanik, ein. Die europäische Kunst diente in dieser Epoche vorrangig der christlichen Religion und der Repräsentation von Herrschaft. Bruno Reudenbach stellt die Künstler und Auftraggeber vor, erklärt, wie Kunst damals...
Oxbow Books, 2019. — 724 p. Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the 'Great Pavement' in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint's tomb and shrine; Henry III's tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received...
Routledge, 2016. — 427 p. — (The British Archaeological Association Conference Transactions 39). The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable...
Routledge, 2016. — 280 p. — (The British Archaeological Association Conference Transactions 39). The British Archaeological Association's 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable...
NY: The Metropolitan Museum of Art, 1972. — 87 p. The Cuxa Cloister The Saint-Guilhem Cloister The Bonnefont Cloister The Trie Cloister The Chapter House from Pontaut The Doorway from Moutiers-Saint-Jean The Doorway from Reugny The Ciborium from Santo Stefano Elements from the Choir of the Church of Notre-Dame-du-Bourg at Langon The Apse from San Martin de Fuentiduena The Fresco...
Blackwell Publishing, 2006. - 704 Pages.
A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.Contains over 30 original theoretical, historical, and historiographic essays by renowned and...
2nd Edition. — Wiley-Blackwell, 2019. — 1020 р. A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume...
Brill, 2015. — 256 p. — (Art and Material Culture in Medieval and Renaissance Europe 2). Grief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler...
Brill, 2004. — 407 p. — (Cultures, Beliefs and Traditions: Medieval and Early Modern Peoples 18). This book presents an historical overview of the Frankish realms in Central Europe during the Carolingian period. Against this background Part II of the book examines the cultural inventory deposited by the scribal culture in Central Europe as represented by manuscripts, crystals,...
Mandragora, 2014. — 310 p. Le Marche e Fabriano tornano protagoniste nel panorama italiano della cultura con quello che è già stato definito da critici ed esperti un appuntamento unico e straordinario. “Da Giotto a Gentile. Pittura e scultura a Fabriano fra Due e Trecento”, a cura di Vittorio Sgarbi, vanta circa cento opere delicate e preziose, concesse in prestito dai più...
Bompiani, 2013. — 402 p. Una storia e una geografia del tesoro dell’arte italiana. In questo primo volume dedicato ai secoli dall’XI al XIV, oltre 40 artisti, alcuni notissimi, altri meno, si svelano al lettore in un viaggio da Anagni a Modena, da Parma a Ferrara, da Cremona a Padova a Venezia, dalla Romagna alla Toscana alla Sicilia.
N.Y.: 2003. — 285 p. [Английские и французские средневековые витражи в коллекции Музея искусств Метрополитен]. This comprehensive two-volume catalogue covers the outstanding collection of English and French medieval stained glass in the Metropolitan Museum of Art in New York. Written by curator Jane Hayward, the catalogue is posthumously published as Part I in the Corpus...
Prentice Hall, 1988. — 518 p. Against the background of the vast changes that took place throughout Europe in the Medieval period (from the fourth to the fourteenth century), the arts flourished with unmatched vitality and diversity. From beginning to end, the Medieval era spreads before us a panoply of resplendent masterworks. Everybody has a favorite Medieval masterpiece—the...
Naturalis, 1979. — 265 S. Einführung Romanische Kunst in Frankreich Spätromanik und Frühgotik in Frankreich Romanische Kunst in England Romanische Kunst in den Niederlanden Romanische Kunst in Deutschland Romanische Kunst in Skandinavien Normannische Kunst auf Sizilien Romanische Kunst in Italien Romanische Kunst in Spanien Romanische Architektur in Portugal Anhang Zeittafeln...
Westview Press, 1972. — 432 p.
This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods, approximately 1000 -
1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the...
L'Académie bulgare des sciences, 1954. — 88 p. — (Matériaux de l'héritage architectural bulgare IV). L'Eglise de Boyana est un des plus célèbres monuments de l'art architectumJ et pictural bulgare du X-e-XIII-e s. Elle est située dans la partie supérieure de Boyana - petit village blotti au pied même du Vitoche, à environ 8 kilomètres au Sud de Sofia. D'après certains...
2nd Edition — Westview Press, 2004. — 432 p. This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of...
2nd Edition — Westview Press, 2004. — 432 p. This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of...
Pindar Press, 2012. — 709 p. Alison Stones has taught History of Art and Architecture in the USA since 1969 and has enjoyed Visiting Fellowships at the Universities of Oxford, Cambridge, and Paris. She is a specialist in illuminated manuscripts, co-authoring Les Manuscrits de Chretien de Troyes (1993) and The Pilgrim's Guide to Santiago de Compostela, A Critical Edition (1998),...
Pindar Press, 2018. — 683 p. Alison Stones has taught History of Art and Architecture in the USA since 1969 and has enjoyed Visiting Fellowships at the Universities of Oxford, Cambridge and Paris. She is a specialist in illuminated manuscripts, co-authoring Les Manuscrits de Chretien de Troyes (1993), The Pilgrim's Guide to Santiago de Compostela, A Critical Edition (1998), and...
Princeton University Press, 2003. — 171 p. — ISBN- 13 978-0-691 -057 19-4. This brings us to a question especially important co this study: What is a monster? During the Middle Ages, is there really any conceptual distinction to be drawn between, say, an Onocentaur and a Muslim, given that both were perceived by the Christian majority as "cruel, bad, stinking, and fierce?" Even...
Fayard, 2004. — 112 p. Le règne de Charles VI (1380-1422) est souvent perçu comme une époque de crise et de malheur. Ce fut pourtant, à ses débuts du moins, une période de paix et de prospérité. Paris, capitale du royaume, était la ville la plus peuplée et la première place commerciale de l'Europe. C'était aussi un centre intellectuel et spirituel de premier ordre. Par delà les...
J. Paul Getty Museum, 2001. — 102 p. — ISBN10: 089236615X, 13 978-0892366156. The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a...
Cambridge University Press, 2015. — 358 p. This book focuses on apse mosaics in Rome, which were commissioned by a series of popes between the sixth and ninth centuries CE. Through a synchronic approach that challenges current conceptions about how works of art interact with historical time, Erik Thunø proposes that the apse mosaics produce an inter-visual network that...
Junta de Castilla y León, 2001. — 528 p. Catálogo de la exposición realizada en el año 2000 y 2001 por la Junta de Castilla y León en colaboración con la Real Colegiata de San Isidoro de León y contando con la participación del Ayuntamiento de León y Caja España. La exposición se alojó en la propia Colegiata y reunió más de cien piezas relacionadas con los reyes medievales...
Oxbow Books, 2015. — 201 p. This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is...
Oxbow Books, 2015. — 201 p. This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is...
420 с. Рукописная богато иллюстрированная книга (текст на латинском языке), шедевр позднего готического стиля в литературе. «Великолепный часослов герцога Беррийского», иначе «Роскошный часослов герцога Беррийского» (фр. Très Riches Heures du Duc de Berry) — иллюстрированная рукопись XV века. Часословами или часовниками назывались рукописные книги c молитвенником. На первых...
Akademie Verlag, 2012. — 432 S. — (Actus Et Imago IV). Angesichts des alle Konventionen sprengenden Antikengehaltes der Skulptur der drei Pilgerwegskirchen in Jaca, Léon und Santiago scheint sich die Antike in Nordspanien bis in das elfte Jahrhundert kontinuierlich fortgesetzt zu haben. Voraussetzung für diese Bildsprache war die enorme künstlerische Freiheit, die aufgrund...
Union Verlag, 1978. — 302 S. Die mittelalterliche Kunst Bulgariens erweckt in jüngster Zeit in wachsendem Maße Beachtung und Interesse. Zum einen befinden sich viele bedeutende Denkmäler — Kirchen, Ikonen und von den Archäologen ausgegrabene Kunstschätze - in und nahe bei Zentren des Tourismus, wie Sofia, Nessebar, Varna, dem Rila-Kloster, und in den dortigen Museen, zum...
Union Verlag, 1978. — 418 S. Die mittelalterliche Kunst Bulgariens erweckt in jüngster Zeit in wachsendem Maße Beachtung und Interesse. Zum einen befinden sich viele bedeutende Denkmäler — Kirchen, Ikonen und von den Archäologen ausgegrabene Kunstschätze — in und nahe bei Zentren des Tourismus, wie Sofia, Nessebar, Varna, dem Rila-Kloster, und in den dortigen Museen, zum...
Boydell Press, 2020. — 246 p. — (Boydell Studies in Medieval Art and Architecture 22). The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it,were ubiquitous. This volume brings together contributions...
Zodiaque, 1996. — 288 p. Analyse les grands thèmes iconographiques des peintures murales et la culture qui les a portées, ainsi que les différents types de l'architecture géorgienne.
I.B. Tauris, 2023. — 288 p. This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that...
I.B. Tauris, 2023. — 288 p. This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that...
Holle, 1980. — 298 S. — (Kunst der Welt). In den von mir Vorjahren veröffentlichten Studien über die in Europa zwischen der spätrömischen Epoche und dem Jahr 1000 aufgeblühten Kunst ist auf das Problem der Beziehungen zwischen dem Westen und Byzanz noch nicht näher eingegangen worden, und ich kann heute diese Vorsicht nur gutheißen, weil damals meine Kenntnisse der Kunst des...
Editorial Universitaria Ramón Areces, 2009. — 300 p. La obra reflexiona sobre la producción artística del periodo histórico que va desde la ruptura y descomposición de la unidad que había supuesto el Imperio romano hasta la formación de otra gran unidad, no política, pero si artística y religiosa: la Europa románica. Al mismo tiempo que en el Mediterráneo oriental se desarrolla...
Weidenfeld & Nicolson, 1989. — 292 p. Letters and documents spanning three generations of an important fifteenth-century English family offer a glimpse at life in the turbulent era leading from medieval to modern history.
Kluge, 1904. — 248 S. Reval hat unter den Städten der baltischen Provinzen sich die meisten Schätze an mittelalterlichen Bauten und an Werken der Malerei und Bildnerei bewahrt. Der Grund dafür ist wohl hauptsächlich darin zu suchen, dass es ungleich weniger als die übrigen Städte des Landes den Einwirkungen verheerender Kriegszüge preisgegeben war. Und dennoch ist auch hier...
Kluge, 1904. — 280 S. Reval hat unter den Städten der baltischen Provinzen sich die meisten Schätze an mittelalterlichen Bauten und an Werken der Malerei und Bildnerei bewahrt. Der Grund dafür ist wohl hauptsächlich darin zu suchen, dass es ungleich weniger als die übrigen Städte des Landes den Einwirkungen verheerender Kriegszüge preisgegeben war. Und dennoch ist auch hier...
University of Oklahoma Press, 1967. — 616 p. General characteristics of Russian art Geographical setting Scythians and Greeks in South Russia Scythian art Major Scythian and Sarmatian Tumuli in South Russia Art of the Siberian nomads Scytho-Iranian legacy Emergence of the Slavs Architecture of Kievan Russia Architecture of Novgorod and Pskov Architecture of Vladimir-Suzdal Icon...
Penguin Books, 1966. — xxvi + 449 p. + 193 p. of plates. — (The Pelican History of Art Series, Ed. by Nikolaus Pevsner, № Z28.) The 14th century in Italian art is a very rich one, and Professor White's book gives architecture equal weight with painting and sculpture. The story of the Gothic style and the prehistory of the Renaissance is given: all the facts are related, but also...
The Boydell Press, 2020. — 265 p. — (Boydell Studies in Medieval Art and Architecture 20). Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images. Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the...
Philipp von Zabern, 1992. — 74 S. — (Antike Welt: Zeitschrift für Archäologie und Kulturgeschichte 23). Dem Mosaikenschmuck einer Kirche in Rom, die von ihrer zeitlichen Stellung am Übergang von der Spätantike zum frühen Mittelalter steht, gleich ein eigenes Sonderheft von ANTIKE WELT zu widmen, mag auf den ersten Blick ungewöhnlich erscheinen. Gewiß gibt es auch in Rom...
NY: The Metropolitan Museum of Art, 1999. - 294 p. The years 1978 and 1979 were auspicious ones for The Metropolitan Museum of Art: Philippe de Montebello became its Director and William D. Wixom its Chairman of the Department of Medieval Art and The Cloisters. By then, the Museum's two collections of medieval art jointly encompassed outstanding examples of metalwork, illuminated...
BAR Publishing, 2005. — 210 p. — (BAR British Series 386). To understand the architectural sculpture of medieval religious buildings as fully as possible it must be set within its architectural, social and religious contexts. I argue that medieval religious buildings, as institutionalized points of contact with the sacred, were perceived as liminal spaces — where the everyday...
Harry N. Abrams, 1976. — 496 p. The medieval millennium extends from the earliest Christian era to the latest Gothic—chronologically, from the fourth to the fourteenth century. During this long span of time the most diverse historical forces operated: the pagan Roman Empire fell; Christianity split into eastern and western Churches; barbaric hordes freely overran Europe;...
Београд: Завод за уџбенике, 2008. — 612 с. Иконографска истраживања антика и средњи век. Светитељи и сцене. Студије тематских програма српских цркава. Стара српска књижевност и уметност. Слика и историја. Властеоске задужбине. Историографске студије. Библиографија. Иконографски регистар. Именски регистар. Географски регистар.
Пер. с англ., лат.: Завьялова А., Золотухина А., Велижев — М.: Новое литературное обозрение, 2023. — 372 с. — (Очерки визуальности). — ISBN 978-5-4448-1953-1. Влияет ли на наше визуальное восприятие язык, которым мы говорим о картинах? Как неоклассическая латынь предопределила сегодняшние представления о живописи? Чтобы найти ответы на эти вопросы, выдающийся британский...
Пер. с англ., лат.: Завьялова А., Золотухина А., Велижев М. — М.: Новое литературное обозрение, 2023. — 372 с. — (Очерки визуальности). — ISBN 978-5-4448-1953-1. Влияет ли на наше визуальное восприятие язык, которым мы говорим о картинах? Как неоклассическая латынь предопределила сегодняшние представления о живописи? Чтобы найти ответы на эти вопросы, выдающийся британский...
Перевод с англ. — М.: Интербук-бизнес, 2002. — 337 с. — ISBN: 5-89164-111-9. В этой книге история средневековья представлена через творение человеческих рук, будь то здания, скульптура или предметы обихода, создавшиеся для повседневной жизни. Реальные свидетельства ушедшей эпохи служат бесценным дополнением к письменным источникам - дошедшим из прошлого текстам, запечатлевшим...
Пер. с англ. — М.: Российская политическая энциклопедия (РОССПЭН), 2007. — 432 с., ил. ISBN: 978-5-8243-0852-5 Эта книга представляет собой попытку обрисовать историю Европы в эпоху Высокого Средневековья, главным образом, с одной точки зрения - в контексте территориальных захватов, колонизации и вытекающих из них изменений цивилизационного характера, происходивших в Европе и...
2024. — 45 с. Выходные данные не указаны. «Великолепный часослов герцога Беррийского» (фр. Très Riches Heures du Duc de Berry) — иллюстрированная рукопись XV века. Наиболее прославленные изображения часослова — цикл «Времена года» из 12 миниатюр с изображением развлечений знати или крестьянских работ на фоне средневековых замков. Была заказана герцогом Жаном Беррийским...
Богословие в культуре средневековья. — Киев; Одесса: Христиан. братство "Путь к истине", 1992. — С. 119-226. Что же все-таки представляет собой то явление, которое мы называем «Возрождением XII. века»? Представим себе: мы стоим на склоне высокого холма и смотрим в долину; по долине вьется дорога, поднимающаяся в гору и уходящая по холмам вдаль. Мы не видим, где дорога эта...
Богословие в культуре средневековья. — Киев; Одесса: Христиан. братство "Путь к истине", 1992. — С. 119-226. Что же все-таки представляет собой то явление, которое мы называем «Возрождением XII. века»? Представим себе: мы стоим на склоне высокого холма и смотрим в долину; по долине вьется дорога, поднимающаяся в гору и уходящая по холмам вдаль. Мы не видим, где дорога эта...
Богословие в культуре средневековья. — Киев; Одесса: Христиан. братство "Путь к истине", 1992. — С. 119-226. Что же все-таки представляет собой то явление, которое мы называем «Возрождением XII. века»? Представим себе: мы стоим на склоне высокого холма и смотрим в долину; по долине вьется дорога, поднимающаяся в гору и уходящая по холмам вдаль. Мы не видим, где дорога эта...
М.: Индрик, 2011. — 392 c.: ил. — ISBN: 978-5-91674-127-8. Книга посвящена самым древним сохранившимся храмам на территории России. Предисловие История христианской Алании Христианство у алан до X века Крещение алан в начале X века Международная политика христианской Алании до середины X века История аланского христианства во 2-й половине X века Алания в XI веке Алания в XII...
М.: Индрик, 2011. — 392 c.: ил. — ISBN: 978-5-91674-127-8. Книга посвящена самым древним сохранившимся храмам на территории России. Предисловие История христианской Алании Христианство у алан до X века Крещение алан в начале X века Международная политика христианской Алании до середины X века История аланского христианства во 2-й половине X века Алания в XI веке Алания в XII...
В 9 выпусках. — 3-е издание, исправленное и дополненное. — СПб.: Типография В. Безобразова и К о , 1900. — 90 с. Карл Карлович Гёрц (1820-1883) — историк, археолог и искусствовед, заслуженный профессор Московского университета, действительный статский советник. Читал лекции по истории и археологии искусства в Московском университете, Московском училище живописи, ваяния и...
М.: Новое литературное обозрение, 2019. — 258 с. — (Интеллектуальная история). — ISBN: 978-5-4448-0962-4. Знаменитая монография Карло Гинзбурга «Загадка Пьеро» (1981) — интеллектуальный бестселлер и искусствоведческий детектив, построенный вокруг исторической интерпретации фресок итальянского художника XV века Пьеро делла Франческа. Автор решительно отходит от стилистической...
М.: Новое литературное обозрение, 2019. — 258 с. — (Интеллектуальная история). — ISBN: 978-5-4448-0962-4. Знаменитая монография Карло Гинзбурга «Загадка Пьеро» (1981) — интеллектуальный бестселлер и искусствоведческий детектив, построенный вокруг исторической интерпретации фресок итальянского художника XV века Пьеро делла Франческа. Автор решительно отходит от стилистической...
М.: Новое литературное обозрение, 2019. — 258 с. — (Интеллектуальная история). — ISBN 978-5-4448-1064-4. Знаменитая монография Карло Гинзбурга «Загадка Пьеро» (1981) — интеллектуальный бестселлер и искусствоведческий детектив, построенный вокруг исторической интерпретации фресок итальянского художника XV века Пьеро делла Франческа. Автор решительно отходит от стилистической...
М.: Новое литературное обозрение, 2019. — 258 с. — (Интеллектуальная история). — ISBN 978-5-4448-1064-4. Знаменитая монография Карло Гинзбурга «Загадка Пьеро» (1981) — интеллектуальный бестселлер и искусствоведческий детектив, построенный вокруг исторической интерпретации фресок итальянского художника XV века Пьеро делла Франческа. Автор решительно отходит от стилистической...
М.: Новое литературное обозрение, 2019. — 258 с. — (Интеллектуальная история). — ISBN 978-5-4448-1064-4. Знаменитая монография Карло Гинзбурга «Загадка Пьеро» (1981) — интеллектуальный бестселлер и искусствоведческий детектив, построенный вокруг исторической интерпретации фресок итальянского художника XV века Пьеро делла Франческа. Автор решительно отходит от стилистической...
София: Държавна печатница, 1924. — 145 с. — (Художествени паметници на България 1). Измежду всички паметници на средновековното българско изкуство Боянската църква се ползува с най-широка известност, на която само донякъде може да съперничи Мадарският конник, датиращ от първите векове на българската държава. Добре запазена и лесно достъпна, църквата в Бояна стана предмет на...
М.: Ладомир, 2002. — 384 с. — ISBN 5-86218-394-9. Книга замечательного французского медиевиста, наделенного к тому же еще и литературным талантом, рассматривает высочайшие творения средневекового Запада, мир сложных и чарующих форм изобразительного искусства в русле общего развития цивилизации. Жорж Дюби показывает, как в XI веке руководство художественным процессом перешло из...
М.: Ладомир, 2002. — 384 с. — ISBN 5-86218-394-9. Книга замечательного французского медиевиста, наделенного к тому же еще и литературным талантом, рассматривает высочайшие творения средневекового Запада, мир сложных и чарующих форм изобразительного искусства в русле общего развития цивилизации. Жорж Дюби показывает, как в XI веке руководство художественным процессом перешло из...
М.: Ладомир, 2002. - 384 с. — ISBN: 5-86218-394-9.
Книга замечательного французского медиевиста, наделенного к тому же еще и литературным талантом, рассматривает высочайшие творения средневекового Запада, мир сложных и чарующих форм изобразительного искусства в русле общего развития цивилизации.
Жорж Дюби показывает, как в XI веке руководство художественным процессом перешло...
М.: Ладомир, 2002. — 384 с. — ISBN: 5-86218-394-9. Книга замечательного французского медиевиста, наделенного к тому же еще и литературным талантом, рассматривает высочайшие творения средневекового Запада, мир сложных и чарующих форм изобразительного искусства в русле общего развития цивилизации. Жорж Дюби показывает, как в XI веке руководство художественным процессом перешло из...
М.: Изобразительное искусство, 1984. — 161 с. Книга знакомит читателей с творчеством французского живописца и мастера книжной миниатюры XV века Жана Фуке. На основе анализа творческого наследия Фуке в ней раскрываются особенности его художественной индивидуальности, его роль в сложении нового художественного идеала, его место в истории французской культуры. В книге около 70...
М.: Изобразительное искусство, 1986. — 160 с. Книга знакомит читателей с творчеством французского живописца и мастера книжной миниатюры XV века Жана Фуке. На основе анализа творческого наследия Фуке в ней раскрываются особенности его художественной индивидуальности, его роль в сложении нового художественного идеала, его место в истории французской культуры. Жан Фуке был первым,...
М.: Северный паломник, Кучково поле, 2012. — 464 с. — ISBN 978-5-94431-331-7, ISBN 978-5-9950-0105-8. Каталог представляет собой первую полную научную публикацию западноевропейских иллюстрированных рукописей Средних веков и Возрождения, хранящихся в московских собраниях. В каталог включены рукописи и фрагменты из РГБ, ГИМ, ГМИИ им. А.С. Пушкина, Научной Библиотеки МГУ, РГАДА,...
М.: МГУ, 1944. — 208 с., 7 л. ил. Средневековое искусство Западной Европы складывалось в течение первых девяти веков нашей эры. Грань, отделяющая период становления средневекового искусства от т. н. классического его времени, которое является эпохой наиболее яркого и полного развития феодальных отношений в Западной Европе, проходит во второй половине девятого века. Конец...
Навчальний посібник. — Івано-Франківськ: Симфонія Форте, 2011. — 344, [1] с.: іл. Навчальний посібник подає «онтологічну картину» історії світової літератури Середньовіччя і Відродження як складових глобальної епохи рефлективного традиціоналізму. Аналітично репрезентуючи основні закономірності еволюції світової літератури межі III / IV – початку XVII століть у взаємозв’язку...
СПб. : Издательство Государственного Эрмитажа, 2014. — 312 с. — ISBN: 978-5-93572-549-5. В каталоге представлена хранящаяся в Эрмитаже коллекция произведений западноевропейских резчиков по кости. Произведения сгруппированы по хронологическому принципу. Два основных раздела посвящены романским и готическим памятникам (V–XV вв.), третий — поздним подражаниям и копиям (XVII–XX...
М.: Слово/Slovo, 2019. — 400 с.: ил. — ISBN 978-5-387-01549-6. Историк-медиевист Михаил Майзульс в своей книге раскрывает тайны средневековых изображений, приближая читателя к ответу на вопрос: «Почему нам сегодня может быть интересно Средневековье?» Понять настоящее без знания прошлого невозможно, поэтому ключ к сегодняшней популярности Средневековья – в понимании того, как и...
Предисловие Сергея Сдобнова. — М.: Слово/Slovo, 2019. — 400 с.: ил. — ISBN 978-5-387-01549-6. Историк-медиевист Михаил Майзульс в своей книге раскрывает тайны средневековых изображений, приближая читателя к ответу на вопрос: «Почему нам сегодня может быть интересно Средневековье?» Понять настоящее без знания прошлого невозможно, поэтому ключ к сегодняшней популярности...
М.: Слово/Slovo, 2019. — 400 с. — ISBN 978-5-387-01549-6. Историк-медиевист Михаил Майзульс в своей книге раскрывает тайны средневековых изображений, приближая читателя к ответу на вопрос: «Почему нам сегодня может быть интересно Средневековье?» Понять настоящее без знания прошлого невозможно, поэтому ключ к сегодняшней популярности Средневековья — в понимании того, как и о чем...
М.: Слово/Slovo, 2019. — 869 с. — ISBN 978-5-387-01549-6. Историк-медиевист Михаил Майзульс в своей книге раскрывает тайны средневековых изображений, приближая читателя к ответу на вопрос: «Почему нам сегодня может быть интересно Средневековье?» Понять настоящее без знания прошлого невозможно, поэтому ключ к сегодняшней популярности Средневековья — в понимании того, как и о чем...
М.: Институт философии, теологии и истории св. Фомы, 2008. — 552 с. — (Bibliotheca Ignatiana). — ISBN: 978-5-94242-032-4. Книга Эмиля Маля (1862-1954) «Религиозное искусство XIII в. во Франции» (1899) начинает историю иконографической науки в западноевропейском искусствознании. Первое в длинном ряду трудов ученого-энциклопедиста фундаментальное исследование мира образов...
М.: Институт философии, теологии и истории св. Фомы, 2008. — 552 с. — (Bibliotheca Ignatiana). Книга Эмиля Маля (1862-1954) «Религиозное искусство XIII в. во Франции» (1899) начинает историю иконографической науки в западноевропейском искусствознании. Первое в длинном ряду трудов ученого-энциклопедиста фундаментальное исследование мира образов французской готики — одновременно...
Л.; М.: Искусство, 1964. — 392 с. Книга представляет собой очерки истории искусства стран Западной Европы в средние века. В ней рассказывается об архитектуре, скульптуре, монументальной живописи и миниатюре Франции, Германии, Англии, Италии, Испании и других стран.
Л. -М.: Искусство, 1964. — 392 с.
Книга представляет собой очерки истории искусства стран Западной Европы в средние века. В ней рассказывается об архитектуре, скульптуре, монументальной живописи и миниатюре Франции, Германии, Англии, Италии, Испании и других стран.
Серия: Новая история искусства СПб.: Азбука, 2000. - 384 с. ISBN: 5-267-00300-Х В предлагаемой вниманию читателя книге «Искусство раннего Средневековья» автор прослеживает развитие европейской архитектуры, скульптуры, живописи, книжной графики от раннего средневековья по начало XI века. В томе представлен уникальный изобразительный ряд — около 200 цветных иллюстраций....
Учебное пособие по истории искусств. — СПб.: Азбука, 2000. — 384 с.: ил. — (Новая история искусств). — ISBN: 5-267-00300-X Автор прослеживается развитие европейской архитектуры, скульптуры, живописи, книжной графики от периода раннего христианства по начало 11 в. Хронологически следует после периода античности и до ренессанса. Редкая книга не только в электронном, но и в...
СПб.: Азбука, 2000. — С. 149 - 208. — (Новая история искусства). — ISBN: 5-267-00300-Х. В предлагаемой вниманию читателя книге «Искусство раннего Средневековья» автор прослеживает развитие европейской архитектуры, скульптуры, живописи, книжной графики от раннего средневековья по начало XI века. В томе представлен уникальный изобразительный ряд — около 200 цветных иллюстраций....
СПб.: Азбука, 2000. — 384 с.: ил. — ISBN: 5-267-00300-Х. В предлагаемой вниманию читателей книге «Искусство раннего Средневековья» автор прослеживает развитие европейской apxитектуры, скульптуры, живописи, книжной графики от периода раннего христианства по начало XI века. В томе представлен уникальный изобразительный ряд — около 200 цветных иллюстраций.
М.: Музгиз, 1925. — 38 с. Книга посвящена творчеству средневековых провансальских поэтов. Предисловие редактора Трубадуры и труверы - не только поэты, но и музыканты Как дошли до нас мелодии трубадуров и труверов Виды лирических песен Трубадуры и труверы Жонглеры Мензуральная ритмика XIII в. Нотация трубадуров и труверов Заключение Библиографический указатель Указатель имён
М.: Музгиз, 1925. — 38 с. Книга посвящена творчеству средневековых провансальских поэтов. Предисловие редактора Трубадуры и труверы - не только поэты, но и музыканты Как дошли до нас мелодии трубадуров и труверов Виды лирических песен Трубадуры и труверы Жонглеры Мензуральная ритмика XIII в. Нотация трубадуров и труверов Заключение Библиографический указатель Указатель имён
М.: Искусство, 1973. — 223 с. Настоящее иллюстрированное издание посвящено искусству Франции XV-XVI вв. Французы создали наиболее совершенный вариант готического стиля: недаром в других странах его называли "французской манерой". Дух готики глубоко вошёл в сознание нации, её вкусы. Мироощущение, рождённое эпохой Ренессанса, лишь медленно и постепенно отвоёвывало рубежи в борьбе...
М.: Новое литературное обозрение, 2021. — 538 с. — (Очерки визуальности). — ISBN 978-5-4448-1485-7. Изображения средневековых мастеров многие до сих пор воспринимают как творения художников — в привычном для нас смысле слова. Между тем Средневековью не известны понятия «творчество», «верность природе» или «наблюдение», которые свойственны Ренессансу и Новому времени....
М.: Новое литературное обозрение, 2021. — 538 с. — (Очерки визуальности). — ISBN 978-5-4448-1485-7. Изображения средневековых мастеров многие до сих пор воспринимают как творения художников — в привычном для нас смысле слова. Между тем Средневековью не известны понятия «творчество», «верность природе» или «наблюдение», которые свойственны Ренессансу и Новому времени....
Москва: Новое литературное обозрение, 2021. — 464 с. — (Очерки визуальности). — ISBN 978-5-44-481485-7. Изображения средневековых мастеров многие до сих пор воспринимают как творения художников - в привычном для нас смысле слова. Между тем Средневековью не известны понятия «творчество», «верность природе» или «наблюдение», которые свойственны Ренессансу и Новому времени....
М.: Высшая Школа Экономики (Государственный Университет), 2014. — 348 с. — (Исследования культуры). — ISBN: 978-5-7598-1007-0. Книга известного историка средневекового искусства Ролана Рехта предлагает современное объяснение искусства собора как визуальной художественной системы, включающей в себя архитектуру, скульптуру, монументальную живопись, мелкую пластику. На материале...
М.: Высшая Школа Экономики (Государственный Университет), 2014. — 348 с. — (Исследования культуры). — ISBN: 978-5-7598-1007-0. Книга известного историка средневекового искусства Ролана Рехта предлагает современное объяснение искусства собора как визуальной художественной системы, включающей в себя архитектуру, скульптуру, монументальную живопись, мелкую пластику. На материале...
М.: Высшая Школа Экономики (Государственный Университет), 2014. — 348 с. — (Исследования культуры). — ISBN: 978-5-7598-1007-0. Книга известного историка средневекового искусства Ролана Рехта предлагает современное объяснение искусства собора как визуальной художественной системы, включающей в себя архитектуру, скульптуру, монументальную живопись, мелкую пластику. На материале...
М.: Эксмо, 2024. — 257 с. Страшно интересное исследование Средневековья! «Монстры, химеры и пришельцы в искусстве Средневековья» – это настоящее сокровище для всех любителей искусства и истории. Автор книги, доцент высшей школы экономики и талантливый искусствовед Вероника Салтыкова, предлагает нам погрузиться в мир уникальных гравюр и изображений, которые полны страшных и...
Москва: Типография Т.-ва И.Д. Сытина, 1916. - 88с.
Тарасов Николай Григорьевич (1866-1942), методист-историк, искусствовед, краевед, д-р педагогических наук (1940), заслуженный деятель науки РСФСР (1940). Зав. кафедрой истории МГПИ (с 1938). Один из авторов первого советского учебника по истории СССР для начальной школы (1937-55), автор учебных и методических пособий, статей по...
М.: Искусство, 1981. — 384 с. — (Малая история искусств)
Том посвящён одной из интереснейших страниц истории искусства - искусству средних веков. Он знакомит с художественными достижениями народов Франции, Германии, Англии, Италии, Испании, Чехии, Польши, Венгрии, Скандинавских стран и др. На материале важнейших памятников архитектуры, живописи, скульптуры, книжной миниатюры...
М.: Искусство, 1981. — 384 с.
Том посвящён одной из интереснейших страниц истории искусства - искусству средних веков. Он знакомит с художественными достижениями народов Франции, Германии, Англии, Италии, Испании, Чехии, Польши, Венгрии, Скандинавских стран и др. На материале важнейших памятников архитектуры, живописи, скульптуры, книжной миниатюры автор прослеживает развитие...
Монография. — Москва: Искусство, 1981. — 129 с. Только текст без иллюстраций. Том посвящен одной из интереснейших страниц истории искусства - искусству средних веков. Он знакомит с художественными достижениями народов Франции, Германии, Англии, Италии, Испании, Чехии, Польши, Венгрии, Скандинавских стран и др. На материале важнейших памятников архитектуры, живописи, скульптуры,...
М.: Искусство, 1975. — 368 с.: цв. ил. — (Малая история искусств). В настоящий том "Малой истории искусств", посвященный искусству средних веков, вошли Византия, Болгария, Сербия, Армения, Грузия, Древняя Русь, Украина и Белоруссия. В книге освещены также искусство поздней Римской империи и античные истоки средневекового искусства. Проблемы искусства авторы рассматривают на...
М.: Искусство, 1975. — 368 с.: цв. ил. — (Малая история искусств). В настоящий том "Малой истории искусств", посвященный искусству средних веков, вошли Византия, Болгария, Сербия, Армения, Грузия, Древняя Русь, Украина и Белоруссия. В книге освещены также искусство поздней Римской империи и античные истоки средневекового искусства. Проблемы искусства авторы рассматривают на...
М.: Белый город, 2006. — 48 с. — (Эпохи. Стили. Направления). — ISBN: 5-7793-1082-3. Очерк развития западноевропейского искусства от античности до эпохи Карла Великого (IX век). Альбом украшают более 70 цветных иллюстраций - произведения искусства, артефакты, памятники архитектуры и книжные миниатюры.
Пер. с ит. Ю. Ильина; пер. с лат. А. Струковой. — Санкт-Петербург: Азбука-классика, 2004. — 288 c. — ISBN: 5-352-00601-8. «Эволюция средневековой эстетики» (1958) – теоретическая работа знаменитого итальянского романиста Умберто Эко (автора бестселлеров «Имя Розы», «Маятник Фуко», «Остров накануне», «Баудолино»), посвященная проблеме развития идеи Прекрасного в средневековой...
Москва: ОГИЗ ИЗОГИЗ, 1936. — 160 с. Автор рассматривает в книге романскую и готическую эпохи,особенно останавливаясь на вопросах архитектуры, в меньшей степени - скульптуры. Оглавление От редакции Предисловие Вступление. Средневековое искусство Франции в оценке позднейших поколений Средневековая культура и возникновение городов во Франции Романская архитектура и скульптура...
Пер. с англ. М. Клименко. — Москва: Энигма, 2014. — 264 с. + 48 с. — ISBN: 978-5-94698-153-8. Фактически, настоящая книга представляет собой дешифровку «кодов тайной ереси» в творчестве Иеронима Босха. Изучив огромное количество материала и проанализировав массу фрагментов картин, автор старается доказать, как сильно заблуждались современники и именитые заказчики великого...
Пер. с англ. М. Клименко. — Москва: Энигма, 2014. — 264 с. + 48 с. — ISBN: 978-5-94698-153-8. Фактически, настоящая книга представляет собой дешифровку «кодов тайной ереси» в творчестве Иеронима Босха. Изучив огромное количество материала и проанализировав массу фрагментов картин, автор старается доказать, как сильно заблуждались современники и именитые заказчики великого...
Пер. с англ. М. Клименко. — Москва: Энигма, 2014. — 264 с. + 48 с. — ISBN: 978-5-94698-153-8. Фактически, настоящая книга представляет собой дешифровку «кодов тайной ереси» в творчестве Иеронима Босха. Изучив огромное количество материала и проанализировав массу фрагментов картин, автор старается доказать, как сильно заблуждались современники и именитые заказчики великого...
Монографія. — Старобільськ; Полтава, ЛНУ, Формат+, 2021. — 206 с. У монографії піднімаються питання духовного життя країн Західної Європи в епоху Середньовіччя та раннього Просвітництва, показує соціальні витоки культурннх явищ, передумови виникнення багатостильовості та багатожанровості, характерних для досліджуваного періоду. На етапі раннього Середньовіччя аналізуються ті...
Москва : Эксмо, 2019. — 128 с. — (Энциклопедия быстрых знаний). — ISBN: 978-5-04-102298-3. Средние века… Период, окутанный для современного человека романтическим флером. Время отважных рыцарей, прекрасных дам, турниров, песен менестрелей… и, конечно, удивительных шедевров — величественных зданий, ярких витражей и гобеленов, живописных полотен, созданных мастерами,...
СПб.: Дом Галича, 2022. — 65 с. В книге три статьи. Две из них посвящены атрибуции лиц, изображенных Франсом Хальсом на двух его живописных работах. На одной портрет Оливера Кромвеля, на другой руководители нидерландской республики принц Фредерик Хендрик Оранский, мэр Харлема Йохан Де Вайль, картограф и навигатор Дирк ван Ниероп и мэр Амстердама Корнелис де Грефф отказывают в...
СПб.: Дом Галича, 2022. — 65 с. В книге три статьи. Две из них посвящены атрибуции лиц, изображенных Франсом Хальсом на двух его живописных работах. На одной портрет Оливера Кромвеля, на другой руководители нидерландской республики принц Фредерик Хендрик Оранский, мэр Харлема Йохан Де Вайль, картограф и навигатор Дирк ван Ниероп и мэр Амстердама Корнелис де Грефф отказывают в...
СПб.: Дом Галича, 2023. — 65 с. Третье электронное издание. В книге три статьи. Две из них посвящены атрибуции лиц, изображенных Франсом Хальсом на двух его живописных работах. На одной портрет Оливера Кромвеля, на другой руководители нидерландской республики принц Фредерик Хендрик Оранский, мэр Харлема Йохан Де Вайль, картограф и навигатор Дирк ван Ниероп и мэр Амстердама...
Херон прес, 2015. — 96 с. През 1935 г. френският учен проф. Г. Мийе посещава Иваново заедно с българския си колега Н. Мавродинов. В едно интервю той съобщава, че там е видял уникален паметник на средновековната живопис и че първата част от името на дарителя на църквата е ЙОАН. 10 години по-късно Мавродинов пише, че втората част от името била умишлено заличена от злодейска ръка...
София, 2015. — 188 с. Настоящият албум представлява неотменна част от двете мои монографии за стенописите от художествения резерват „Иваново - Красен”, посветени главно на някои проблеми, свързани с датировката и атрибуцията на пещерната църква „Св. Иван Кръстител” при сегашното село Иваново, Русенско. Той съдържа репродукции от пълната цветна и чернобяла фотодокументация,...
Алфаграф, 2011. — 181 с. Тази книга подробно разглежда проблемите за погрешната датировка на Ивановските стенописи, лъжовното им свързване с цар Иван Александър и необоснованото им отнасяне към дериватите на византийската школа. Успоредно с историческата част за отдавна отминали събития и забравени художествени похвати, д-р Чилингиров разказва от първа ръка случаи от историята...
Херон прес, 2014. — 96 с. Развитието на българското изкуство се определя от редица фактори, чието правилно диференциране е от решаващо значение за нашата културология и историография. Настоящата студия има за задача разграничаването на българските художествени паметници от византийските, в резултат на което се уточнява атрибуцията и датировката им, отличаващи се значително от...
М.: ACT: CORPUS, 2015. — 353 с. — ISBN: 978-5-17-085170-6. Мировую славу Умберто Эко обрел как автор шести романов, ставших вечной классикой. Однако сам он считает куда более важной свою научную работу. Выдающийся семиолог, медиевист, культуролог и массмедиолог, почетный профессор многих университетов, в академической среде Эко фигура не менее масштабная, чем в художественной...
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