New York: Routledge, 2019. — 462 p. This clear, thorough, and reliable survey of American painting and sculpture from colonial times to the present day covers all the major artists and their works, outlines the social and cultural backgrounds of each period, and includes 409 illustrations integrated with the text. Although some determining factors in American art are...
New Edition. — The Art Institute of Chicago, 2008. — 180 p. The history of American art provides a compelling visual journey through more than two centuries of dynamic growth and transformation. From the 18th century to the mid-20th century, through the establishment of national independence, a civil war, westward expansion, and the United States’s rise to an international...
Abbeville Press, 1987. — 264 p. Hispanic-American visual art is at once too familiar and utterly unknown. Largely overlooked by our major museums and art magazines, it is regularly championed only by smaller organizations with limited constituencies. Very few artists whose work is of an assertively Hispanic character, whose subject matter or style reveals an affinity for their...
Oxford University Press, 1998. — 305 p. — (Oxford History of Art). This exciting new investigation explores the indigenous arts of the US and Canada from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. The richness of Native American art is emphasized...
Thames and Hudson, 1993. — 294 p. Fifteen hundred years ago, Teotihuacan was one of the worlds greatest cities. Some 200,000 people lived in this Mexican metropolis, with its massive public buildings, grid plan of streets and imposing murals and sculpture. Its trading empire dominated much of ancient Mexico. Then, in the 8th century, came a mysterious collapse. Even knowledge...
Fort Worth: Amon Carter Museum, 1996. — 152 p. — ISBN 0-88360-085-4. This study examines a single painting that is now widely regarded as an American masterpiece: Swimming, completed in 1885 by the Philadelphia artist Thomas Eakins (1844—1916). The painting, a timeless depiction of leisure amidst the enjoyment of nature, evokes what Eakins’ friend and contemporary, the poet...
Harry N. Abrams, 1988. — 624 p. A cultural history of American art from early Colonial times through the late twentieth-century, tracing the development of painting, sculpture, architecture, photography, and the decorative arts, and featuring 752 black-and-white and color illustrations.
Frederick A. Praeger, 1969. — 320 p. For the first time a textbook now exists incorporating the art history of Latin America from the earliest Indian clay and stone representations to the most recent movements in painting, sculpture, and architecture. Previous surveys, almost all by outsiders, have concentrated on national art histories or, when they attempt a continental...
Harry N. Abrams, 1983. — 198 p. The Art of New York is an extraordinary homage to the vitality, power, beauty and magic of a great city. For the first time, paintings, drawings, sculptures, and prints by leading twentieth-century artists have been gathered together to form an insightful, loving portrait of "Oz on the Hudson."
ABC-CLIO, 2012. — 787 p. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear...
Exhibition of contemporary American painting and sculpture. — University of Illinois, 1952. — 254 p. Contemporary American Painting is written to tell the readers about the real truth about contemporary paintings.
Wiley-Blackwell, 2015. — 680 p. — (Blackwell Companions to Art History 6). — ISBN: 978-0470671023. The book presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians,...
University of Texas Press, 1978. — 278 p. Mexico’s streams give forth cool green jade and rich gold; its shores provide coral and dainty pearls. Its brown hills yield silver and copper and gems whose colors form a dazzling palette for the jeweler. And Mexico has never lacked the artists to mold its abundant jewels into finished pieces of beauty. In this enjoyable volume, Mary...
New York Graphic Society, 1968. — 232 p. The various manifestations of the artistic impulse of the American Indian are so limitless and complex that no one volume can hope to do the subject justice. This book is an attempt to gather together a general selection of some of the finest examples of North American Indian art, together with some specimens of everyday craftsmanship...
University of New Mexico Press, 2008. — 337 p. Kelly Donahue-Wallace surveys the art and architecture created in the Spanish Viceroyalties of New Spain, Peru, New Granada, and La Plata from the time of the conquest to the independence era. Emphasizing the viceregal capitals and their social, economic, religious, and political contexts, the author offers a chronological review...
University of New Mexico Press, 2008. — 336 p. Kelly Donahue-Wallace surveys the art and architecture created in the Spanish Viceroyalties of New Spain, Peru, New Granada, and La Plata from the time of the conquest to the independence era. Emphasizing the viceregal capitals and their social, economic, religious, and political contexts, the author offers a chronological review...
Oxford University Press, 2002. — 289 p. — (Oxford History of Art). Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in...
University of California Press, 2022. — 466 p. Eminent art historian Charles C. Eldredge brings together top scholars to celebrate forgotten artists and create a more inclusive history of American art. Why do some artists become canonical, while others, equally respected in their time, fall into obscurity? This question is central to The Unforgettables, a vibrant collection of...
ArtPlace Series, 2005. — 161 p. Taking the reader through the New York that inspired, and was in turn inspired by, the formidable Mrs. Parker, the new edition of this guide includes never-before-seen archival photographs to illustrate Dorothy Parker’s development as a writer, a wit, and a public persona. The book uncovers her favorite bars and salons as well as her homes and...
Yale University Press, 2004. — 288 p. This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents-including statements, interviews, and manifestoes by artists-that encompass the broad diversity of this emerging field. Many of these materials...
Instituto de historia PUCV, Pontificia Universidad Catilica de Valparaiso. — 50 p. Características generales del Barroco Surge como una reacción frente a los movimientos anteriores de carácter sobrio (Renacimiento). Contrarreforma como protagonista: Comunicar religiosidad y envolver emocionalmente. Clases sociales superiores y reyes lo usan para impresionar a sus visitantes y...
Providencia, 2016. – 40 p. Rococó •Originado en Francia entre 1730-1760 aproximadamente. •Arte individualista, antiformalista y cortesano. •Colores luminosos, suaves y claros. •Inspiración en la naturaleza, la mitología, cuerpos desnudos. •Arte mundano, sin peso religioso vinculado al gusto refinado a lo exótico y a lo sensual. Latinoamerica: •Arte tardío. Post-barroco....
Providencia, 2016. – 60 p. •El arte latinoamericano del siglo XIX se proyecta hasta 1920. •Intercambio cultural se da por viajes de artistas latinoamericanos a principales capitales europeas. París centro cultural. •Intercambio con artistas pertenecientes a las vanguardias. Formación de talleres y grupos. •Refuerzo personal de los artistas de ideas latinoamericanas en...
Praeger Publishers, 1974. — 232 p. Throughout their History, Americans have had a highly ambiguous, always fascinating attitude toward nude subjects in art. In this intelligent, witty book, William H. Gerdts traces the history of this conflict between morality and artistic freedom from the colonial paintings of Benjamin West and John Singleton Copley to the renaissance of the...
Harper & Row, 1964. — 60 p. Describes the masks, dolls, pipes, soapstone, and ivory carvings and graphics of the Eskimo. Also discusses how the carvers discover the shapes in an ivory tusk through humming and singing.
Universidad Nacional Autónoma de México, 2015. — 129 p. La temporalidad es una constante preocupación de la sociedad mesoamericana. Por medio de la observación astronómica, los sabios antiguos concibieron el calendario, predijeron los eclipses, determinaron el ciclo estacional y conocieron la trayectoria de Venus. En la experiencia cotidiana, el tiempo se vivía ligado a las...
Crown Publishers, 1964. — 260 p. — (Art of the world). When the subject of American Indian art is brought up, the mind's eye responds almost automatically by focusing on Peru and Mexico, which are world famous for their early art and architecture. Those who are more familiar with the subject may enlarge their perspective to include Ecuador, Colombia and southern Central...
Harry N. Abrams, 1998. — 212 p. The Inuit of the Canadian Arctic have created a contemporary art form that is recognized and appreciated around the world for its power and exquisite beauty, an art that embodies the harsh arctic environment and a unique way of life, as well as traditional myths and beliefs. Engaging and authoritative, Inuit Art: An Introduction explores Inuit...
Routledge, 2022. — 464 p. This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The...
Prestel, 1993. — 498 p. The history of the visual arts in the United States during this century is one of assimilation followed by an explosion of indigenous creativity that altered the course of art. The Armory Show, held in New York in 1913, introduced Americans to the latest developments in European modernism. No less profound was the impact of Marcel Duchamp, who first...
Thames & Hudson, 2003. — 257 p. — (World of Art). David Joselit traces and analyzes the contradictory formal, ideological, and political conditions during this period that made American art predominant throughout the world. Social and cultural transformations rooted in mass media technologies―photography, television, video, and the Internet―elevated consumer commodities to the...
Dover Publications, 1967. — 324 p. Since the first appearance of this book, the appreciation of colonial art in Latin America has passed through various phases. Even the terms Baroque and Rococo—which caused raised eyebrows when the title was first made known and brought advice that it be changed to something less associated with the ridiculous and effeminate—are now common...
Columbia University Press, 2015. — xiv, 286 p. — (Modernist latitudes). — ISBN 978-0-231-17352-0, 978-0-231-54011-7. During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the...
Thames & Hudson, 1993. — 220 p. Latin American Art of the Twentieth Century Edward Lucie-Smith. 171 illustrations, 38 in color This comprehensive survey introduces an exceptionally rich, fascinating and complex art, that has gained great popularity in recent years. Edward Lucie-Smith discusses major subjects and issues: Magic Realism, Expressionism and other concepts shared...
Thames & Hudson, 2014. — 251 p. Rewritten and updated to include the discoveries and new theories from the past decade and a half, this classic guide to the art of the ancient Maya is now illustrated in color throughout. World expert Mary Miller and her co-author Megan O'Neil take the reader through the visual world of the Maya, explaining how and why they created the...
6th Edition. — Thames & Hudson, 2019. — 295 p. — (World of Art). Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high pre-Hispanic civilizations of Central America―Olmec, Maya, Teotihuacan, Toltec, and Aztec―as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this...
Thames & Hudson, 1996. — 244 p. Mary Ellen Miller evocatively surveys the artistic achievements of the high pre-Columbian civilizations--Olmec, Maya, Teotihuacan, Toltec, Aztec--as well as those of their less-well-known contemporaries. Their pyramids and palaces, jades and brightly colored paintings emerge from these pages as vividly as when they first astonished Cortes's men...
London: Thames & Hudson Inc, 1999. — 244 p. — ISBN: 0-500-20327-X. The ancient Maya of Mesoamerica produced one of the most enduring and intriguing styles of art and architecture in the world. Mary Miller takes account of the most up-to-date archaeological discoveries and new interpretations of Mayan sculpture, ceramics, architecture, murals and materials, in producing a...
University of New Mexico Press, 2020. — 296 p. Making History: IAIA Museum of Contemporary Native Arts is a unique contribution to the fields of visual culture, arts education, and American Indian studies. Written by scholars actively producing Native art resources, this book guides readers - students, educators, collectors, and the public - in how to learn about Indigenous...
Alti Publishing, 1990. — 188 p. After Cortes' extraordinary conquest of the Aztecs in 1521, the Aztec capital, Tenochtitlan, was leveled and its Great Temple demolished. In 1978, clues that led to the rediscovery of the Great Temple and the most spectacular excavations ever conducted in Mexico. Matos discovered ritual deposits containing thousands of offerings from all over the...
McGill-Queen's University Press, 2022. — 359 p. — (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History). Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection...
Indiana University Press, 1996. — 188 p. Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of British film theorists and independent film-makers, she came to prominence with her classic...
Mérida, Venezuela: Ediciones Puerta del Sol, 2001. — 183 p. Es un trabajo de carácter didáctico, dirigido especialmente a los jóvenes que se inician en el conocimiento del arte venezolano y, en general, a todas aquellas personas interesadas en una visión amplia de nuestra pintura, escultura y arquitectura. En algunas ocasiones hace referencia a los hitos más significativos de...
Dumbarton Oaks Research Library and Collection, 1986. — 291 p. — (Studies in pre-Columbian art and archaeology 28). This is the first comprehensive treatment and pictorial record of one of the greatest bodies of sculpture in the Pre-Columbian world. Parson's work orders the Late Pre-Classic sculptures of highland and Pacific coastal Guatemala into chronological and stylistic...
Harcourt, 1993. — 333 p. Pre-Columbian Art The Art of Mexico: Material and Meaning Laughter and Penitence Reflections of an I ntruder Bustos I, a Painter, an Indian from This Village Mural Painting ReNisions: Mural Painting The Concealment and Discovery of Orozco Loners and Independents From Criticism to Offering Transfigurations Loners and Independents Maria Izquierdo, Seen in...
Banco de Crédito del Perú (BCP), 2020. — 360 p. — (Colección Arte y Tesoros del Perú). El presente libro, tomo XLVII de la colección Arte y Tesoros del Perú, es el primero de dos volúmenes dedicados al estudio de la producción artística andina que surgió del encuentro entre dos tradiciones culturales, es decir, la española y la autóctona. El imperio inca llegó a su fin cuando...
Thames & Hudson, 2022. — 256 p. — (World of Art). The Caribbean is made up of more than twenty countries, each with its own identity. Yet fascinatingly, there are significant cultural commonalities despite geographic, ethnic, linguistic, and political diversity. A mixture of African, Amerindian, Asian, and European origins define the remarkable Caribbean culture, which, from...
University of New Mexico Press, 2002. — 257 p. — (Jack and Doris Smothers in Texas History, Life, and Culture 6). Built to bring Christianity and European civilization to the northern frontier of New Spain in the seventeenth and eighteenth centuries...secularized and left to decay in the nineteenth century...and restored in the twentieth century, the Spanish missions still...
University of New Mexico Press, 2002. — 257 p. — (Jack and Doris Smothers in Texas History, Life, and Culture 6). Built to bring Christianity and European civilization to the northern frontier of New Spain in the seventeenth and eighteenth centuries...secularized and left to decay in the nineteenth century...and restored in the twentieth century, the Spanish missions still...
Parkstone, 2013. — 256 p. Frederic Remington (1861-1909) was one of the last American artists to offer his contemporaries a vision of the American Old West, that wild terrain with its immense prairies, herds of bison and the last American Indians. A painter, but above all an illustrator popular in his time, Remington skilfully captivated the public’s attention by presenting a...
Parkstone, 2013. — 256 p. Frederic Remington (1861-1909) was one of the last American artists to offer his contemporaries a vision of the American Old West, that wild terrain with its immense prairies, herds of bison and the last American Indians. A painter, but above all an illustrator popular in his time, Remington skilfully captivated the public’s attention by presenting a...
New York: Barbara Gladstone Gallery, 1981. — 66 p. The Mary H. Dana Women Artists Series, established in 1971, is the oldest and longest-running continuing series of exhibitions dedicated to increasing the visibility of emerging and established contemporary women artists in the United States. Anarchy and Form: Works by Miriam Schapiro. Artist files are miscellaneous uncataloged...
University of Oklahoma Press, 2015. — 281 p. Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to...
Introduction by Stephen J. Bodio. — University of Oklahoma Press, 2016. — 204 p. — (The Charles M. Russell Center Series on Art and Photography of the American West). Wild Spaces, Open Seasons traces the theme of hunting and fishing in American art from the early nineteenth century through World War II. Describing a remarkable group of American paintings and sculpture, the...
Introduction by Stephen J. Bodio. — University of Oklahoma Press, 2016. — 204 p. — (The Charles M. Russell Center Series on Art and Photography of the American West). Wild Spaces, Open Seasons traces the theme of hunting and fishing in American art from the early nineteenth century through World War II. Describing a remarkable group of American paintings and sculpture, the...
Thames & Hudson, 2021. — 271 p. — (World of Art). This introduction to the art of California focuses on the distinctive role the state played in the history of American art, from early twentieth-century photography and Chicanx mural painting to the fiber art movement and beyond. Shaped by a compelling network of geopolitical influences--including waves of migration and exchange...
Douglas & McIntyre/University of Washington Press, 1979. — 112 p. Bold, inventive and highly graphic, the indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements, which, guided by a rich mythology, create images of striking power. This indispensable and beautifully illustrated book is the...
Thames & Hudson, 2012. — 249 p. — (World of Art). This wide-ranging survey has established itself as the best singlevolume introduction to Andean art and architecture, and is an essential guide to pre-Columbian Peru, Ecuador, and Bolivia for the general reader, student, traveler, and artist alike. Describing the strikingly varied artistic achievements of the Chavín, Paracas,...
University of New Mexico Press, 2022. — 120 p. Few contemporary artists before the 1990s explored the negative impact of the Spanish in the Southwest, but unreflective celebrations of the Columbus Quincentennial brought about portrayals of a more complicated legacy of Columbus's arrival in the Americas--especially by Indigenous artists. Through a series of etchings, Floyd...
University of Nebraska Press, 2010. — 280 p. For most people, the work of Frederic Remington conjures an antiquarian world of all things “western.” Why this is so, and whether it should be so, are two of the critical questions raised in this book. Stephen Tatum closely considers selected paintings from Remington’s last four years of life—his so-called years of critical acclaim....
Metropolitan Museum of Art, 2000. — 658 p. In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United...
Пер. с англ. — М.: Ад Маргинем Пресс, 2024. — 320 с. — ISBN 978-5-91103-796-3. Книга историка искусства Дэвида Джослита посвящена искусству США второй половины XX — начала XXI века, когда американские художники вышли на лидирующие позиции в мире и задали основные направления новаторских поисков в живописи (абстрактный экспрессионизм, поп-арт), скульптуре (минимализм),...
Пер. О. Гавриковой. — Москва: Ад Маргинем Пресс, 2024. — 320 с. — ISBN 978-5-91103-796-3. Книга Дэвида Джослита, историка искусства и художественного критика, редактора журнала October, посвящена искусству США второй половины XX - начала XXI века, когда американские художники вышли на лидирующие позиции в мире и задали основные направления новаторских поисков в живописи...
Очерки истории и теории изобразительных искусств. — М.: Искусство, 1969. — 240 с. Искусство народов Центральной Америки с X века до н. э. по IX век н. э. Искусство народов Центральной Америки в X—XVI веках н. э. 97 Искусство древних народов Южной Америки Заключение Примечания Список иллюстраций Библиография 600 dpi, текстовой слой, интерактивное оглавление. Скан: ogmios
М.: Ленанд, 2008. — 360 с. Автор данной монографии — Елена Анатольевна Козлова, ведущий научный сотрудник ибероамериканского искусства Государственного института искусствознания, автор многочисленных публикаций, посвященных истории изобразительного искусства и культуры Мексики и других стран Латинской Америки. Настоящая работа посвящена теме, на первый взгляд, локальной. На...
М.: Ленанд, 2008. — 360 с. Автор данной монографии — Елена Анатольевна Козлова, ведущий научный сотрудник ибероамериканского искусства Государственного института искусствознания, автор многочисленных публикаций, посвященных истории изобразительного искусства и культуры Мексики и других стран Латинской Америки. Настоящая работа посвящена теме, на первый взгляд, локальной. На...
М.: Наука, 1978. — 194 с. В книге прослеживается эволюция идеи историко-культурной самобытности Латинской Америки с момента возникновения на континенте в начале XIX л. независимых государств и до наших дней. Выявляя историко-социальную обусловленность концепций культурной самобытности на каждом из этапов развития, авторы показывают ту важную роль, которую в их создании сыграла...
М.: Наука, 1978. — 194 с. В книге прослеживается эволюция идеи историко-культурной самобытности Латинской Америки с момента возникновения на континенте в начале XIX л. независимых государств и до наших дней. Выявляя историко-социальную обусловленность концепций культурной самобытности на каждом из этапов развития, авторы показывают ту важную роль, которую в их создании сыграла...
М.: ИВИ РАН, 2015. — 349 с. — ISBN 978-5-94067-431-3 В монографии анализируется один из ярких и самобытных периодов развития латиноамериканской культуры и искусства - латиноамериканский авангард первой трети XX в. Основное внимание уделено поэзии, прозе, живописи, театру, музыке, архитектуре, литературно-художественной критике. Представлена блестящая плеяда деятелей культуры и...
М.: ИВИ РАН, 2015. — 349 с. — ISBN 978-5-94067-431-3 В монографии анализируется один из ярких и самобытных периодов развития латиноамериканской культуры и искусства - латиноамериканский авангард первой трети XX в. Основное внимание уделено поэзии, прозе, живописи, театру, музыке, архитектуре, литературно-художественной критике. Представлена блестящая плеяда деятелей культуры и...
Сборник статей. — М.: Наука, 1986. — 238, [2] c. Материалом комплексного исследования является художественная культура Кубы, Мексики, Перу, Бразилии, рассматриваемая на различных этапах своего исторического развития - от древнего искусства инков вплоть до наших дней. Работа представляет собой первое проблемное исследование латиноамериканского искусства в СССР. Содержание:...
М.: Наука, 1986. — 242 c.
Материалом комплексного исследования является художественная культура Кубы, Мексики, Перу, Бразилии, рассматриваемая на различных этапах своего исторического развития - от древнего искусства инков вплоть до наших дней. Работа представляет собой первое проблемное исследование латиноамериканского искусства в СССР.
СПб.: Дмитрий Буланин, 2003. — 306 с. Файл помещен в двухтомный архив. Часть вторая — /file/2047795/ Книга "Между Андами и Европой" посвящена колониальному искусству вице-королевства Перу, которое охватывало в XVI - начале XVIII века территории нынешних Перу, Боливии, Колумбии, Парагвая. В центре внимания автора - процесс ассимиляции местным искусством европейской художественной...
СПб.: Дмитрий Буланин, 2003. — 306 с. Файл помещен в двухтомный архив. Часть первая — /file/2047794/ Книга "Между Андами и Европой" посвящена колониальному искусству вице-королевства Перу, которое охватывало в XVI - начале XVIII века территории нынешних Перу, Боливии, Колумбии, Парагвая. В центре внимания автора - процесс ассимиляции местным искусством европейской художественной...
СПб.: Дмитрий Буланин, 2003. — 309 с. — ISBN: 5-8600-270-8. Книга "Между Андами и Европой" посвящена колониальному искусству вице-королевства Перу, которое охватывало в XVI - начале XVIII века территории нынешних Перу, Боливии, Колумбии, Парагвая. В центре внимания автора - процесс ассимиляции местным искусством европейской художественной культуры, возникновение смешанных форм:...
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