Fratelli Fabbri, 1966. — 160 p. — (Storia universale dell'arte 1). La civiltlt egiziana, con i suoi aspetti cosi singolari ed ' unici', e per di piu conservatisi per millenni con poche varianti, gia presso gli antichi esercito un fascino e suscito un interesse maho maggiore di qualsiasi altra civilta contemporanea. Furono la sua stessa durata e il suo carattere conservatore (e...
J. J. Augustin, 1937. — 82 S. Ein kurzer Aufsatz über die alten ägyptischen Kronen der Pharaonen: Ihre Art, ihr Aussehen und ihre symbolische Bedeutung vom ägyptischen Archäologen Abd el Moneim Abubakr.
Thames & Hudson, 1985. Of the ancient art that has survived from the non-Classical world, that of Egypt makes a unique appeal. In this authoritative and splendidly illustrated guide Cyril Aldred surveys nearly 3000 years of Egyptian art and architecture, concentrating on the fine arts of painting and sculpture.
A. Tiranti, 1949. — 113 p. The aim of this little book is to present to the general reader a brief survey of the art of Ancient Egypt as revealed in its funerary sculpture during the Old Kingdom-the period covered by the first six dynasties (c. 3188 to 2294 B.C.).
Arnold, Dorothea, Lyn Green, and James Allen. New York: Metropolitan Museum of Art, 1999. — 169 p. — ISBN: 0300200277. During a brief seventeen-year reign (ca. 1353–1336 B.C.) the pharaoh Amenhotep IV/Akhenaten, founder of the world's first known monotheistic religion, devoted his life and the resources of his kingdom to the worship of the Aten (a deity symbolized by the sun...
The Metropolitan Museum of Art, 1999. — 146 p. The Old Kingdom (about 2650–2150 B.C.E.) was the first golden age of Egyptian culture, a period that determined the form and character of Egyptian art for centuries to come. From the Third through the Sixth Dynasty, not only were the pyramids built in vast construction efforts, but artists working in an array ofmediums and...
Propylaeum, 2021. — 188 S. — (Beiträge zur Altägyptischen Kunst 1). Kunst- und Bildforschung stellt in der Ägyptologie heute mehr denn je ein Randgebiet dar. Besonders an deutschen Universitätsinstituten, an denen die archäologische und philologische Ausbildung im Vordergrund steht, wird Kunst meist nur im Rahmen der Denkmäler- und Objektkunde oder in vereinzelten Seminaren...
Archaeopress, 2020. — 136 p. — (Archaeopress Egyptology 26). ‘Scènes de Gynécées’ Figured Ostraca from New Kingdom Egypt: Iconography and intent examines images of women and children drawn on ostraca from Deir el-Medina, referred to in previous scholarship as ‘Scènes de Gynécées’. The images depict women with children either sitting on beds in a domestic setting or in outdoor...
Otto Harrassowitz Verlag, 2022. — 497 S. — (Ägyptologische Abhandlungen 78). Das Mammisi von Edfu zählt zu den am besten erhaltenen Geburtshäusern Ägyptens. Es stammt aus der späten Ptolemäerzeit und gehört zum Bezirk des Horustempels. Obwohl die Texte und Bilder des Mammisis seit langer Zeit publiziert sind, ist es kaum erforscht worden. Wie lohnend eine Beschäftigung ist,...
Institut français d'archéologie orientale, 1935. — 300 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 63). Nous ne devons pas considérer le scribe thébain comme un artiste moderne, , pour qui l'art est une fonction sociale. La décoration, en Egypte, ne fut jamais autre chose qu'une écriture développée, et les scribes qui...
Institut français d'archéologie orientale, 1907. — 171 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Les miroirs égyptiens nous sont connus par de nombreux exemplaires dispersés dans la plupart des collections d'antiquités égyptiennes et par des représentations multiples. Ces deux ordres de témoignages nous le montrent composé d'un disque réfléchissant...
Otto Harrassowitz Verlag, 2010. — 344 S. — (Philippika: Marburger altertumskundliche Abhandlungen 27). Dieses Buch über die „Innovationen in der altägyptischen Privatplastik“ beschäftigt sich schwerpunktmäßig mit der 18. Dynastie, einem sehr lebendigen und turbulenten Abschnitt der altägyptischen Geschichte bis zu ihrem revolutionären Höhepunkt in der Amarnazeit. Darüberhinaus...
Thomson Gale, 2005. - 345 p. - Profiling milestones and movements in the arts, literature, music and religion from a specific period, Arts and Humanities through the Eras: Ancient Egypt (2675 B.C.E.-332 B.C.E.) helps students and researchers understand the various disciplines of the humanities in relation to each other, as well as to history and culture. An overview of the period...
White Star, 2004. — 290 p. Ai monumenti di Luxor e della vasta regione conosciuta come Valle dei Re è dedicato questo volume che, attraverso la rivisitazione di tutti i siti più importanti e delle splendide opere d'arte custodite nei sepolcri, espone le più recenti scoperte archeologiche e ricostruisce vicende storiche sepolte da millenni sotto la sabbia.
Reichsdruckerei, 1937. — 299 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Denkmäler des Alten Reiches (ausser den Statuen) im Museum von Kairo, Nr. 1295-1808.
Reichsdruckerei, 1964. — 291 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Denkmäler des Alten Reiches (ausser den Statuen) im Museum von Kairo, Nr. 1295-1808.
J.C. Hinrichs'sche Buchhandlung, 1911. — 75 S. — (Ausgrabungen der Deutschen Orient-gesellschaft in Tell el-Amarna 1). Für Kenner ägyptischer Kunst war, ohne daß sie nach Fundumständen oder inschriftlichen Dokumenten zu fragen brauchten, die Datierung des Köpfchens sicher, es konnte nur in der Blütezeit der 18. Dynastie (c. 1375 v. Chr.) entstanden sen Nun war aber gerade im...
Reichsdruckerei, 1911. — 335 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Statuen und Statuetten von Königen und Privatleuten im Museum von Kairo, Nr. 1-1294.
Reichsdruckerei, 1925. — 262 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Statuen und Statuetten von Königen und Privatleuten im Museum von Kairo, Nr. 1-1294.
Reichsdruckerei, 1930. — 209 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Statuen und Statuetten von Königen und Privatleuten im Museum von Kairo, Nr. 1-1294.
Reichsdruckerei, 1934. — 170 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Statuen und Statuetten von Königen und Privatleuten im Museum von Kairo, Nr. 1-1294.
Reichsdruckerei, 1936. — 150 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Statuen und Statuetten von Königen und Privatleuten im Museum von Kairo, Nr. 1-1294. Die Anlage dieses fünften Bandes der »Statuen und Statuetten von Königen und Privatleuten«, der die Nachweise zu den so benannten vier Bänden des Catalogue Général du Musée du Caire enthält, ist...
Mainz: Philipp von Zabern, 1996. — XV, 262 S., 87 Tafeln. In this study of the Egyptian mummy portraits from the Roman Period the author concentrates on their chronology and technique of manufacture, and the cultural, iconographical and religious contexts. In the introductory chapter 1 she briefly surveys the history of the study of the portraits and explains the objectives of...
J.J. Augustin, 1936. — 122 S. — (Ägyptologische Forschungen 1). Es ist auffallend, dass die Kunst der ägyptischen Spätzeit, an der sich doch die erste, allerdings sehr falsche Meinung über Ägypten gebildet hat, so offensichtlich als Stiefkind der Ägyptologie behandelt wird. Das erklärt sich zum Teil daraus, dass die Ausgrabungen der letzten Jahrzehnte so unendlich viel Neues...
Brooklyn Museum, 1960. — 388 p. An exceptional, richly illustrated presentation of ancient Egyptian sculpture from the Late Period (7th century BC - 1st century AD): the Late Kingdom, Persian rule, the Hellenistic era and Roman rule. At that time, the millennial tradition in this art reached its mature splendor, presenting to the viewer perfectly polished techniques for...
Rencontre, 1965. — 207 p. Une présentation parfaitement illustrée d’images peintes d’Égypte ancienne. Toutes les reproductions avaient détaillées notes explicatives et références.
Ecole du Louvre, 2001. — 499 p.
Les auteurs de ce manuel ont réuni, pour la première fois sous une forme condensée, maniable et claire, la totalité des documents et des références indispensables aux étudiants en archéologie et en histoire de l’art de l’Égypte ancienne, de la préhistoire aux époques ptolémaïque et romaine. Si l’ouvrage présente et analyse les œuvres et les...
Réunion des musées nationaux, 2003. — 455 p. La collection des serviteurs funéraires (chaouabtis, ouchebtis) du département des Antiquités égyptiennes du musée du Louvre compte plus de 4200 statuettes. Ce premier volume est consacré aux figurines de pharaons et de membres de la famille royale. Objet très représentatif de la civilisation égyptienne, le serviteur funéraire est...
Brill Academic Publishers, 2000. — 602 p. — (Probleme der Ägyptologie 16).
One of ancient Egypt's most outstanding and important rulers was Seti I. He is especially notorious for his wars in neighboring Western Asia, Libya and Nubia. But he is also renowned, perhaps even more so, for his impressive building programs. Peter Brand's groundbreaking study is a major contribution to...
Brill, 2000. — 610 p. — (Probleme der Ägyptologie 16). One of ancient Egypt’s most outstanding and important rulers was Seti I. He is especially notorious for his wars in neighboring Western Asia, Libya and Nubia. But he is also renowned, perhaps even more so, for his impressive building programs. Peter Brand’s groundbreaking study is a major contribution to clarifying the...
Mensch & Buch Verlag, 2008. — 489 S. Die vorliegende Arbeit versucht einen Beitrag zur Erforschung der libyerzeitlichen Plastik zu leisten. Sie kann nicht für sich in Anspruch nehmen alle Aspekte, die mit der künstlerischen Entwicklung im Bereich der Privatplastik dieser Periode verbunden sind, zu berücksichtigen. Es handelt sich eher um eine Zusammenstellung des vielfach...
Mensch & Buch Verlag, 2008. — 232 S. Die vorliegende Arbeit versucht einen Beitrag zur Erforschung der libyerzeitlichen Plastik zu leisten. Sie kann nicht für sich in Anspruch nehmen alle Aspekte, die mit der künstlerischen Entwicklung im Bereich der Privatplastik dieser Periode verbunden sind, zu berücksichtigen. Es handelt sich eher um eine Zusammenstellung des vielfach...
Nederlands Instituut voor het Nabije Oosten, 1979. — 139 p. — (PIHANS 45). During my visit to the Fitzwilliam Museum in autumn, 1972 Mr.R.V. Nicholls, the Keeper of Antiquities, suggested that I publish the figured ostraka from the Gayer-Anderson collection and I readily assented .. In a few days I was able to work through the forty-six pieces there, that is to sketch and...
Institute for the Study of Ancient Cultures of the University of Chicago, 2023. — 310 p. — (Studies in Ancient Cultures 2). The tombs and mortuary temples of Thebes have proved an enduring topic of interest thanks to a quickly expanding corpus of field materials and a series of conferences devoted to the subject. This volume, the fourth in a series of occasional proceedings...
Brill, 2021. — 554 p. — (Harvard Egyptological Studies 14). In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological...
The Oriental Institute of the University of Chicago, 1933. — 70 p. In the season of I925-1926 the Egypt Exploration Society, after excavating for some years exclusively at el-Amarna, decided to transfer its activities to Abydos, where the uncovering of the chapel of Osiris (the Osirion), interrupted by the war, urgently demanded completion. During a visit by John D....
The Oriental Institute of the University of Chicago, 1935. — 74 p. The second of the four volumes presented here publishes the final four of the seven chapels that jointly constitute the innermost sanctuary of the temple of Seti I. The four chapels are those of Amun-Re, Re-Horakhti, Ptah, and King Seti.
The Oriental Institute of the University of Chicago, 1938. — 100 p. The area covered by the sixty-five plates in the present volume is an oblong rectangle some fifty-seven meters in length by thirteen meters in breadth lying immediately behind the seven chapels published in the two previous volumes and forms the westward conclusion of the temple that lies in the main axis.
The Oriental Institute of the University of Chicago, 1958. — 110 p. The area covered by the eighty plates of the present volume is the Second Hypostyle. The Second or Inner Hypostyle Hall differs from its eastern neighbor by having had its roof supported by three instead of two rows of twelve columns each, with the resultant west-east measurement of fifteen-and-a-half meters in...
Routledge, 2020. — 196 p. — (Routledge revivals). Originally published in 1923, this book provides an exploration of Egyptian art. Drawing on environmental factors of the Egyptian region, architecture, history and Egyptian society, Capart also provides an insight into the psyche of the Egyptian artist. Jean Capart (1877 – 1947) was a Belgian Egyptologist, director of the El-Kab...
Vromant & Co., 1914. — 65 p. — (Recherches d'art égyptien 1). En 1860, Mariette-pacha, au cours de ses fouilles de Tanis, découvrit un groupe de sphinx d’un type particulier.
New York: Barnes & Noble, 2007. — 360 p. This splendidly illustrated book traces the development of the glorious art of Egypt from prehistoric times, when the pharaohs had not yet come into existence, to the epilogue of this great civilization following its conquest by Alexander. It examines the age of pyramids, taking a close look at these majestic constructions, as well as...
Peeters, 2020. — 178 p. A quelque soixante kilometres de la Vallee des Rois - avec laquelle il partage la splendeur des representations picturales - le site de Dendara constitue un des ensembles religieux les plus remarquables de toute l'Egypte. La presence divine y remonte a la plus haute antiquite, ce qui explique l'exceptionnel degre d'elaboration de ses textes et tableaux....
L'Institut français d'archéologie orientale, 2022. — 204 p. — (Bibliothèque générale 27). Parallèlement à la réimpression anastatique du livre de G. Lefebvre consacré au tombeau de Pétosiris en Moyenne Égypte, étude scientifiquement irréprochable mais limitée aux textes, est proposée dans ce volume une couverture photographique du décor de l'édifice, destinée à rendre justice à...
Connaissance de l'Egypte ancienne, 1989. — 297 p. L'une des grandes frustrations de la recherche sur la période de l'Ancien Empire en Égypte est la difficulté de dater avec précision les tombes des fonctionnaires qui fournissent tant de nos informations. Diverses méthodes de datation ont été proposées, mais aucune ne s'est avérée infaillible. Dans le présent volume, Nadine...
Golden House Publications, 2020. — 639 p. — (Middle Kingdom Studies 10). Ce volume présente une évaluation de la sculpture de la fin du Moyen Empire et de la Seconde Période Intermédiaire (vers 1850 à 1550 av. J.-C.). Le style, le matériau et la datation sont longuement discutés. L'ouvrage est bien illustré (plus de 100 planches n/b) et comprend un catalogue de toutes les...
L'Institut français d'archéologie orientale, 1936. — 98 p. — (Fouilles de l'Institut Français d'Archéologie Orientale du Caire 13). On pourrait caractériser les fouilles de Médamoud en disant qu'elles ont ressuscité un temple ptolémaïque et romain dans les fondations duquel ont été retrouvés miraculeusement protégés de splendides monuments en calcaire datant du Moyen Empire. Le...
American University in Cairo Press, 2000. — 161 p. — ISBN: 9774245849.
This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes's monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts.
Budapest: Helikon Kiadó, 1986. — 159 o.
Богато иллюстрированный альбом в хорошем качестве.
Серия: A múlt születése.
Язык: венгерский.
"Akik napjainkban felkeresik Egyiptomot, s Kairóból Luxorba repülőgépen teszik meg az utat, lenyűgöző látványban van részük, abban a tájban gyönyörködhetnek, amely a több ezer évvel ezelőtt élt egyiptomiak életét alapvetően meghatározta. A...
Brill, 2021. — 561 p. — (Harvard Egyptological Studies 11). In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic...
Egypt Exploration Society, 1941. — 119 p. — (Mond excavations at Thebes 1 ). For all that matters Ramose is only known to us from this Theban tomb when he was already vizier. At that time, and still in the reign of Amenophis III, he inscribed his name, or had it inscribed, on the rocks of Sehel and Bigeh in the region of the first cataract, the southern limit of his...
Chicago: University of Chicago Press, 1936. — 114 p. The examples of Egyptian painting displayed in the first two volumes cover a period of some sixteen hundred years, from the very beginning of the Fourth Dynasty (circa 2700 BC) down to the end of the Twentieth Dynasty (1100 BC).
Chicago: University of Chicago Press, 1936. — 112 p. The examples of Egyptian painting displayed in the first two volumes cover a period of some sixteen hundred years, from the very beginning of the Fourth Dynasty (circa 2700 BC) down to the end of the Twentieth Dynasty (1100 BC).
Chicago: University of Chicago Press, 1936. — 258 p. The examples of Egyptian painting displayed in the first two volumes cover a period of some sixteen hundred years, from the very beginning of the Fourth Dynasty (circa 2700 B.C.) down to the end of the Twentieth Dynasty (1100 B.C.). The selection of the one hundred and four specimens of Egyptian paintings is described by...
The Metropolitan Museum of Art, 1935. — 122 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 10). This volume contains reproductions in color from the tomb of Rekh-mi-Re (no. 100 in the Theban series). Key plates to the best-preserved walls of the tomb (pis. XXII-XXVI), which will enable the reader to place the scenes of the color plates in their proper...
The Metropolitan Museum of Art, 1953. — 229 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 17). As the shipments of the photographs of Davies's drawings of the decoration of the Temple of Hibis began to arrive from England early in 1943, we soon realized, as Winlock has stated in the Preface, the impracticability of trying to use for Part III the...
The Metropolitan Museum of Art, 1930. — 37 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 5.2). List of Plates in Folio IX, A. Ken-Amun's mother nurses the king. In color. X, A. A player on the lute. In color. XI, A. Amen-hotpe II enthroned. In color. XXII, A. New Year's gifts for the king. Inline. XLI, A. Dance of the priestesses. In color. XLVIII ,...
The Metropolitan Museum of Art, 1917. — 231 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition; Robb de Peyster Tytus memorial series 1). With this volume The Metropolitan Museum of Art commences an enterprise which, though far from being pioneer work, has the merit and privilege of renewing a task long neglected—that, namely, of using the fullest...
The Metropolitan Museum of Art, 1933. — 347 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 9.1). The monument with which this volume deals lies at the end of the Khokheh ridge, the The site of riverward face of which is occupied by tombs of all ages from the Sixth Dynasty to Ramesside times, though, as much of the slope is uncleared, we do not know the...
The Metropolitan Museum of Art, 1933. — 37 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 9.2). The monument with which this volume deals lies at the end of the Khokheh ridge, the The site of riverward face of which is occupied by tombs of all ages from the Sixth Dynasty to Ramesside times, though, as much of the slope is uncleared, we do not know the...
The Metropolitan Museum of Art, 1922. — 305 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition; Robb de Peyster Tytus memorial series 2). The tomb which forms the subject-matter of these volumes (No. 39 in the official list of Theban tombs) was hewn out for himself in the opening years of Thothmes the Third's independent reign by one Puyemre, who, earlier...
The Metropolitan Museum of Art, 1923. — 259 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition; Robb de Peyster Tytus memorial series 3). The tomb which forms the subject-matter of these volumes (No. 39 in the official list of Theban tombs) was hewn out for himself in the opening years of Thothmes the Third's independent reign by one Puyemre, who, earlier...
The Metropolitan Museum of Art, 1925. — 213 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition; Robb de Peyster Tytus memorial series 4). Tomb 181 at Thebes, the subject of the present memoir, received The Egyptian tomb a prifrom Pere Scheil, its first editor, a designation, "Tombeau des Graveurs," vate, not a common which is misleading in so far as it...
Institut français d'archéologie orientale, 1950. — 97 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Un trésor asiatique, au nom d'Amenemhat II (date approximative : 1936 avant l'ère chrétienne), fut découvert le 8 février 1936 à 16 h., sous le village de Tôd (bassin d'inondation Salamieh, mar kaz Louxor, moudirieh Kéneh). Tôd est centre administratif...
Ministère de la Culture et de la Communication/Réunion des musées nationaux, 1987. — 272 p. Présentation richement illustrée d'une magnifique collection de statues égyptiennes antiques conservée au Louvre. La portée chronologique de ces œuvres d'art est limitée à l'Empire du Milieu (vers 2055-1650 av. J.-C.).
Éditions Racine, 2015. — 212 p. Pendant trois mille ans d'histoire, l'obsession égyptienne pour la survie a conduit à l'élaboration de milliers d'objets de tous types, notamment les cercueils et sarcophages, dont les plus anciens exemplaires remontent à l'époque prédynastique, et dont l'usage se poursuit, à travers de très nombreuses mutations, jusqu'au début de l'ère...
Ludion, 2023. — 255 p. L'exposition 'Expéditions d'Égypte' racontera l'histoire de deux siècles de découvertes archéologiques fascinantes au Pays des Pharaons et de la formation de la collection égyptienne du Musée. Au 19e siècle, les milieux diplomatiques et industriels belges s'intéressent vivement au passé de l'Égypte, qui occupe alors une place importante dans la politique...
Kegan Paul International, 1994. — 265 p. In spite of their significance as part of the burial equipment, canopic items have hitherto received relatively little attention in the literature of Egyptology. This book now documents and discusses all equipment made or used to contain the embalmed internal organs of the kings of ancient Egypt. While some containers were simple stone...
Desclée de Brouwer, 1965. — 424 p. Fait sans pareil dans l'histoire, l'art égyptien pharaonique a vécu trente-trois siècles. Pendant cette énorme période de temps, il traverse des alternances de vitalité et de décrépitude, mais il retrouve toujours sa vigueur dans une formule fondamentale qui reste substantiellement la même. Variations du goût ni influences extérieures ne l'ont...
Arts et Métiers Graphiques, 1955. — 161 p. Un aperçu de l'art de l'Egypte ancienne par l'un des meilleurs égyptologues français au milieu du 20ème siècle - Etienne Driton (1889-1961).
Brill, 2020. — 120 p. — (Harvard Egyptological Studies 9). The reign of the “heretic pharaoh” Akhenaten—the so-called Amarna Period—witnessed an unprecedented attack on the cult of Amun, King of the Gods, with his cult center at ancient Thebes (modern Luxor). A program to reinstate Amun to pre-eminence in the traditional pantheon was instituted by Akhenaten’s successors...
Institut français d'archéologie orientale, 1905. — 271 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). The objects described in the following catalogue belong for the most part to the last stages of the history of mummy -decoration in Egypt. They consist of those pieces in which the Greck element is either predominant or strongly pronounced. I have...
Коллектив авторов. Metropolitan Museum of Art. 1999. - 536 p. ISBN10: 0870999060 ISBN13: 978-0870999062 Language: English The Old Kingdom (about 2650-2150 B.C.E.) was the first golden age of Egyptian culture, a period that determined the form and character of Egyptian art for centuries to come. From the Third through the Sixth Dynasty, not only were the pyramids built in vast...
Newsweek, 1980. — 176 p. Ancient Egypt, which two thousand years ago attracted Greek and Roman travelers, exercises even greater fascination today. Along the whole length of the Nile, from the Pyramids at Giza to the great temple of Rameses II at Abu Simbel and beyond, are to be found archaeological sites of extraordinary richness and variety. A major site, the Theban...
Farid Atiya Press, 2005. — 114 p. Ancient Egyptian artists produced masterpieces and works of funerary art on a scale never seen before or since. This book is the first to discuss the artistic development of funerary scenes over the four hundred years of the New Kingdom, covering the different reigns of the period. It shows the sequence of events in the funeral processions and...
Institut français d'archéologie orientale, 1959. — 12 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 89). L’ouvrage comprend cinq planches additionnelles à la publication de la tombe de Sennedjem par B. Bruyère, parue l'année précédente, avec des croquis de position pour les décors du caveau. C’est à l’illustratrice FahmyʿAbd...
Institut français d'archéologie orientale, 1939. — 97 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 65.1).
Aris and Phillips, 2010. — 334 p. Egyptian animal imagery has long been admired for its beauty and morphological accuracy, but the postures and activities of depicted species have received less attention. Animal Behaviour in Egyptian Art takes a unique approach by documenting the way in which mammals, birds, reptiles, fish, amphibians, and insects are shown behaving in Old...
Brooklyn Museum of Art/Scala Publishers, 1999. — 168 p. This popular survey, written by specialists in Egyptian art, enriches our understanding of a glorious tradition spanning 5000 years. The authors have selected 100 of the most significant objects from the Brooklyn Museum of Art's world-renowned Egyptian collection. These masterworks cover the full history of Egyptian...
The Fine Arts Museums of San Francisco/The Brooklyn Museum, 1975. — 180 p. Presentation of ancient Egyptian art in the American museums of Brooklyn (New York) and Berkeley (California). Contents: Chronology; Preface; Foreword; Introduction; I. The Predynastic and Early Dynastic Periods; II. The Old Kingdom and the First Intermediate Periods; III. The Middle Kingdom; IV. The...
Bruno Cassirer, 1923. — 248 S. — (Kunst des Ostens 1). Die Autorin Hedwig Jenny Fechheimer, geborene Hedwig Jenny Brühl, auch bekannt als Hedwig Simon (1. Juni 1871 in Berlin – 31. August 1942 ebenda) war eine deutsche Kunsthistorikerin und Ägyptologin. Sie war eine bedeutende Vertreterin der Berliner Schule und ist bekannt für ihre Erforschung der Plastik des Alten Ägypten und...
Museum of Fine Arts, 2009. — 232 p. When American archaeologists blasted through solid rock in 1915 to reach a tomb in Deir el-Bersha, Egypt (which they designated "Tomb 10A"), they found a mummy, exquisitely decorated coffins, and arguably the largest assemblage of burial artifacts ever discovered from the Middle Kingdom. Because of the delicate power balance between the king...
Museum of Fine Arts, Boston, 1999. — 328 p. Few figures in history evoke the curiosity or command the attention that Akhenaten, Nefertiti, and Tutankhamen do. Pharaoh Akhenaten founded the city of Amarna 3,500 years ago. In this millennial exhibition of the Museum of Fine Arts, Boston, the fascinating Amarna Period of ancient Egypt comes to life through more than 250 beautiful...
Institut français d'archéologie orientale, 1923. — 140 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 51). Parmi les figurations animales qui font l'ornement des monuments pharaoniques, les nombreux poissons gravés, peints ou sculptés dans certains tombeaux de l'Ancien Empire, ont déjà fait l'objet d'études sommaires. Ces...
Metropolitan Museum of Art, 1927. — 190 p. — (Robb de Peyster Tytus memorial series 5). The completion of this selected edition of five Theban tombs, by which, I venture to think, the coloration employed by skilled Egyptian artists has been set before the public with a degree of exactitude not before attained, is an occasion on which feelings of gratitude are naturally aroused...
The Metropolitan Museum of Art, 1971. — 173 p. — (Publications of the Metropolitan Museum of Art Egyptian Expedition 20). The limestone reliefs termed "Lisht Blocks" presented in this volume were found by the Metropolitan Museum's Egyptian Expedition, which was active at Lisht from 1906 to 1934. They had been removed from earlier, probably already dilapidated, buildings by...
Brill, 2020. — 778 p. — (Harvard Egyptological Studies 8). In Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt’s 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive...
Kegan Paul International, 1987. — 638 p. he broad lines of development in private tomb decoration throughout the Egyptian Archaic Period and Old Kingdom (ca. 3000-2200 B.C.) are known: small decorated niches in Dynasties One and Two become elaborate multiroomed chapels in the Fifth and Sixth Dynasties. It has been difficult, however, to reconcile the great variety of tomb plans...
Wiley-Blackwell, 2014. — 624 p. — (Blackwell Companions to the Ancient World).
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art.
* Features contributions from top scholars in their respective fields of expertise relating to...
Deutscher Kunstverlag, 1976. — 244 S. — (Münchner ägyptologische Studien 33). Interessant Monographie für Stöcke und Stäbe im Pharaonischen Ägypten bis zum Ende des Neuen Reiches. Analysieren Sie Form und Funktion, Material und Verarbeitung (inkl. Wasser- und Feuerbeständigkeit). Es war nicht zuletzt, dass die Sozialnotizen für sie und die Symbolik sowie eine langsame Reflexion...
E.J. Brill, 1979. — 917 S. — (Études préliminaires aux religions orientales dans l'Empire romain 62). Ein detaillierter Überblick über die Denkmäler der altägyptischen Kunst mit altägyptischen Kunstmotiven, die in der vorrömischen Zeit nach Italien gelangten. Bei den identifizierten und analysierten Artefakten handelt es sich überwiegend um Objekte der angewandten Kunst,...
Kunsthistorisches Museum Wien, 2005. — 66 S. Die altägyptische Kultur bestand länger als alle anderen Kulturen des Mittelmeerraumes. Sie existierte mehr als 3000 Jahre und hat zu allen Zeiten die Menschen in ihren Bann gezogen. Als bedeutendstes Symbol dieser Kultur können sicherlich die großen Pyramiden von Giza aus dem Alten Reich angesehen werden, die zu den faszinierendsten...
With contributions by Betsy M. Bryan, Terence DuQuesne, Fayza Haikal, and Erik Hornung. — Wachington: National Gallery of Art, 2002. — 256 p.
The Quest for Immortality combines aesthetically fine examples of Egyptian art with a fascinating glimpse into what the ancient Egyptians believed would occur in the world to which they journeyed after death. Highlighting masterpieces...
Brill, 2019. — 770 p. — (Harvard Egyptological Studies 6). In The Representations of Women in the Middle Kingdom Tombs of Officials Ľubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study...
Thames & Hudson, 2008. — 368 p. From the pyramids and royal burial ground in the Valley of the Kings to the tombs of queens such as Ramesses II's consort Nefertari and the far larger number of private tombs of nobles like Rekhmire and Ramose, The Tomb in Ancient Egypt is an unparalleled guide for Egyptophiles everywhere. Besides the paintings, reliefs, and statues adorning...
2nd ed. — Warminster: Aris & Phillips, 1975. — 94 p., 30 tables, 34 loose plates. This is the second, fully revised edition, in collaboration with Yoshiaki Shibata. The present book widely differs from the earlier one. While the chapter on Diodorus' account of the late canon has disappeared there occurs now an entirely new one on the origin of the canon (p. 60-66), while that...
Harvard University Press, 1986 . — 72 p. Egypt is a land in which colour is of the greatest importance. Colour is everywhere, and particularly when the sun shines. The bright sun and deep blue sky form the setting for a country where the predominant colours are the green of the cultivated areas and the dun of the desert. But the subtleties of colour which enrich the...
Philipp von Zabern, 1993. — 198 S. — (Corpus Antiquitatum Aegyptiacarum. Kunsthistorisches Museum Wien, Ägyptisch Orientalische Sammlung 15). B. Jaroš-Deckert hat 1983 den Statuenbestand des Alten Reiches für das CAA bearbeitet. Die Manuskripte wurden 1991/ 92 von E. Rogge in eine endgültige Fassung gebracht, das Volumen des Bandes mit im Depot vorhandenen Statuenfragmenten...
J.C. Hinrichs'sche Buchhandlung, 1924. — 93 S. — (Untersuchungen zur Geschichte und Altertumskunde Aegyptens 8). Die Ausdeutung der Webestuhldarstellungen in den ägyptischen Gräbern und die Erklärung der erhaltenen Modelle und Webestuhlteile wird wesentlich erleichtert, wenn man sich vorher ein Bild von den technischen Vorgängen gemacht hat, die zum Weben überhaupt gehören. Man...
The Getty Conservation Institute and the J. Paul Getty Museum 1996. — 124 p. Nefertari, the favorite queen of Rameses II, was buried about 3,200 years ago in the most exquisitely decorated tomb in Egypt's Valley of the Queens. Discovered in 1904 by Italian explorer Ernesto Schiaparelli, the tomb had deteriorated to a disastrous extent when emergency consolidation began in 1986....
Aris and Phillips, 2010. — 158 p. — (The Australian Centre for Egyptology, Reports 29). As vizier and husband of King Teti's eldest daughter, Mereruka enjoyed a very special status and built an unusually rich mastaba. This volume deals with the architecture and art of the exterior of his mastaba and with those of rooms A1-A12 of his magnificent chapel. The variety of themes...
Aris and Phillips, 2010. — 147 p. — (The Australian Centre for Egyptology, Reports 30). As vizier and husband of King Teti's eldest daughter, Mereruka enjoyed a very special status and built an unusually rich mastaba. This volume deals with the architecture and art of the exterior of his mastaba and with those of rooms A1-A12 of his magnificent chapel. The variety of themes...
Supreme Council of Antiquities, 2010. — 152 p. One of the foremost experts on Old Kingdom tombs looks at the burial chamber, its significance, and preparation, concluding that the “house of death is for life.” The Egyptian tomb was not considered simply as a grave for burying the corpse of a dead person, but rather as a house of eternity in which the deceased would spend an...
Oxbow Books, 2017. — 180 p. This three volumes set examines the common forms of furniture used in ancient Egypt, so much of which has been preserved by the dry Egyptian climate and has long been admired for the quality of its design and construction. The story begins with the earliest known pieces and ends with the spectacular discoveries from the 18th dynasty represented...
Oxbow Books, 2017. — 160 p. This three volumes set examines the common forms of furniture used in ancient Egypt, so much of which has been preserved by the dry Egyptian climate and has long been admired for the quality of its design and construction. The story begins with the earliest known pieces and ends with the spectacular discoveries from the 18th dynasty represented...
Oxbow Books, 2017. — 182 p. This three volumes set examines the common forms of furniture used in ancient Egypt, so much of which has been preserved by the dry Egyptian climate and has long been admired for the quality of its design and construction. The story begins with the earliest known pieces and ends with the spectacular discoveries from the 18th dynasty represented...
Carl Winters Universitätsbuchhandlung, 1915. — 166 S. Eine Reihe, die die besten Beispiele altägyptischer Reliefs und Gemälde als Quelle für die Kulturgeschichte dieser Zivilisation präsentiert. Die Autorin ist die deutsche Ägyptologin Luise Klebs (1865-1931).
Carl Winters Universitätsbuchhandlung, 1922. — 224 S. Eine Reihe, die die besten Beispiele altägyptischer Reliefs und Gemälde als Quelle für die Kulturgeschichte dieser Zivilisation präsentiert. Die Autorin ist die deutsche Ägyptologin Luise Klebs (1865-1931).
Carl Winters Universitätsbuchhandlung, 1922. — 220 S. Das mittlere Reich ist viel weniger als Einheit zu fassen als das alte Reich, das von der III. Dyn. bis zum Anfang der VI. Dyn. keine erheblichen äußern Kämpfe und inneren Schwierigkeiten zu bestehen hatte. Im Laufe der VI. Dyn. aber wird das a. R. durch Kriege und durch Unbotmäßigkeit der Großen, die mächtige Gaufürsten...
Carl Winters Universitätsbuchhandlung, 1934. — 273 S. Eine Reihe, die die besten Beispiele altägyptischer Reliefs und Gemälde als Quelle für die Kulturgeschichte dieser Zivilisation präsentiert. Die Autorin ist die deutsche Ägyptologin Luise Klebs (1865-1931).
Archaeopress, 2020. — 100 p. On the Origins of the Cartouche and Encircling Symbolism in Old Kingdom Pyramids is a treatise on the subject of encircling symbolism in pharaonic monumental tomb architecture. The study focuses on the Early Dynastic Period and the Old Kingdom of ancient Egypt; from the first dynasty through the sixth. During that time, encircling symbolism was...
Deutscher Kunstverlag, 1979. — 256 p. — (Münchner ägyptologische Studien 27). Excellent reference book, with many mirror and mirror handle photographs. Line drawings illustrate Period tomb scenes, further enhancing and complimenting the presentation. A wealth of information, but regrettably a part two was never completely or published. Still, highly recommend as, today, the...
Bonechi, 2001. — 164 p. Richly illustrated presentation of monumental art in Thebes, the ancient Egyptian capital during the New Kingdom era: Karnak, Valley of the Kings, Valley of the Queens, Theban Necropolis.
Phaidon Press, 1999. — 452 p. In this introduction, Jaromir Malek, an internationally respected authority, deftly traces Egyptian art from its prehistoric origins through 3000 years of astonishing achievements in the era of the pharaohs to the conquest of Egypt by the Romans. He outlines artistic trends in each period, linking them to economic, political and spiritual...
Thames & Hudson, 2018. — 320 p. — (World of Art). The art and architecture of Egypt during the age of the pharaohs continue to capture the imagination of the modern world. Among the great creative achievements of ancient Egypt are a set of constant forms: archetypes in art and architecture in which the origins of concepts such as authority, divinity, beauty, and meaning are...
NY: Opus Publishing Limited, 1999. — 164 p. Photographs by Werner Forman. The art of modern fragrance making owes much to practices developed in ancient Egypt. The Egyptians attached great importance to perfumes and cosmetics, which men and women wore to make themselves attractive and alluring, to restore vitality and good health, and as a means of venerating the gods and of...
Brill, 2010. — 227 p. — (Culture and History of the Ancient Near East 39). In this work, Elisa Fiore Marochetti presents documents from these the Cairo Museum and the Egyptian Museum at Turin and gives an architectonic and decorative reconstitution of an unknown monument. The mostly unpublished blocks and fragments, presented here as the General Catalogue of the Turin Museum,...
Nova science publishers, 2021. — 254 p. Gaston Maspero, the leading expert on Egyptian art, writes here with authority and style on a very significant aspect of ancient Egypt. By compiling and publishing this volume, he sought to familiarise the general public with some of the finest examples of ancient Egyptian art, and to enhance their appreciation of these treasures. Many of...
William Heinemann, 1921. — 314 p. The art of Egypt, like all the rest of its civilisation, is the product of the African soil. If it occasionally took ideas or methods of expression from the peoples with which it was brought into contact by the Pharaohs, its levies were not important enough in the first instance to exercise a durable influence upon its constitution. In a few...
Rizzoli, 1978. — 166 p. This book might be entitled “Scenes from the Painted Tombs of the New Kingdom at Thebes, Selected Chiefly by Reason of Their Appeal to Contemporary Taste.” Avowedly an old-fashioned and unwieldy tide, yet it describes the scope and purpose of the book as explained at greater length by the author in his introductory passages. The handsome volume docs not...
Warszawa: Wiedza Powszechna, 1966. — 304 s. Spis treści: Zagadka Sfinksa i hieroglifów. Rozwój badań nad sztuką egipską Życie nad Nilem. Kraj i ludzie Tajemnicze znaki. Język i piśmiennictwo Bogini Seszat pisze annały. Periodyzacja dziejów Gwiazdy na niebie. Wierzenia religijne O świtaniu i wschodzie słońca. Początki sztuki w Egipcie, okres predynastyczny i dwie dynastie...
Verlag Ernst Wasmuth, 1925. — 119 S. Eine Monographie über altägyptische Metallbearbeitungstechniken und die damit geschaffenen Kunstwerke des maßgeblichen deutschen Ägyptologen Georg Möller (1876-1921).
Authorhouse, 2007. — 204 p. Hatshepsut's Temple at Deir el Bahari is about a wonderful experiment in ancient Egyptian art and architecture, a uniquely remarkable structure, but more important it provides some insights about the men and a woman who were avant guard in their thinking at a time when females dared not rule. However, given the opportunity to do so, Queen Hatshepsut...
Philipp von Zabern, 1988. — 249 p. — (Theben 5). The place and function of the 21st Dynasty coffins in the Egyptian archaeology and the history of Egyptian art History of researches into the coffins of the 21st Dynasty Historical background The technique of execution of the 21st Dynasty coffins The typology of the 21st Dynasty coffins based on the formal elements of decoration
Archaeopress, 2023. — 62 p. Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE. The focus is centred upon the functionality of a particular form of gendered imagery in a ritualised, funerary context. The...
BAR Publishing, 2023. — 238 p. The El-Salamuni mountain, the main necropolis of Akhmim during the Graeco-Roman period, is still relatively intact and largely archaeologically unexplored. This book contains the first contextual data of El-Salamuni. It examines the great heritage significance of the necropolis, its topography, the history of its investigation, as well as the...
The Metropolitan Museum of Art, 2015. — 404 p. The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least...
Thames & Hudson, 1968. — 198 p. A monograph on the reflection of the cult of the deities Osiris and Amon in ancient Egyptian art. The author is the prominent German Egyptologist Eberhard Otto (1913-1974).
The Metropolitan Museum of Art, 2012. — 290 p. The cultural icons of Pharaonic Egypt, from the Great Sphinx at Giza to the famous burial of Tutankhamun, are among the world's most renowned works of art. Less well known, but equally impressive, are the rare and ancient images of people, animals, and landscapes made by the Egyptians who lived prior to the age of the pharaohs,...
E.P. Dutton, 1978. — 218 p. This first full-scale study of ancient Egyptian drawings reveals the significant and varied contributions that drawing made to the world of Egyptian art. Because the Egyptian artist's ideal was the achievement of a timeless reality, not individual artistic expression, preliminary drawings, by their very nature individual and spontaneous, assume a...
Promolibro, 2003. — 130 p. La tres veces milenaria historia de Egipto nos ha legado un espectacular arte que sus habitantes planificaron y ejecutaron para que fuera eterno y cuyo indiscutible símbolo podría ejemplarizarse en las pirámides, tumbas mundialmente conocidas.
School of Archaeology in Egypt, 1913. — 31 p. This early work by the British archaeologist, Flinders Petrie, was originally published in 1913. 'The Hawara Portfolio' is a collection of paintings from ancient Rome. William Matthew Flinders Petrie was born on 3rd July 1853 in Kent, England, son of Wlilliam Petrie and Ann nee Flinders. He showed an early interest in the field of...
Los Angeles: J. Paul Getty Museum, 2001. — 90 p.
Because the true provenance of this splendid gold jewelry in the J. Paul Getty Museum is unknown, the mystery of exactly what it is must be solved. Why are these lovely ornaments called Greek gold? How do we know they must have been produced in Egypt during Hellenistic times, the period that coincides with the Ptolemaic dynasty?...
Cambridge Scholars Publishing, 2014. — 682 p. Thebes in the First Millennium BC is a collection of articles, based mostly, but not entirely, on the talks given at the conference of the same name organized by the team of the South Asasif Conservation Project, an Egyptian-American Mission working under the auspices of the Ministry of State for Antiquities, Egypt, in Luxor in...
Издание: Arthus Bertrand, Editeur, Paris
Год издания: 1878
Количество страниц: 67
Язык: французский
Качество: сканированные страницы, 530х760 px
В книге представлены иллюстрации и планы архитектурных памятников Древнего Египта включая пирамиды Гизы, некрополи Мемфиса и Фив; так же рисунки декоративных элементов, колонн и древне-египетские орнаменты.
Издание: Arthus Bertrand, Editeur, Paris
Год издания: 1878
Количество страниц: 98
Язык: французский
Качество: сканированные страницы, 530х760 px
В книге представлены пропорции, принятые в древне-египетском искусстве, фрагменты рельефов, иллюстрации скульптур, фрагменты живописи и иллюстрации предметов быта.
Institut français d'archéologie orientale, 1908. — 229 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). The tomb of Yuaa and Thuiu was discovered in February, 1905, in the course of excavations directed by the agents of the Antiquities Department, at the expense of Mr. Theodore M. Davis; the clearing, packing and transport were at the cost of the...
Thames & Hudson, 2007. — 232 p. Provides insights into the discovery, excavation, and analysis of the tomb and its treasures. Written by one of the world's leading scholars of the period, and illustrations with specially commissioned diagrams, charts, and photographs, it is essential reading for everyone interest in ancient Egypt.
Institut français d'archéologie orientale, 1907. — 262 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Catalog général des antiquités égyptiennes du Musée du Caire n'est pas seulement un inventaire des objets archéologiques conservés au Musée égyptien du Caire. Il s'agit d'une série d'études scientifiques sérieuses couvrant le travail d'une équipe...
Institut français d'archéologie orientale, 1958. — 173 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). La mort de G. Reisner a considerablement retarde la mise au point et la publication du second volume d' Amulets. En 1957, a !'instigation du Directeur general du Service des Antiquites, M. Abd- ul-Fattab. I:Iilmy et du Con servateur en chef du Musee du...
Institut français d'archéologie orientale, 1913. — 291 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). An Egyptian tomb has two essential parts, — a burial place and an offering place. In the predynastic and the early dynastic periods, the actual objects intended for the use of the spirit, including food, were put in the burial place, while periodical...
Institut français d'archéologie orientale, 1967. — 507 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). This volume of the "Catalogue General des Antiquites Egyptiennes du Musee du Caire" is based on the manuscript of George Andrew Reisner (November 1867 -June 1942) which was written at the close of the last Century including the Canopies that were kept in...
Oxford University Press, 2014. — 154 p. In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating...
Oxford University Press, 2014. — 120 p. — ISBN10: 019968278X. — ISBN13: 978-0199682782 From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to the...
University of Texas Press, 1994. — 374 p. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid...
Istituto di Studi del Vicino Oriente/Università di Roma, 1969. — 244 p. II presente studio vuole essere una rassegna di quanto si sa sui sarcofagi dell'Antico Regno insistendo soprattutto sui particolari tecnici che spesso sono gli elementi più tipicidi tale categoria di monumenti. L'opera si articola in una prima parte sistematica e descrittiva, e in una Appendice, costituita...
University of Texas Press, 1989. — 252 p. This book shows the development and variations of ancient Egyptian sculptural styles over a period of almost 3,000 years. Examines more than eighty portrait sculptures by ancient Egyptian artists, and looks at the development of style with detailed commentary on each piece.
Soleb, 2013. — 132 p. — (Etudes d'égyptologie 4). Le châle de Sabine est l’une des plus belles pièces des collections chrétiennes d’Égypte conservées au musée du Louvre. La finesse et l’originalité des thèmes dont il est orné lui valent une place particulière dans l’histoire de l’art égyptien : à la charnière de l’alexandrinisme et de Byzance, il est l’un des derniers témoins...
The Griffith Institute, 1957. — 140 p. — (Private tombs at Thebes 1). From 1907 onwards the late Norman de Garis Davies and his wife Nina undertook much detailed recording of the decoration and inscriptions in the Egyptian private tombs at Thebes. Many of the results of this work were published in valuable monographs by Davies in the Tytus series sponsored by the Metropolitan...
J.C. Hinrichs'sche Buchhandlung, 1903. — 44 S. — (Untersuchungen zur Geschichte und Altertumskunde Aegyptens 4.1). Seit der Geburt der ägyptologischen Wissenschaft hat man den wunderlich-prächtigen Goldschmiedearbeiten, mit denen die ägyptischen Könige und Grassen des neuen Reichs auf ihren Denkmälern so gerne prunken, ein lebhaftes Interesse zugewendet. Die grossen Sammelwerke...
The University of Chicago Press, 1957. — 40 p. — (Studies in Ancient Oriental Civilization 30). During the Oriental Institute's excavations at Medinet Habu, sandstone blocks carved with scenes for the mortuary cult of an official of the court of Ramses III were found in the Western Fortified Gate, where they had been reused as floor slabs in tombs which were built after the...
C.F. Müller, 1983. — 66 S. Die Karlsruher Reliefs (Inv.-Nrn. H 532. H 1050) gehörten ursprünglich zur Ausstattung der Grabanlage eines vornehmen ägyptischen Beamten namens Ii-nefret, die nach Auskunft des Finders bei der dritten Pyramide von Giza - etwa 10 km westlich von Kairo - gelegen hat (Abb. 1). Diese Pyramide, die der Pharao Mykerinos (ca. 2488-2470 v. Chr.) hatte...
J.J. Augustin, 1948. — 102 S. — (Ägyptologische Forschungen 15). Es ist auffällig, dass bei dem heutigen Stand der ägyptologischen Forschung bis jetzt noch keine zusammenhängende Arbeit über den Löwen und die Sphinx vorliegt, um so mehr als es sich dabei nicht allein um eine archäologische und stilkritische Behandlung der Tierplastik handelt, sondern auch um die Untersuchung...
Philipp von Zabern, 1980. — 179 S. In Anerkennung und aus Hochschätzung der Freundschaft und Brüderlichkeit, die das ägyptische Volk und das deutsche Volk miteinander verbindet, werden heute die einzigartigen Kunstwerke Tutanchamuns in der Bundesrepublik Deutschland ausgestellt. Sie vermitteln ein Bild der ägyptischen Kultur, die in einer der glänzendsten Epochen der Geschichte...
J.J. Augustin, 1963. — 134 S. — (Abhandlungen des Deutschen Archäologischen Instituts Kairo. Ägyptologische Reihe 3). Als HERMANN KEES im Jahre 1926 seinen "Totenglauben und Jenseitsvorstellungen der alten Ägypter" veröffentlichte, sah er sich vor der Auswertung von Begräbnisdarstellungen des MR und NR zu der Feststellung veranlaßt, daß es sich im Rahmen seiner Arbeit "nur um...
Walter de Gruyter, 2019. — 232 S. — (Mitteilungen aus der ägyptischen Sammlung 9). Die vorliegende Publikation versucht die Auswertung und Rekonstruktion des Bild- und Textprogramms aus der sogenannten Weltkammer im Sonnenheiligtum des Pharao Ne-user-Re aus der V. Dynastie. Dieser bisher einzigartige Befund wurde 1899ff. von W.v. Bissing und L. Borchardt in Abusir erhoben. Die...
Philipp von Zabern, 1991. — 89 S. Prächtiges Album mit Reproduktionen der Fresken aus dem Grab der edlen Nacht (lebte bei Pharao Thutmosis IV., XVIII. Dynastie des Neuen Reiches) in West-Theben. Der hohe Würdenträger trug den Titel „Sternen-Wohltäter des Amon“ und war Hoherpriester.
Institut français d'archéologie orientale, 1951. — 339 S. — (Supplément aux Annales du Service des antiquités de l'Egypte 15). Die vorliegende Arbeit beschäftigt sich mit der Privatgrabstatue und zwar nur in einer bestimmten Epoche der Geschichte des alten Ägyptens, nämlich in dem Alten Reich, in das die Entstehung der Grabstatue mit ihren Hauptmerkmalen fiel. Die Tempelstatue,...
Propylaeum, 2022. — 483 p. — (Ägyptologische Studien Leipzig 3). The Near Eastern Late Bronze Age is known for heightened political and economic interconnectivity as kings of wealthy states like Egypt and Hatti competed in the pursuit of valuable commodities, raw materials and technologies. An outcome of this interaction is argued to be the creation of a shared elite visual...
Yale University Press, 1998. — 296 p. A wealth of art and architectural treasures survive from Ancient Egypt -- a civilization that endured from the fourth millennium B.C. to the conquest of Alexander the Great. In this book, Ancient Egyptian monuments, their decorations, and many other works of art are reproduced in over 400 beautiful illustrations. The Ancient Egyptians in...
Cátedra, 2000. — 458 p. La magnífica Historia del Arte y Arquitectura del Antiguo Egipto de William Stevenson Smith traducida al español. Todos los aspectos de las bellas artes del antiguo Egipto se describen como un reflejo de la vida cotidiana en el país. Se han revelado las soluciones arquitectónicas que hicieron posible la construcción de monumentos tan majestuosos como las...
Penguin Books, 1958. — 524 p. — (The Pelican History of Art). A classic work on the history of art and architecture in Ancient Egypt by the American Egyptologist William Stevenson Smith (1907-1969), curator of the Boston Museum of Fine Arts. History of architecture and art in Ancient Egypt traced in chronological order of origin and development of forms through the epochs of...
Oxford University Press, 1949. — 502 p. Systematic competent research on the flourishing of ancient Egyptian art during the Old Kingdom in its most beautiful examples: sculpture and painting. III, IV, V, VI dynasties are covered on the basis of rich archeological material: sculptures, reliefs, frescoes. An outline on the ways of coloring during the period has been added.
Second (integrated) edition, revised with additions by William Kelly Simpson. — New York: Penguin Books, 1981. — 504 p. — (The Pelican history of art). — ISBN: 0-14-0560.14-9. The civilisation of Ancient Egypt flourished along the fertile banks of the River Nile. It was a civilisation that extended in virtually unbroken continuity from the fourth millennium B.C. to the conquest...
L'Institut français d'archéologie orientale, 2019. — 845 p. — (Bibliothèque d'étude 177). Le catalogue ici présenté répond à un double objectif : recenser l’intégralité de la statuaire royale de la XIXe dynastie, et la classer par types. Quatre ensembles ont été constitués: - le premier est consacré aux statues de rois qui ont été commandées par chacun des souverains de la XIXe...
Brill, 2022. — 536 p. — (Culture and History of the Ancient Near East 130; Gate of the Priests 2). This book examines the objects of the Danish Lot of antiquities from Bab el-Gasus that are kept at the National Museum of Denmark since 1893. Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this...
UCL Press, 2015. — 120 p. — ISBN: 978-1-910634-04-2. The Petrie Museum of Egyptian Archaeology first opened its doors in 1915, and since then has attracted visitors from all over the world as well as providing valuable teaching resources. Named after its founder, the pioneering archaeologist Flinders Petrie, the Museum holds more than 80,000 objects and is one of the largest...
Aris & Phillips, 1976. — 136 p. Part I of H.M. Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 200 monuments of the New Kingdom are described, translated and illustrated with comments on techniques and materials, and details of...
Aris & Phillips, 1979. — 118 p. Part I of H.M. Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 200 monuments of the New Kingdom are described, translated and illustrated with comments on techniques and materials, and details of...
Aris & Phillips, 1983. — 106 p. Part I of H.M. Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 200 monuments of the New Kingdom are described, translated and illustrated with comments on techniques and materials, and details of...
Fundacja Artibus Mundi, 2016. — 65 p. — (Deir el-Bahari VII.2). This publication discusses selected aspects of the decorative programme on the walls of the Chapel of Hatshepsut, which forms part of the Complex of the Royal Mortuary Cult located on the Upper Terrace of the temple at Deir el-Bahari, south of the main axis.
Fundacja Artibus Mundi, 2016. — 402 p. — (Deir el-Bahari VII.1). This publication discusses selected aspects of the decorative programme on the walls of the Chapel of Hatshepsut, which forms part of the Complex of the Royal Mortuary Cult located on the Upper Terrace of the temple at Deir el-Bahari, south of the main axis.
Fondation Égyptologique Reine Élisabeth, 1979. — 262 p. — (Monumenta Aegyptiaca 4). La représentation du souverain dans les statues de l'une des femmes pharaons les plus célèbres : Hatchepsout (vers 1479 - 1458 av. J.-C.) de la XVIIIe dynastie reflète visuellement l'adaptation de l'idéologie royale traditionnelle du pays au fait que le souverain assis sur le trône - c'est une...
Los Angeles: J. Paul Getty Museum, 1982. — 76 p. These extraordinary Egyptian images produced from Julio-Claudian times through the age of Constantine (the first four centuries A.D.), seem often to have been commissioned while the subject was still alive and displayed in the home. At death, the portrait was inserted into the deceased’s mummy wrappings. Thirteen mummy portraits...
Kegan Paul International, 1987. — 129 p. Overview of the reliefs from the era of the New Kingdom (XVI-XI century BC) in the tombs of the Memphis necropolis and Lower Egypt. The author is the authoritative English archaeologist Geoffrey Thorndike Martin (b. 1934).
Brill Academic Publishers, 2005. — 537 p. — (Probleme der Ägyptologie).
This book deals with the architecture and visual arts in late antique–early Byzantine Egypt as an organic part of the art of the Mediterranean region in the period between the 3rd and 8th centuries. The richly illustrated book discusses the survival and transformations of Hellenistic themes and forms in the...
Institut français d'archéologie orientale, 1907. — 196 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 2). Les archéologues éprouvent souvent, au courant de leurs travaux, des difficultés résultant du manque de connaissances techniques. Étrangers aux diverses professions, leur embarras est bien compréhensible lorsqu' ils doivent...
Paul Hamlyn, 1969. — 150 p. Since the beginning of the nineteenth century, when they were first discovered, Egyptian antiquities have aroused an enthusiasm and exercised a fascination unequalled by any other form of non-European art. Among the richest of these treasures is the work of the Egyptian jewellers. Objects made of precious metal, gold and silver, decorated with...
Aracne, 2005. — 66 p. — (Quaderni di egittologia 4). Avvicinandoci alle opere d’arte ereditate dall’antico Egitto, dobbiamo tener presente che molte di esse non sono state concepite e “partorite” affinché qualcuno fruisse e godesse della loro bellezza, e tra queste le più famose e stupefacenti, come la maschera d’oro di Tutankhamon: sculture a tuttotondo, rilievi, iscrizioni,...
Adolf Holzhausen, 1901. — 116 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Das Verzeichnis der MetaUgefässe des Kairiner Museums umfasst mit Ausnahme der beiden Funde von De'ir el Bahri und der Griechisch- Koptischen Gefässe, die später veröffentlicht werden sollen, alle bis 1897 in die Sammlung gekommenen Vasen aus Silber, Kupfer, Bronze und Blei. Den...
Adolf Holzhausen, 1913. — 76 S. — (Catalogue général des antiquités égyptiennes du Musée du Caire). Das vorliegende erste Heft des Kataloges der Tongefäße umfaßt die Tongefäße der archaischen Zeit bis zum Beginn des alten Reiches(Dyn. 1- 2), im wesentlichen soweit sie bis 1898 im das Museum gekommen waren und nicht bereits in Quibells archaic objects beschrieben sind. Da sich...
Adolf Holzhausen, 1902. — 154 S. — (Catalog général des antiquités égyptiennes du Musée du Caire). Catalog général des antiquités égyptiennes du Musée du Caire n'est pas seulement un inventaire des objets archéologiques conservés au Musée égyptien du Caire. Il s'agit d'une série d'études scientifiques sérieuses couvrant le travail d'une équipe véritablement internationale...
The Metropolitan Museum of Art, 1998. — 184 p. People sometimes say that the ancient Egyptian civilization endured without much change for more than three thousand years. This is only partially true because, in fact, Egyptian ways of life, philosophy, religion, language, and art changed considerably over time. However, the ancient Egyptian culture retained its identity and...
Institut français d'archéologie orientale, 1908. — 123 p. — (Catalogue général des antiquités égyptiennes du Musée du Caire). In preparing the description of the weights exhibited in the Cairo Museum and arranging them in what appears to be their proper standards, the writer has found it needful to adopt a view of the question which is largely at variance with that held by many...
Naturalis Verlag, 1979. — 266 S. — (Kunst der Welt). Wer sich aufmacht, den Anfängen unserer abendländischen Kultur nachzugehen, wird auf seinem Wege über die Antike oder das frühe Christentum auch das Alte Ägypten betreten und hier auf vertraute Erscheinungen stoßen, vor deren Hintergrund sich die andersartigen Formen um so klarer abheben. - Neben der Literatur mit ihren...
Harry N. Abrams, 1968. — 272 p. There are few people in the Western world who know nothing of the Great Pyramids of Giza & the treasures of Tutankhamon's tomb, but, for most, that is the full scope of their knowledge of Egyptian art. It is extraordinary how little general awareness there is of the fantastic wealth of this best-preserved art of all the ancient civilizations, so...
Brill, 2017. — 711 S. — (Probleme der Ägyptologie 35). Ägyptologen diskutieren seit Jahrzehnten darüber, ob ägyptische Bilder als Kunst einzustufen sind oder nicht. Dennoch dient der Begriff „Kunst“ nach wie vor als Leitbegriff für die Ägyptologie. Kai Widmaier gibt einen Überblick darüber, wie unterschiedliche kunsthistorische Interpretationsmethoden die ägyptologische...
Institut français d'archéologie orientale, 1953. — 115 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 65.2). Les relevés au trait des piliers et de l'architrave (pL XCVIII à CIV) sont réduits au sixième de l'original. Ceux des parois Nord et Est (pl. CV à CXXIX) le sont au tiers de l'original, à l'exception , bien entendu , des...
Institut français d'archéologie orientale, 1966. — 144 p. — (Mémoires publiés par les membres de l'Institut français d'archéologie orientale du Caire 65.3). Les relevés au trait sont réduits au tiers de l'original , à l'exception de ceux des deux stèles fausses-portes (pl. CLXXXII à CLXXXV) , qui le sont aux deux neuvièmes. Les planches qui reproduisent ces stèles se déploient...
Publisher: Metropolitan Museum of Art. 1982. - 165 pages ISBN10: 0870993259 ISBN13: 978-0870993251 Language: English In 1959 the Metropolitan Museum's Department of Egyptian Art began a reinstallation of its collection. At that time the objectives envisioned were modest: a simple rearrangement for chronological consistency; additional lighting; and a few architectural changes....
Holle, 1980. — 239 S. — (Kunst der Welt). Die ägyptische Kunst hat, abgesehen von der großen Bewunderung, die ihr in der Zeit der Spätantike entgegengebracht wurde, im abendländischen Geistesleben keinen großen Widerhall gefunden. Erst seit dem späten 18. Jahrhundert begegnen wir einem lebhafteren Interesse für das Land am Nil. Die mit der napoleonischen Armee 1798 nach Ägypten...
Holle, 1964. — 261 S. — (Kunst der Welt). Die ägyptische Kunst hat, abgesehen von der großen Bewunderung, die ihr in der Zeit der Spätantike entgegengebracht wurde, im abendländischen Geistesleben keinen großen Widerhall gefunden. Erst seit dem späten 18. Jahrhundert begegnen wir einem lebhafteren Interesse für das Land am Nil. Die mit der napoleonischen Armee 1798 nach Ägypten...
Holle, 1964. — 261 S. — (Kunst der Welt). Die ägyptische Kunst hat, abgesehen von der großen Bewunderung, die ihr in der Zeit der Spätantike entgegengebracht wurde, im abendländischen Geistesleben keinen großen Widerhall gefunden. Erst seit dem späten 18. Jahrhundert begegnen wir einem lebhafteren Interesse für das Land am Nil. Die mit der napoleonischen Armee 1798 nach Ägypten...
Greystone Press, 1963. — 266 p. — (Art of the World). The book presents the art of Egypt in the time of the pharaohs. The exhibition is illustrated with 65 color reproductions of iconic works of art and architecture.
W. Kohlhammer, 1957. — 748 S. Ein Überblick über die Geschichte der altägyptischen Kunst und ihrer Formen von Walther Wolf (1900-1973). Die Kunst Ägyptens ist als bedeutungsvolles Vorspiel der Künste in Antike und Abendland ebenso wie um ihrer selbst willen in der Wertschätzung immer stärker gestiegen. Dabei haben in den letzten Jahrzehnten die in reicher Fülle erschlossenen...
BAR, 2011. — 362 p. The subject of this work is the way that symbolism operates in official representations of the pharaohs' sons and daughters, during the historical period widely known as the New Kingdom (1550-1069 BC). The use of symbols in different expressions of Egyptian culture has been widely mentioned, and has been discussed from many different angles. Scholars have...
Institut français d'archéologie orientale, 1947. — 85 p. — (Supplément aux Annales du Service des antiquités de l'Egypte 6). Depuis quelque Lemps une tendance nouvelle se dessine dans les ouvrnges qui traitent de l'histoire de l'art. Les temps sont dévolus ou l'on faisait des études analytiques tendant à expliquer un style particulier, où l'on produisait des définitions, des...
СПб.: Изд-во Гос. Эрмитажа, 2009. — 56 с. На выставке в Государственном Эрмитаже представлены несколько шедевров портрета из Египетского музея в Берлине, главным образом относящихся к так называемому амарнскому времени - царствованию Эхнатона (середина XIV века до н.э.): "Голова юной Нефертити" (песчаник, раскраска); "Голова Нефертити в зрелом возрасте" (гранодиорит); "Голова...
Санкт-Петербург: Российская национальная библиотека, 2023. — 88 с. В Российской национальной библиотеке хранятся четыре древнеегипетские папируса X–IX вв. до н. э., происходящие из Фиванского некрополя. Два из них были подарены Б. Дроветти в 1827 г., по одному — А. С. Норовым (1850 г.) и П. Р. Багратионом (1858 г.). Между тем наиболее раннее поступление египетского письменного...
М.: Наука, 1976. — 202 с. В книге рассказывается о зарождении и развитии росписи, художественной резьбы и скульптуры древнейших Египта, Ханаана и отчасти Нубии и Западной Сахары. Этот исторический период - долгий период поисков и постепенного развития - обычно выпадает из поля зрения исследователей, в результате чего создается ложное представление о развитии египетского...
М.: Русский фонд Содействия Образованию и Науке, 2012. — 306 с. В книге детально рассматривается сложение и развитие представлений об ином мире — Дуате — в Древнем Египте от истоков египетской культуры до конца эпохи Среднего царства (2160-1785 гг. до н. э.). Проблемы древнеегипетского мировоззрения на сегодняшний день оказываются одними из самых приоритетных направлений...
Л.: Аврора, 1974. – 146 с.
Памятники искусства Древнего Египта в Эрмитаже — Первые древнеегипетские памятники появились в России в XVIII веке. Известно, что в коллекции Екатерины II были египетские резные камни. Однако серьёзный интерес к египетской культуре в России возник лишь в первой половине XIX столетия. В 1825 году при Академии наук в Петербурге был образован «Египетский...
Москва: Наука, 1969. — 242 с. — (Культура народов Востока). В настоящий каталог включены описания всех древнеегипетских скульптур, хранящихся в Государственном Эрмитаже, за исключением фаянсовых и бронзовых фигурок божеств и заупокойных статуэток "ушебти" (из числа последних в каталог вошла только группа так называемых "ушебти в одежде живых", которые были тесно связаны с...
Москва: Наука, 1969. — 242 с. — (Культура народов Востока). В настоящий каталог включены описания всех древнеегипетских скульптур, хранящихся в Государственном Эрмитаже, за исключением фаянсовых и бронзовых фигурок божеств и заупокойных статуэток "ушебти" (из числа последних в каталог вошла только группа так называемых "ушебти в одежде живых", которые были тесно связаны с...
М.: Институт востоковедения РАН, 2010. — 320 с. Книга посвящена изучению древнеегипетской вотивной керамики III тыс. до н.э., использовавшейся в совершении религиозных обрядов в храмовых комплексах царей при их пирамидах и в гробницах знати, сконцентрированных в так называемой пирамидной зоне – в некрополях вокруг Мемфиса – египетской столицы эпохи Древнего царства. В основу...
М.: Проблемы эстетики, 1915. — 403 с.: ил. — (Ars una – Species Mille). Выдающийся французский востоковед Гастон Масперо (1846-1916) излагает историю древнеегипетского искусства, начиная с архаической эпохи (Тинисское искусство) и заканчивая временем упадка «фиванского» искусства в Саисский период (VI в. до н.э.). Предисловие. Начатки искусства в Египте . Тинисское искусство....
Ленинград; Москва: Искусство, 1965. — 180 с. Книга классика отечественной египтологии М. Матье посвящена египетскому искусству времен правления фараонов Эхнатона и Тутанхамона. В ней рассказывается о раскопках древнеегипетских городов, знаменитой гробнице Тутанхамона, об архитектуре, скульптуре и живописи египтян. Предназначена для всех, кто интересуется культурой и искусством...
М.: Искусство, 1970. - 606 с.
Книга классика отечественной египтологии М.Э.Матье - лучшая и единственная обобщающая работа по древнеегипетскому искусству на русском языке (до сих пор!), открывающая все периоды его развития. Для специалистов-востоковедов и всех, интересующихся историей и культурой древнего Востока.
Введение.
Сложение древнеегипетского искусства (конец 5-4...
М.: Искусство, 1961. — 606 с.
Книга классика отечественной египтологии М.Э. Матье - лучшая и единственная обобщающая работа по древнеегипетскому искусству на русском языке (до сих пор!), открывающая все периоды его развития. Для специалистов-востоковедов и всех, интересующихся историей и культурой древнего Востока.
М.: Искусство, 1970. — 204 с. Историю возникновения и развития искусства Древнего Египта можно проследить на огромном протяжении времени — свыше четырех тысяч лет. Уже благодаря одному этому обстоятельству изучение египетского искусства представляет большой интерес, так как мы можем выяснить пути сложения и развития искусства в одном из первых в истории человечества классовых...
М.: Искусство, 1970. — 204 с. Историю возникновения и развития искусства Древнего Египта можно проследить на огромном протяжении времени — свыше четырех тысяч лет. Уже благодаря одному этому обстоятельству изучение египетского искусства представляет большой интерес, так как мы можем выяснить пути сложения и развития искусства в одном из первых в истории человечества классовых...
Государственный Эрмитаж, 1947. — 231 с.
Под общей ред. проф. Н. Д. Флиттнер.
Настоящая книга посвящена искусству Древнего Египта XVI-XV вв. до н.э. - одному из наиболее важных и плодотворных этапов развития египетской культуры.
Ленинград: Издательство Государственного Эрмитажа, 1958. — 32 с. Одним из самых замечательных памятников древнеегипетского искусства справедливо считается портретная голова царицы Нефертити, сделанная из чудесного кристаллического песчаника, прекрасно передающего цвет смуглого, загорелого тела.
М.: Искусство, 1967. — 256 с.: ил. Редактор К. Г. Глонти Оформление художников Н. И. Калинина и И. С. Клейнарда Автор рассматривает египетский скульптурный портрет римско-эллинистического периода, фресковую живопись, геммы. Основное же внимание в монографии уделено "фаюмскому портрету", причем, наряду с достаточно полно описанной богатейшей коллекцией ГМИИ им.Пушкина, автор...
М.: Искусство, 1985. — 119 с. Первая часть этой книги написана известным советским искусствоведом, профессором Московского государственного университета имени М.В. Ломоносова Всеволодом Владимировичем Павловым. Это последняя работа ученого. Она публикуется посмертно, печатается по авторской рукописи. В ней освещен широкий круг проблем традиций и новаторства, декоративности и...
М.: Искусство, 1985. — 262 с. Первая часть этой книги написана известным советским искусствоведом, профессором Московского государственного университета имени М. В. Ломоносова Всеволодом Владимировичем Павловым. В. Β. Павлов – автор многих книг по истории искусства Древнего Египта. Всю свою жизнь В. В. Павлов посвятил изучению и публикации памятников собрания Государственного...
М.: Искусство, 1985. — 264 с. Первая часть этой книги написана известным советским искусствоведом, профессором Московского государственного университета имени М. В. Ломоносова Всеволодом Владимировичем Павловым. В. Β. Павлов – автор многих книг по истории искусства Древнего Египта. Всю свою жизнь В. В. Павлов посвятил изучению и публикации памятников собрания Государственного...
СПб.: Азбука-классика, 2008. — 464 с. — ISBN 978-5-352-02236-8. Труд А. Л. Пунина посвящен одному из самых интересных явлений в истории мировой художественной культуры — искусству и архитектуре Древнего Египта. Данная книга охватывает период с XXXI по XVIII век до нашей эры и рассказывает о религиозных воззрениях и общих стилевых закономерностях искусства Древнего Египта, о...
Учебное пособие. — Кемерово: КемГИК, 2018. — 138 с. Учебное пособие направлено на формирование знаний об искусстве Древнего Египта, его художественных канонах и мировоззрении египтян. Учебное пособие предназначено для обучающихся по направлению подготовки 50.03.04 «Теория и история искусств», профиль «Искусствоведение», квалификация (степень) выпускника «бакалавр»,...
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