C.H.Beck, 2006. — 132 S. Paul Cézanne (1839-1906) gehört zu den wichtigsten Wegbereitern der Moderne. Götz Adriani beschreibt den Lebensweg und die künstlerische Entwicklung dieses bedeutenden Malers. Dabei verschafft er dem Leser einen faszinierenden Einblick in die Arbeitsweise des Künstlers, dessen Bilder zu den beliebtesten Werken der Kunstgeschichte zählen.
The Metropolitan Museum of Art, 2018. — 332 p. Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the...
Taschen, 1987. — 98 S. Bekannt für seine Plakate für Kabaretts und Aufführungen, war Henri de Toulouse-Lautrec (1864-1901) der Maler des Pariser Nachtlebens par excellence. Völlig in das böhmische Milieu dieser Zeit eingetaucht, schuf er zahlreiche Gemälde und Lithographien, die die unteren Schichten der Gesellschaft repräsentierten. Mehr als jeder andere Maler seiner Zeit ist...
Editor, publishers, time and place of publication are not known. 185 p. Selected works of Aslan (Alain Gourdon) 1930 - 2014 French painter, sculptor, and pin-up artist. The collection contains 182 erotic drawings and paintings that had been published earlier in the variety of gentlemen's magazines in France.
Parkstone Press International, 2014. — 256 p. Ornans, Courbet’s birthplace, is near the beautiful valley of the Doubs River, and it was here as a boy, and later as a man, that he absorbed the love of landscape. He was by nature a revolutionary, a man born to oppose existing order and to assert his independence; he had that quality of bluster and brutality which makes the...
New York: The Metropolitan museum of art, 2019. — 411 p. This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority...
Geneva: Editions d'Art Albert Skira, 1955. — 148 p.
Édouard Manet was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impessionism.
NY: The Metropolitan Museum of Art, 1986. — 327 p. Works Cited in Abbreviated Form Notices and Illustrations Index of Former Collections Concordance Index of Artists
Сборник эссе. London: Chatto and Windus, 1922. - 230 с. Printed in England at the Cloister Press, Heaton Mersey, nr. Manchester. Since Cézanne The Artistic Problem The Douanier Rousseau Cézanne Renoir Tradition and Movements Matisse and Picasso The Place of Art in Art Criticism Bonnard Duncan Grant Negro Sculpture Order and Authority (1 and 2) Marquet Standards Criticism: First...
L'Unità, 1992. — 66 p. Rivolto a un pubblico attento ma non specialistico, il volume presenta una sintesi monografica sulla vita e sulle principali opere, splendidamente illustrate e con ampie didascalie descrittive, di Gauguin. “Il simbolo si crea per mezzo di armonie sapienti. Il colore, come la musica, coglie nelle sue vibrazioni quanto di più universale, dunque indefinito,...
Phaidon Press, 1971. — 72 p. Paul Gauguin (1848- 1903) began his career as a stockbroker. It was not until 1883 that he finally gave up his job to devote himself to art. The rest of his life, with its constant search for a 'lost paradise' untouched by nineteenthcentury civilization - a search that took him first to Brittany and then to the South Seas, where he died wracked with...
Harry N. Abrams, 1999. — 116 p. The French artists Claude Monet and Frederic Bazille worked together for seven years - until the latter was killed in the Franco-Prussian War - to develop the style of painting which became known as Impressionism. This is a study of that fruitful collaboration and the works that resulted from it. Published to accompany a 1999 exhibition at the...
Richard Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, with assistance from Peter Zegers. — Washington: National Gallery of Art, 1988 — 546 p. This catalog accompanied a collaborative exhibition from three museums whose combined collections of Paul Gauguin’s work are comprehensive. The exhibition included important masterpieces of painting and...
Art Institute of Chicago/Harry N. Abrams, 1987. — 128 p. The Art Institute of Chicago's collection of French Impressionist art is world-famous. Newly photographed and reproduced in full color, some of the most glorious works in the collection are assembled here. Richard R. Brettell, Searle Curator of European Painting at the Art Institute, has selected major works by Manet,...
New York: Parkstone Press International. 2013. — 200 p. — (Best of...). — ISBN 978-1-78310-177-1. Félix Vallotton, né à Lausanne le 28 décembre 1865 et mort à Paris le 29 décembre 1925, est un artiste peintre, sculpteur et graveur sur bois Suisse, naturalisé Français en 1900. En une dizaine d’années, Vallotton parvient à se faire un nom auprès de l'avant-garde parisienne. Sa...
Parkstone Press, 2011. — 256 p. Pierre–Auguste Renoir (Limoges, 1841 – Cagnes-Sur-Mer, 1919) Pierre-Auguste Renoir naquit le 25 février 1841 à Limoges. En 1854, ses parents retirèrent l'enfant de l'école et le placèrent dans l'atelier des frères Lévy afin qu'il apprenne la peinture sur porcelaine. Son frère cadet, Edmond Renoir,racontait : «De ce qu'il usait des bouts de...
Parkstone Press International, 2013. — 80 p. — (The Megasquare Series). Наталья Валентиновна Бродская ( 1937, Ленинград, СССР) — искусствовед, историк искусства, художественный критик. Член Союза художников с 1966 года. Кавалер ордена искусства и литературы Французской Республики. Среди ее работ - монографии на французском, немецком и английском языках, посвященные французским...
London: Sirrocco. 2014. — 256 p. — ISBN: 978-1-78042-094-3 Pierre Bonnard (3 October 1867 — 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality....
Parkstone International, 2017. — 256 p. Since his death 100 years ago, Cézanne has become the most famous painter of the nineteenth century. He was born in Aix-en-Provence in 1839 and the happiest period of his life was his early youth in Provence, in company with Emile Zolá, another Italian. Following Zolá’s example, Cézanne went to Paris in his twenty-first year. During the...
Parkstone Press International, 2018. — 61 p. — ISBN 978-1-68325-688-5. Known for his posters for cabarets and performances, Henri de Toulouse-Lautrec (1864- 1901) was the painter of Parisian nightlife par excellence. Completely immerged in the bohemian milieu of the period, he produced numerous paintings and lithographs representing the lower levels of society. More than any...
London: Sirrocco. 2004. — 80 p. — ISBN: 1844840166 Henri de Toulouse-Lautrec, (24 November 1864 – 9 September 1901) was a French, post-impressionist painter, famous for his paintings and prints of actors, dancers and prostitutes in the Montmartre area of Paris. Despite his noble origins, he painted scenes which shocked the "polite society" in Paris. In his short career, he had...
Yale University Press, 2008. — 370 p. Paul Cezanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands?In this remarkable book of discovery, art historian Ruth...
The Metropolitan Museum of Art, 1983. — 552 p. Shows hundreds of the French artists paintings, drawings, watercolors, and prints, and describes the background of each work.
Universe, 1996. — 88 p. — (Universe of Art). The female nude was a source of inspiration for Pierre Auguste Renoir throughout his long and brilliant career. Scenes of bathers, nymphs or simply women as incarnations of nature's bounty, intimate portraits, and numerous color sketches provide a comprehensive overview into this aspect of his work.
Reaktion Books, 2015. — 338 p. InThe Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein...
Milano: Rizzoli Editore,.1971.—118p.
Georges Braque ( 13 Maggio 1882 - 31 Agosto 1963) è stato un importante 20 ° secolo pittore francese, collagista, disegnatore, incisore e scultore. I suoi contributi più importanti per la storia dell'arte erano nella sua alleanza con il Fauvismo dal 1906, e il ruolo svolto nello sviluppo del cubismo
Parkstone International, 2011. — 256 p. Avant le XVIIe siècle, l’école française n’occupait qu’une modeste place dans la peinture européenne. C’est seulement à partir de cette date que les peintres anonymes cédèrent la place à toute une pléiade de noms devenus célèbres : Nicolas Poussin, Georges de la Tour, Claude Le Lorrain, les frères Le Nain...Aux XVIIIe et XIXe siècles, la...
Princeton University Press, 1982. — 212 p. The fashion for ‘art and revolution’ continues, and so does the effort to prove, more or less a priori, that art has nothing to do with politics. Mr. Clark has written a study of the art of Gustave Courbet in the years directly after the 1848 Revolution. He has aimed to rescue Courbet from the legends of the Right and Left: to destroy...
Princeton University Press, 1999. — 395 p. The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafés, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute «modern life.» Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting...
J. Paul Getty, 2003. — 224 p. — ISBN: 0-8923-6729-6. Prostitution was widespread in nineteenth-century Paris and, as French streets filled with these women of the night, French art and literature of the period took notice. This engrossing book explains why, providing the first description and analysis of French artistic interest in women prostitutes and examining how the...
Harry N. Abrams, 1962. — 162 p. — (Library of Great Painters). Leafing through the plates in this book, one finds it difficult to understand how Manet's art could have been so violently reprehended in its own day. His subject matter was traditional enough, and by nature he was not a flaming revolutionary or a bohemian character from the depths of the art world. Yet he suffered...
Harry N. Abrams, 1977. — 166 p. The impressionists developed a new way of seeing. They celebrated light and its effects, seeking to capture pure visual sensation. Turning away from the weighty subjects and dark, glossy hues of their contemporaries, they brought their easels out of doors and painted landscapes drenched in dazzling sunlight or shrouded in mist or twilight, nudes...
Jaca Book, 2013. — 190 p. La cappella del Rosario presso il convento delle suore domenicane di Vence, nel Sud della Francia, è un'opera "totale" di un grande maestro del XX secolo: Henri Matisse. Così lui la definiva "la mia opera", e ad essa lavorò nell'ultimo decennio della sua vita. Nel 1941 Matisse, convalescente a Nizza, suo luogo di elezione per la luce mediterranea, è...
Delphi Classics, 2022 — 423 p. — (Masters of Art Book). — ASIN : B09TZCS368 The late Victorian artist John William Waterhouse produced stunning paintings of women from ancient mythology, Shakespearean drama and Arthurian legend. The darling of the Royal Academy, where he exhibited almost every year throughout his long career, Waterhouse completed artworks that were celebrated...
Delphi Classics, 2015. — 1127 p. The innovative works of the Post-Impressionist Paul Cézanne laid the foundations of a new and radically different form of art in the twentieth century. Challenging the conventional values of art in his time, Cézanne’s insistence on personal expression and the integrity of the painting itself, regardless of subject matter, have since earned him...
Delphi Classics, 2012. — 654 p. — (Masters of Art Book). — ASIN: B00886CDJ4. This is the fourth volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. A first of its kind in digital print, the ‘Masters of Art’ series allows Kindle readers to explore the works of the world’s greatest artists in comprehensive detail. This volume...
Delphi Classic. 2016. — 515 p.
The leader of the French Romantic school of art, Eugène Delacroix was influential in the development of both Impressionist and Post-Impressionist painting, producing historical and contemporary masterpieces that would change the course of art. Delphi Classics’ Masters of Art Series presents the world’s first digital e-Art books, allowing readers...
Delphi Classic. 2016. — 890 p.
The prominent Impressionist artist Edgar Degas is widely celebrated for his images of Parisian life and sublime depictions of ballet dancers. He was a superb draftsman and masterly in his portrayal of movement, while his portraits are notable for their psychological complexity. Delphi’s Masters of Art Series presents the world’s first digital...
Delphi Classics, 2016. — 866 p. — (Masters of Art Book). — ASIN: B01EW28LSE. The prominent Impressionist artist Edgar Degas is widely celebrated for his images of Parisian life and sublime depictions of ballet dancers. He was a superb draftsman and masterly in his portrayal of movement, while his portraits are notable for their psychological complexity. Delphi’s Masters of Art...
Delphi Classics, 2016. — 508 p. — (Masters of Art Book). — ASIN: B01L5R4TL2. The French painter Édouard Manet, often associated with the Impressionists, broke new ground by defying traditional techniques of representation and by choosing contemporary subjects of Parisian life. His ‘Déjeuner sur l’herbe’ and ‘Olympia’ sparked public outcries, while inspiring a new generation of...
Delphi Classic, 2015. — 1637 p. Pierre-Auguste Renoir, the master Impressionist, produced a stunning oeuvre of oil paintings, celebrated for their inimitable beauty and expression of feminine sensuality. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive...
Delphi Classics, 2015. — 1626 p. — (Masters of Art Book). — ASIN: B00SX587N6. Pierre-Auguste Renoir, the master Impressionist, produced a stunning oeuvre of oil paintings, celebrated for their inimitable beauty and expression of feminine sensuality. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the...
Thames & Hudson, 2023. — 280 p. — (World of Art). An updated edition of this classic collection of letters, critical reviews, and reminiscences by impressionist artists and their contemporaries. The impressionists―Claude Monet, Édouard Manet, Edgar Degas, Berthe Morisot, Camille Pissarro, Pierre-Auguste Renoir, Alfred Sisley, and others―are probably the most popular of all...
Thames & Hudson, 1991. — 220 p. — (World of Art). This account of Henri de Toulouse-Lautrec strips away the mythology to look afresh at his achievements both as a graphic artist and as a painter. It revitalizes and adds depth to the well-known images, while a wealth of contemporary material - correspondence, reviews, anecdotes and reminiscences - sheds new light on the...
NY: The Metropolitan Museum of Art, 1997. — 154 p. The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of...
New York: Metropolitan Museum of Art. 1997. — 370 p. — ISBN: 0-87099-799-8 When Edgar Degas died in 1917, his enormous art collection, consisting of several thousand paintings, drawings, and prints, came to light. This remarkable assemblage included great numbers of works by the French nineteenth-century masters whom Degas revered — Delacroix, Ingres, and Daumier — and at the...
Taschen, 1986. — 97 S. Henri Matisse, einer der großen wegweisenden Meister der Kunst des 20. Jahrhunderts, war ein äußerst vielseitiger und produktiver Künstler. Obwohl er ein hervorragender Bildhauer und Zeichner war. Er war vor allem für seine Gemälde bekannt und beliebt.
Taschen, 2001. — 98 p. — ISBN: 84-9815-663-7. French painter Pierre-Auguste Renoir (1841-1919) enjoyed life to a degree seemingly denied to most artists, and this joie de vivre is reflected in the lighthearted, sensual, and luminous elements of his work.
Taschen, 1987. — 98 S. Der französische Maler Pierre-Auguste Renoir (1841-1919) genoss das Leben in einem Maß, das den meisten Künstlern scheinbar verwehrt ist, und diese Lebensfreude spiegelt sich in den unbeschwerten, sinnlichen und leuchtenden Elementen seiner Arbeit wider.
Harry N. Abrams, 1984. — 136 p. A noted art historian offers an incisive portrait of French artist Pierre Bonnard, as well as critical commentary on his major works, artistic development, and impact on modern art. His art is the expression oh his unbridled delight in ordinary, daily life. The world his work evokes is one of cozy rooms suffused with light, of tender family...
New York: Grosset & Dunlap, 1968. — 124 p.
The life and work of the artist, Illustrated with 80 Full-color plates.
Pierre-Auguste Renoir, commonly known as Auguste Renoir ( 25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been...
E. P. Dutton, 1978. — 244 p. The major writings of Henri Matisse (1869-1954), with the exception of the letters, are collected here along with transcriptions of important interviews and broadcasts given at various stages of Matisses career. Jack Flam provides a biography, a general introduction that addresses the development of Matisses aesthetic values and theories, and a...
Reaktion Books, 2022. — 433 p. From Manet to Gericault, Daubigny to Corot, an insightful, breathtakingly original exploration of French art and literature. French Suite examines a range of important French painters and two writers, Baudelaire and Flaubert, from the brothers Le Nain in the mid-seventeenth century to Manet, Degas, and the Impressionists in the later nineteenth...
University of Chicago Press, 1996. — 645 p. Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined...
University of Delaware Press, 2021. — 280 p. Portraiture and Friendship in Enlightenment France examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from and generated new ideas about friendship by analyzing the creation, exchange, and display of portraits...
Noonday Press, 1968. — 156 p. Of all the artists in the first Impressionist group exhibition of 1874, Paul Cezanne was to have the widest influence upon the future of Western art, yet he was also the last to achieve recognition and fame. Even the most advanced and liberal among the Parisian critics, Marc de Montifaud, who treated Degas, Monet, Pissarro, and Renoir with respect,...
Delphi Classics, 2016. — 1119. — (Delphi Masters of Art Book 32). The Post-Impressionist Paul Gauguin is now recognised for his experimental use of colour and synthetist style, seeking to achieve a “primitive” expression of spiritual and emotional states in his work. Gauguin is particularly well known for his creative relationship with Vincent van Gogh as well as for his...
Phaindon Press, 1992. — 136 p. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual...
Harry N. Abrams, 1991. — 284 p. Edgar Degas was the most complex of all nineteenthcentury painters. A very private man who scorned publicity, Degas remains one of the least understood artists of his generation. Although he is known for his depiction of modern subjects—racecourse scenes, cajcconcerts, ballel dancers, bathers—his was a classical art based upon drawing and a long...
Thames & Hudson, 1986. — 48 p. In the winter of 1880 Edouard Manet, then 49, was dying. In the last months of his life he funnelled his waning energy into a series of remarkable still lifes - 16 small paintings of flowers - which are brought together in this book. An essay by Andrew Forge pays tribute to the artist's struggle and his legacy, and Robert Gordon's selections from...
Harry N. Abrams Inc., 1988. — 248 p. — ISBN/ASIN: 0810910489 — ISBN13: 9780810910485. This new volume devoted to the early work of Paul Cezanne (1839-1906) is the first to explore the least-known period of this most brilliant, revolutionary, and influential of painters. His unique vision freed art from the academic constraints of the nineteenth century and heralded the...
Fine Arts Museums of San Francisco, 1974. — 132 p. Selections from the Norton Simon, Inc. Museum of Art and the Norton Simon Foundation The first volume of this Catalogue documented the works that went on view in the spring of 1973. This second volume documents the works that went on view in fall of 1974. The manner in which Volume II was prepared, in association with the...
National Gallery of Art, June 17—September 23, 1984; Galeries Nationales du Grand Palais, Paris, October 23, 1984—January 28, 1985; Schloss Charlottenburg, Berlin, February 22—May 26, 1985 : — Margaret Morgan Grasselli and Pierre Rosenberg, with the assistance of Nicole Parmantier. — Washington : National Gallery of Art, 1984. — 580 p. — ISBN: 0-89468-074-9. Английское издание...
First Impressions. - Harry N. Abrams, 1993. - 92 pp.:ill.
A book on post-Impressionist painter Paul Gauguin (1848-1903), written especially for young readers. The author tells the story of Gauguin's life and work in a style which should appeal to those encountering the artist for the first time. The reader learns how Gauguin, a successful Paris stockbroker, left his family to...
DK Publishing, 2022. — 55 p. — (What the Artist Saw) — ISBN 9780744054705. On November 14, 1840, on the fifth floor of a small apartment building, near the Seine River in Paris, Oscar-Claude Monet was born. We know him today as Claude Monet. Claude lived with his older brother and parents. His father worked as a grocer, but his business was failing, and they didn’t have much...
New York: Time Inс., 1969. — 200 p. François Auguste René Rodin, known as Auguste Rodin , was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture,[1] he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition,[2] although he was never accepted...
Taschen, 2015. — 97 p. — (Basic Art). Claude Monet: 1840-1926: Capturing the Ever-changing Face of Reality Hailed the “Prince of the Impressionists”, Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working “en plein air” with...
Yale University Press, 1994. — 172 p. In this magnificently illustrated book, Robert L. Herbert, author of the acclaimed Impressionism: Art, Leisure, and Parisian Society, presents a new interpretation of Monet's beautiful seascapes of the Normandy coast. Discussing more than fifty works, Herbert shows how these splendid pictures of Etretat and other resorts reflect the...
New York: Metropolitan Museum of Art. 1991. — 462 p. — ISBN: 0-87099-618-5 Georges-Pierre Seurat (2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism. Seurat's artistic personality was compounded of qualities...
Electa/Gallimard, 1995. — 187 p. Cézanne ha fatto della pittura l’unica preoccupazione della sua esistenza. La sua biografia scorre senza strappi, senza disavventure. Un uomo solitario, che vive a Parigi e soprattutto in Provenza. Un artista che persegue con tenacia un unico scopo: “realizzare le sue sensazioni”, obbedire alla logica dei colori, conquistare una nuova dimensione...
Yale University Press, 2018. — 208 p. From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name....
The J. Paul Getty Museum, 1997. — 96 p. Renoir's La Promenade is one of the most engaging and approachable of all Impressionist paintings. This study of the work--a masterpiece from the Getty collection--reveals surprising details about the sexual, historical, and artistic contexts in which the painting was created.
Crown Publishers, 1988. — 104 p. Modern art begins with Paul Gauguin. His interpretations, in paint and canvas, of his own intensely personal vision were to be the primary influence on several twentieth-century schools of painting. Gauguin's life, like that of his colleague Vincent van Gogh, was tempestuous. Both were tortured artists whose work reflected their divergence from...
The Metropolitan Museum of Art, New York, 1992. — 282 pp., pix Foreword by Philippe de Montebello and Klaus Gallwitz Preface and Acknowledgements Drawing and Liberty: Dauimier's Style by Colta Ives Drawing from the Mind: Reflections on the Iconography of Daumier's Drawings by Margret Stuffman Sculptural Aspects of Daumier's Drawing by Martin Sonnabend Movement and Time in the...
New York: Metropolitan Museum of Art. 1996. — 74 p. — ISBN: 0-87099-804-8 The Metropolitan Museum has in its collection an exceptional body of art in a range of media by the late-nineteenth-century French artist Henri de Toulouse-Lautrec. In exhibiting a large portion of these works, the Metropolitan once again invites the visitor—and the reader of this accompanying...
Harry N. Abrams, 1983. — 136 p. One of the great pioneering masters of twentieth century art, Henri Matisse was an extremely versatile and productive artist. Although he was an outstanding sculptor and draftsman. he was most widely known and loved for his paintings. And his paintings-vibrant, colourful, and diverse-are the focus of this book. John Jacobus, the Leon E. Williams...
Illinois: Sourcebooks. 2000. — 148 p. — ISBN: 1570716927 Rierre-Auguste Renoir (1841-1919) favorite among the Impressionists, Renoir depicted the sweetness of life of everyday events -of couples dancing, parties lunching, street scenes of shoppers. Follow Renoir's development from an apprentice painter of porcelain to the consummate master of large-scale figurative paintings.
The University of North Carolina Press, 2011. — 248 p. In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of...
LA: Getty Museum Studies on Art, 1997. — 110 p. — ISBN 0-89236-236-7 In 1818 Jacques-Louis David (1748-1825) painted one of the tenderest and most lyrical compositions of his career, The Farewell of Telemachus and Eucharis, as a pendant to one of the strangest and most rebarbative works he had ever created—Amor and Psyche, 1817. While Amor and Psyche was decried by some...
New York: W. W. Norton & Company, 1963. — 136 p. 'What is Romanticism?', asks Baudelaire; and he replies: 'modern art'. Delacroix, he says, had been proclaimed leader of the modern school by the public since the exhibition of his first work. How then is he modern? What specific quality makes him the 'true painter of the nineteenth century'? According to Baudelaire, it is the...
Parkstone Press, 2011. — 200 pages. — ISBN: 978-1-78042-731-7
For Monet, the act of creation was always a painful struggle. His obsession with expressing emotions and his desire to transmit light effects over nature were much more intense than his contemporaries. In his words: Skills come and go… Art is always the same: a transposition of Nature that requests as much will as...
Abbeville Press, 1980. — 108 p. Scarcely a century ago, the French Impressionists stood at the farthest outpost of advanced art. While the artists of the academic establishment followed traditions set down by the masters of the Renaissance, a small band of young painters, including Monet, Renoir, Degas, Pissarro, and Mary Cassatt, dared to experiment, to challenge, and to...
Bloomsbury Publishing, 2016. — 416 p. — ISBN 978-1-63286-012-5, 978-1-63286-014-9. Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Seeing them in museums around the world, viewers are transported by the power of Monet's brush into a peaceful world of harmonious...
First Edition. — Blagoy Kiroff, 2015. — 190 p. Eugene Delacroix was the greatest French painter of the Romantic Movement. He was the son of a politician, Charles Delacroix, but there is some evidence to indicate that his real father was the diplomat Talleyrand, a friend of the family. His mother, Victoire Oeben, came of a family of notable craftsmen and designers. In 1816...
New York: Parkstone International, 2012. — 208 p.: ill. Pierre Bonnard was the leader of a group of post-impressionist painters who called themselves the Nabis, from the Hebrew word meaning 'prophet'. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionized the spirit of decorative techniques during one of the richest periods in the history of...
Parkstone Press International, 2012. — 388 p. — ISBN 978-1-78310-738-4. Pierre Bonnard was the leader of a group of post-impressionist painters who called themselves the Nabis, from the Hebrew word meaning ‘prophet’. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionized the spirit of decorative techniques during one of the richest periods in...
The Metropolitan Museum of Art, 1986. — 394 p. Boucher, more than any other artist, exemplified French taste during the Age of Enlightenment, and under the patronage of Madame de Pompadour his career flourished. By the end of Louis XVs reign the sweet, mildly erotic images had lost their appeal, and the artist never regained his former popularity. The organizers of this...
Todtri Book Publications, 1994. — 144 р. These handsomely illustrated volumes offer insight into the lives and works of those few unique individuals whose extraordinary creative genius has affected suceeding generations of artists and altered the way we view the world around us. Considering Impressionsim a national French style, Monet painted such diverse subjects as urban...
Hyperion, 1949. — 51 p.
Paul Gauguin (né le 7 juin 1848 à Paris — mort le 8 mai 1903, à Atuona, Hiva Oa, Îles Marquises) est un peintre postimpressionniste. Chef de file de l'École de Pont-Aven et inspirateur des nabis, il est considéré comme l'un des peintres français majeurs du XIXe siècle.
Phaidon, 2015. — 356 p. — (Art & Ideas). In this new monograph, part of Phaidon's Art and Ideas series, Simon Lee, Senior Lecturer in the History of Art at the University of Reading, examines the work of Delacroix within the framework of his turbulent times, as France experienced the upheavals of the Napoleonic era. Written in a lively and accessible style, and incorporating...
The Metropolitan Museum of Art, 2016. — 290 p. Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as...
Harry N. Abrams, 1972. — 392 p. Of the illustrious septet of major painters who together constitute impressionism in the widest sense of the term - Manet, Degas, Monet, Pissarro, Renoir, Cezanne and Sisley - only five are included in this collection. Two do not figure for precisely opposite reasons : Degas, because the breadth and distinction of his graphic work merits a volume...
Jaca Book, 2021. — 207 p. — (Arte mondo). Questo volume è l'opera che dà a Manet il suo posto nella storia dell'arte, un grandissimo artista che ha subito l'ostilità di pubblico e critici (non degli artisti, che lo consideravano il maestro) e che resta ancora scomodo perché l'oggi è figlio di quel mondo che Manet mise a nudo. Noto per il capitale lavoro su Goya, l'artista...
Phaidon Press, 1979. — 70 p. This book on Pissarro contains an extensive essay, 48 full-page colour plates, and is accompanied by extensive notes and comparative illustrations. Camille Pissarro (1830-1903) was not only a central figure in the Impressionist movement but a major influence on the development of modern art. He was the only artist to exhibit at all eight of the...
LA: Getty Museum Studies on Art, 1995. — 96 p. — ISBN 0-89236-304-5 The fascination of such paintings lies partly in Wtewael's virtuosic command of spatial illusionism on a small scale and his ability to suggest an infinite visual and dramatic complexity. The picture is only eight inches high, yet it holds the three different spaces mentioned above, eleven figures, and vari-ous...
Praeger, 1971. — 296 p. This book is a history of French painting in a particular sense. When we speak of painting, we use this word to cover a multitude of techniques, used upon a variety of surfaces. The historian of Italian art, for example, must take into account frescoes as well as ease pictures, because so many of die greatest achievements of Italian artists are to be...
Delphi Classics, 2016. — (Delphi Masters of Art Book 29). The French painter ?douard Manet, often associated with the Impressionists, broke new ground by defying traditional techniques of representation and by choosing contemporary subjects of Parisian life. His ‘D?jeuner sur l’herbe’ and ‘Olympia’ sparked public outcries, while inspiring a new generation of artists to embark on a...
Marsilio, 2009. — 175 p. The first singular study of one of the key artists of the Art Deco movement, George Barbier (1882–1932) was a fashion illustrator to the leading stylists (Poiret, Lanvin, Paquin, Vionnet) of his time, as well as a set and costume designer for the theater, Russian ballet, and music hall. Barbier’s work is also noted in the world of advertising, wallpaper...
Harry N. Abrams, 1981. — 304 p. The complete etchings, lithographs, and woodcuts of Camille Corot —Jean-Franfois Millet — Eugene Boudin —Johan Barthold Jongkind — Theodore Rousseau — Charles- Francois Daubigny — and Jules Dupre are reproduced in 359 meticulously printed illustrations, often full-page, often actual size, often reproducing more than one state. Each work is...
Kindle Edition, 2012. — 182 p. Henri de Toulouse-Lautrec book includes 360 high quality reproductions of his greatest masterpieces with title and date.
Yale University Press, 1999. — 160 p. Few artists of the nineteenth century created works as subtly evocative, as socially poignant, and as artistically influential as Jean-Francois Millet did. This book examines Millet's technical and creative achievement, focusing on his rarely seen pastels, watercolors, and drawings, and considering them as independent works of art, as...
Morristown New Jersey USA: Time Ink., 1972. — 200 p. Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century
CreateSpace Independent Publishing, 2015. — 106 р. — ISBN: 978-1508495406. Sketcher, painter, engraver, sculptor and collector, Auguste Rodin is recognized worldwide for the exceptional authenticity of his anatomical sculptures, but drawing was his means of discovering "truth" in life and in art: for him "good" drawing represented truth and simplicity in nature; 'bad" drawing...
Phaidon Press, 1969. — 208 p. Henri de Toulouse-Lautrec was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant and provocative images of the modern, sometimes decadent, life of those times. Toulouse-Lautrec is among the best-known...
Harry N. Abrams, 1988. — 174 p. Maurice Wertheim, a graduate of Harvard College (Class of 1906), approached the collecting of art with disciplined enthusiasm. Although he did not purchase a major painting until 1956, when he had already turned fifty, within two or three years he had made himself a major contender in the field. In the next decade and a half he succeeded in...
Pennsylvania State University Press, 2018. — 240 p. Notions of civilization and barbarism were intrinsic to Eugène Delacroix’s artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the...
Penn State University Press, 2025. — 216 p. The Women of Algiers in Their Apartment is arguably Eugène Delacroix’s best-known work from his trip to Morocco in 1832, and the attention scholars have paid to it has obscured a crucial fact about Delacroix’s Moroccan subjects: most of his paintings of North Africa depict men rather than women. After serving as a diplomat’s companion...
New York: Metropolitan Museum of Art. 1991. — 215 p. — ISBN: 0-87099-608-8 This publication, illustrated with 16 color and 168 black-and-white plates, accompanies an exhibition held at The Metropolitan Museum of Art from April 10 to June 16, 1991. Nine museums and six private collections have lent to this presentation, which, given the riches of North American holdings,...
Florence: Flammarion. 1969. — 124 p.
Les petits classiques de l'art. Hilaire Germain Edgar de Gas, dit Edgar Degas, né le 19 juillet 1834 à Paris et mort le 27 septembre 1917 dans la même ville, est un artiste peintre, graveur, sculpteur et photographe. Si le peintre est né sous le patronyme de De Gas, il n’a en réalité fait que reprendre le nom d’origine de sa famille1 en se...
Parkstone International, 2013. — 255 p.: black and white portrait, color illustrations. Inspired by Monet's work at a young age, Paul Signac (1863-1935) was a friend and disciple of Georges Seurat who combined the scientific precision of pointillism with the vivid colors and emotional expressivity of Impressionism. A close personal friend of Vincent van Gogh, who was a great...
Phaidon Press, 1979. — 88 p. Claude Monet (1840-1926) achieved his first successes in the 1860s, with works painted in a realist/naturalist vein. By the late 1970 he was recognized as the dominant artistic personality among the group then known as The Impressionists.
Harry N. Abrams, 1967. — 136 p. — (Classics of the world's great art). Edouard Manet was one of the first artists - perhaps the first - whose work can even now be called “modem”, and although he died in 1883 his an has remained contemporary in spirit. Indeed, young artists are again turning to his work for ideas and suggestions related to the integrity of the surface of the...
Harry N. Abrams, 1960. — 286 p. Painting almost disappeared in early medieval France under the feudal anarchy brought by the collapse of the Carolingian dynasty. It was reborn under the Capetians, with the aid of contributions from the rest of Europe : the energetic art of Anglo-Saxon England, the half-Byzantine art of the empire of the Ottos, the classical memories of...
Harry N. Abrams Inc., Publishers, 1985. — 136 p.: illustrations. Монография, подробно рассказывающая о биографии и творчестве французского художника Жана-Эдуарда Вийара (1868-1940), входившего в художественную группу "Наби" и ассоциируемого с такими течениями как постимпрессионизм и символизм. Иллюстрирована черно-белыми и цветными репродукциям, снабжена избранной библиографией
New York: Time-Life Books Ink., 1972. — 208 p. Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion...
New York: Metropolitan Museum of Art. 1976. — 354 p. — ISBN: 0-87099-146-9 More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been...
Harry N. Abrams, 1989. — 134 p. Camille Pissarro was the dean of the impressionist painters, not only because of his age—he was two years older than Manet, who at first put himself at the head of the movement—but also by virtue of his wisdom and his balanced, kind, and warmhearted personality. " So begins John Rewald's intimate and evocative biography of Pissarro, triend of...
Harry N. Abrams, 1985. — 240 p. John Rewald 's classic books, The History of Impressionism and Post-Impressionism—From Van Gogh to Gauguin, have gone through many editions and been translated into many languages, but his essays, published over almost fifty years, а scattered throughout numerous periodicals, and some written in French, have never been translated before. Among...
Museum of Modern Art, 1961. — 673 p. Studies the forerunners and evolution of the Impressionist movement and presents examples of paintings from the 1850's to the early 1900's
Parkstone International, 2012. — 256 p. Born of both materialism and positivism, Gustave Courbet stands out as one of the most complex painters of the nineteenth century. Rejecting tradition, Courbet confronted the public with the truths of his time as he liberated painting from the rules of convention in both subject and style, and established himself as the leader of...
London; New York: Routledge, 2000. — 178 p. :il. Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a...
New York: Metropolitan Museum of Art. 1982. — 420 p. — ISBN: 0-87099-925-3 This book described artist works — The French Caravaggesque Painters, Georges de La Tour, Nicolas Poussin, The Generation of French Painters Who Resided in Italy, Painters from Lorraine and Provence, The Le Nain Brothers, The First School of Paris, Landscape: The Classical Tradition and the Appeal of the...
Thames & Hudson, 2020. — 224 p. — (World of Art). From a world authority on impressionism and nineteenth-century French art comes this new addition to the World of Art series on the art and life of Claude Monet. One of the most famous and admired painters of all time, Claude Monet (1840– 1926) was the architect of impressionism—a revolution that gave birth to modern art. His...
NBM Publishing, 2017. — 112 р. — ISBN: 978-1681121390. The life of the great French painter, one of the founders of Impressionism, is narrated in lush comic art reminiscent of his style. From the Salon des Refuses (“Salon of the Rejected”) and many struggling years without recognition, money, and yet a family to raise, all the way to great success, critically and financially,...
Alexandria: Time Inс., 1979. — 198 p. Henri-Émile-Benoît Matisse was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter
Delphi Classics, 2017. — 1709 p. Camille Pissarro was a key figure in the history of Impressionism, being the only artist to show his work in all eight Impressionist exhibitions, remaining dedicated to the movement’s artistic beliefs. His paintings combine a fascination of rural subject matter with the empirical study of nature under different conditions of light and...
Delphi Classics, 2017. — 491 p. Revered by artists and collectors since the seventeenth century, Claude Lorrain was a master of landscape painting, raising the reputation of the art form to new heights. His paintings present idealised views of nature, governed by Classical concepts and fuelled by the inspiration of the Roman Campagna. Claude’s special contribution was the...
Delphi Classics, 2017. — 574 p. The principal exponent of the Neoclassical reaction against the Rococo style, Jacques-Louis David won wide acclaim with his huge canvases on classical themes. The appointed painter to Napoleon, David developed his Empire style, notable for its use of warm Venetian colours, confirming his status as the most celebrated artist of his day. Delphi’s...
127 p. Publishers, place, and year of publication are unknown. Louis Berthomme Saint-André is one of the few artists to have followed successful parallel careers both as a leading painter of his time, and as an erotic illustrator who was never short of commissions. He was born in Barbery in north-eastern France and grew up in Saintes, in Charente-Maritime. His first short-lived...
Publishers, place, and year of publication are unknown. 127 p. Louis Berthomme Saint-André is one of the few artists to have followed successful parallel careers both as a leading painter of his time, and as an erotic illustrator who was never short of commissions. He was born in Barbery in north-eastern France and grew up in Saintes, in Charente-Maritime. His first short-lived...
Morristown USA: Time Ink., 1968. — 188 p. Édouard Manet was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
New York: Metropolitan Museum of Art. 1992. — 340 p. — ISBN: 0-87099-649-5 The Musée des Beaux-Arts in Lille is home to one of the most impressive art collections in France, aside from the museums of Paris, but it is little known, and its treasures have remained largely unstudied. Originally part of a network of regional museums established in 1801 by Napoleon, through a...
Librairie Centale des Beax-Arts, Paris, 1923. Орнаменты цветов и птиц в восточном стиле известного французского художника и дизайнера E.A. Seguy, 50 страниц черно-белых и цветных иллюстраций.
The University of Chicago Press, 1984. — 346 p. Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding...
Phaidon Press, 1979. — 72 p. Of all the French Impressionists, it is a commonplace to speak of Alfred Sisley (1839-99) as the most neglected and perhaps the least interesting. His life and personality are not well documented, unlike those of the other Impressionists, and he died before recognition and reward came his way. He painted landscape almost exclusively, choosing for...
NY: The Metropolitan Museum of Art, 2002. — 166 p. From the late 1960s, when Janice H. Levin and her husband, Philip, made their first foray as collectors into the competitive field of Impressionism, until her final purchase (of a Boudin) in 1998, Mrs. Levin assembled a remarkable, and remarkably personal, art collection, mostly of paintings but also of works on paper and small...
Geneva: Editions d'Art Albert Skira. — 124 p.
Pierre Bonnard was a French painter and graphic artist, went down in art history as one of the great colorists of the XX century.
Amsterdam University Press, 2020. — 386 p. — (Visual and Material Culture, 1300–1700, 25). Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s...
New York: Time Inс., 1972. — 202 p. Henri-Robert-Marcel Duchamp was a French, naturalized American painter, sculptor, chess player and writer whose work is associated with Cubism, conceptual art.
Paris: Laurens, 1902. — 136 p. Жан Морис Турно (12 июля 1849 - 1917), французский писатель и библиограф. Фердинан Виктор Эжен Делакруа (фр. Ferdinand Victor Eugène Delacroix; 1798—1863) — французский живописец и график, ведущий представитель романтического направления французской живописи.
Museum of Fine Arts, Boston: Yale University Press, 1989. — 332 p. This catalogue accompanied the exhibition held at the Museum of Fine Arts in Boston, the Art Institute of Chicago and the Royal Academy of Arts in London in 1990. This book contains information on the popular series paintings from the 1890’s by Monet.
Archive of 75 pictures. Place and time of publishing is unknown. Publisher is unknown. Alex Varenne (29 August 1939 – 19 October 2020)[2] was a French comic book artist and writer, known by his erotic works. He worked often in collaboration with his brother Daniel Varenne. Varenne was born in Saint-Germain-au-Mont-d'Or, in 1939. After studying in Lyon, he became an art teacher....
Harry N. Abrams, 1991. — 96 p. — (First Impressions: Introductions to Art). Claude Monet was born in France in 1840, and was one of the leaders of the revolutionary art movement that has come to be known as Impressionism. Monet showed a great talent for drawing at an early age, and his passion for art led him away from his family home in the port city of Le Havre to Paris,...
Taschen, 2002. — 720 p. Ingo F. Walther, historien d'art, retrace l'histoire de ce mouvement, né au lendemain de guerre de 1870. Les bouleversements engendrés par le conflit et la défaite avaient entraîné une rupture avec le passé, et le marché de l'art avait éclaté. Le Salon officiel n'avait rien changé à ses règles périmées. En réaction, un groupe de peintres ouvrit le Salon...
Phaidon Press, 1977. — 72 p. Many view Henri Matisse as the outstanding painter of the twentiety century, and certainly he is one of the great colorists of all time. This volume, oversized and lavishly illustrated, offers an impressive and eminently accessible introduction to the artist and his work. Nicholas Watkins traces Matisse's career from the Fauve paintings of the 1907...
Allen Lane, 2023. — 576 p. — ISBN 978-024118830X. In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Misunderstood and mocked at the beginning of his career, he risked everything to pursue his original vision. Although close to starvation when he invented impressionism on the...
Dahesh Museum of Art/Yale University Press, 2007. — 220 p. Gustave Doré (1832–1883) is best known as one of the finest book illustrators of the nineteenth century, but he was also a painter and sculptor of international repute. His illustrated Bible, first published in 1865, has appeared in over 700 editions and in its day was the most successful book in the world. Mentioned by...
М.: Издательство Академии художеств СССР, 1961. — 514 с. + 479 с. Личный дневник Эжена Делакруа представляет собой уникальное литературное произведение французского живописца и графика. В нем органично сочетаются философские высказывания об искусстве и заметки о повседневной жизни. Дневник Делакруа не только раскрывает новые грани его личности, но и становится подлинным зеркалом...
М.: Издательство Академии художеств СССР, 1961. — 514 с. + 479 с. Личный дневник Эжена Делакруа представляет собой уникальное литературное произведение французского живописца и графика. В нем органично сочетаются философские высказывания об искусстве и заметки о повседневной жизни. Дневник Делакруа не только раскрывает новые грани его личности, но и становится подлинным зеркалом...
Сост. И. П. Хабаров, вступ. статья Г. Ю. Стернина. — М.: Галарт, 1997. — 412 с., ил. — ISBN 5-269-00919-6 Статьи известного художника и деятеля русской культуры передают его впечатления о художественной жизни Франции 1930-х годов, а также и о событиях в России, информация о которых доходила до Парижа нерегулярно. Во вступительной статье говорится об огромной ценности...
Л.: Издательство Государственного Эрмитажа, 1960. — 12 с. Одной из лучших картин XIX в. в собрании Эрмитажа является «Портрет графа Н.Д. Гурьева» работы известного французского художника Энгра. Даже мимолетный взгляд зрителя не может не отметить присущей этой картине строгости и значительности, с которой передан портретируемый, а также благородства живописной манеры. Взгляд же...
Интернет издание, 2010. — 200 с. Содержит биографические данные о Г. Дорэ и большое собрание иллюстраций. В книге также представлены отрывки из текстов дореволюционных книг, иллюстрированные Г.Дорэ. Говорят, однажды Гюстав Дорэ поспорил со своим приятелем: он за пару дней заработает 10 000 франков. Сумму баснословную по тем временам. На дворе была середина 19-го столетия. Дорэ...
Зібрання картин великого французького художника-символіста Гюстава Моро з 1853 по 1893. В архіві розміщено 30 зображень картин високої якості. У найменуванні спершу вказано дату створення роботи, потім назву роботи.
М.: Искусство, 1983. — 136 с. Иллюстрированный очерк Льва Аркадьевича Дьякова – одна из первых в советской искусствоведческой литературе монографий о жизни и творчестве замечательного французского художника XIX века Гюстава Доре (1832-1883). Автор дает анализ не только серий графических иллюстраций мастера, но и его живописных композиций. Предисловие. Страсбург. Париж. Лондон....
Л.: Искусство, 1986. — 280 с. В альбоме-монографии доктора искусствоведения Нины Николаевны Калитиной (1926-2018), включающем в себя св. 230 иллюстраций, исследуются французская портретная живопись, скульптура и графика XIX века, рассматривается эволюция жанра, вскрывается его историко-художественная проблематика. Освещены вопросы о взаимодействии портрета с другими жанрами –...
Гюбер Робер - певец руин: к 275-летию со дня рождения художника: Каталог выставки/Авт. вст. ст. Л. В. Коваль. - СПб: ГМЗ "Павловск", 2008. — стр. 106-122
СПб.: Азбука, Азбука-Аттикус, 2018. — 570 с. К 1914 году шумные баталии, ознаменовавшие появление на свет мятежной группы художников-импрессионистов, давно стали историей, а молодые бунтари, их спровоцировавшие, – те из них, кто еще не покинул этот мир, – превратились в седобородых патриархов французской живописи. Клод Моне, которому исполнилось 73 года, обосновался в Живерни, где...
Изобразительное искусство Франции. XX век: альбом //Львова Е. П., Сарабьянов Д. В. Мировая художественная культура XX век. Изобразительное искусство и дизайн. – СПБ. – Питер Пресс, 2007.
108 иллюстраций. Самые знаменитые представители искусства Франции: А. Матисс, А. Руссо, С. Делоне, Ле Корбюзье и другие. Живопись, архитектура, скульптура.
Для учителей мировой художественной...
М.: Ю.И. Лепковский, 1909. — 158 с., 30 л. ил. Из всех отдельных течений в области живописи, которыми так богат XIX век, импрессионизм — одно из самых могучих. Это был не временный переход от одного более или менее случайного направления к другому, в зависимости от перемены настроения общества. Импрессионизм внес целый ряд открытий и новых приемов в технику и композицию и указал...
Л.: Искусство, 1983. — 72 с. — (Государственный Эрмитаж).
Отделение рисунков Государственного Эрмитажа приступило к углубленному изучению и показу отдельных периодов и жанров в рамках различных национальных школ. Таковы были традиционно сопровождавшиеся каталогами экспозиции французского карандашного портрета XV—XVI вв., французского архитектурного и декоративно-прикладного...
Каталог выставки. — Л.: Аврора, 1988. — 130 с. — ISBN: 5-7300-0122-3. Скан. 600 dpi Выставка французской живописи XIX—начала XX века проходившая в Москве и Ленинграде. Она включала показ пятидесяти одной картины; двадцать из которых принадлежат Музею Метрополитен, остальные — чикагскому Художественному институту. На выставке представлены картины художников: Э. Делакруа, Ж.О.Д....
М:, Изобразительное искусство, 1990. — 30 с. Французская живопись первой полвины XIX века в собрании Государственного музея изобразительных искусств имени А.С. Пушкина
М:, Изобразительное искусство, 1990. — 30 с. Французская живопись первой полвины XIX века в собрании Государственного музея изобразительных искусств имени А.С. Пушкина
М.: Изобразительное искусство, 1998. — 144 с. Серия "Великие мастера прошлого", в рамках которой издательство "Изобразительное искусство" публикует монографии о творчестве великих мастеров как зарубежного, так и отечественного искусства. Книга рассчитана на широкий круг любителей живописи. Великий французский художник Эжен Делакруа (1798—1863) принадлежал поколению, на долю...
К. : НАКККіМ, 2011. — 248 с. Монографія присвячена феномену становлення та еволюції школи Фонтенбло в загальному контексті французького мистецтва XVI ст. Об’єктом уваги є стиль Фонтенбло як ядро французького варіанту маньєризму. Метою дослідження було висвітлити основні віхи формування школи Фонтенбло як «універсальної майстерні» Європи XVI ст., прослідкувати її роль для...
М.: Московский государственный университет имени М.В. Ломоносова, 2012. — 272 c. — ISBN 978-5-211-06192-7. Первая русскоязычная монография о Мастере из Мулена - одном из самых загадочных живописцев Северного Возрождения. После жарких научных дискуссий, длящихся с XIX века, принята точка зрения, что этим анонимным мастером был Жан Хей. Живописец работал в конце XV века, который...
Пер. с фр. под ред. В.А. Ляцкой. — СПб.: Изд. АО Типогрaфии Дела, 1912. — 60 с., 2 л. ил.; 16. — (Всеобщая библиотека. № 136). Жизнь Ватто. Произведения Ватто. Французская и итальянская комедия. Любовные празднества. Пейзаж. Характер Ватто. Гений Ватто.
Пер. с фр. под ред. В.А. Ляцкой. — СПб.: Изд. АО Типогрaфии Дела, 1912. — 60 с., 2 л. ил.; 16. — (Всеобщая библиотека. № 136). Жизнь Ватто. Произведения Ватто. Французская и итальянская комедия. Любовные празднества. Пейзаж. Характер Ватто. Гений Ватто.
СПб.: Книгоиздательское товарищество "Просвещение", 1911. — 370 стр, с иллюстр.
Содержание:
Последние течения французской живописи
На выставках Монтичелли, Моне и Гогена
Три салона
Э. Верхарн как художественный критик
Город во французском искусстве 19 века
М.: Издательство З. И. Гржебина, 1922. — 106 с. Весть о кончине французского художника Эдгара Дега вызвала в нас давно неиспытанное чувство. Эта смерть — одна из немногих смертей среди той безмерной расточительности жизнями, какую обнаружила наша эпоха — неожиданно напомнила нам не о бренности человеческой и не о суете сует, но о мощи и вечности человеческого духа, — о том...
Новое западное искусство в русских государственных музеях. Выпуск 1. Большое собрание С. И. Щукина. — М.; Пг.: Творчество, 1923. — 148 с., 12 л. ил. Очерк истории основных течений новой французской живописи написан Яковом Александровичем Тугендхольдом (1882−1928) на материале коллекции Щукина Сергея Ивановича (1854−1936). Настоящий очерк значительно расширен по сравнению с...
М.: АСТ, 2016. — 160 с.: ил. — (Шедевры живописи на ладони). — ISBN: 978-5-17-097642-3. Импрессионизм — это направление в живописи, зародившееся во Франции в 1860-х гг. и во многом определившее развитие искусства XIX века. Центральными фигурами этого направления были Мане, Моне, Дега, Ренуар, Писсарро, Сислей, особую роль в историю живописи внесли постимпрессионисты — Ван Гог,...
Художественный мир русско/еврейского Парижа, его спасители и хранители. — М.: Новое литературное обозрение, 2017. — (Очерки визуальности). На протяжении XX столетия во Франции работали сотни замечательных художников из Российской империи, многие из которых выросли в еврейских семьях. Одни из них, как Марк Шагал и Хаим Сутин, стали всемирно знаменитыми, другие известны лишь...
М.: Искусство, 1979. — 256 с. Книга принадлежит перу известного французского искусствоведа и литератора, который в течение многих лет близко знал художника. В свободной форме, с привлечением множества источников излагается биография Матисса и прослеживается его творческий путь - от самых первых шагов в искусстве до завершающих творений. Книга насыщена высказываниями самого...
М.: ОГИЗ - ИЗОГИЗ, 1938. — 134 с. Эта любопытная книга даёт возможность познакомиться с важнейшими критическими и программными статьями представителей различных течений изобразительного искусства Франции второй половины XIX века - реализма, импрессионизма и формализма. Среди авторов этой книги - Гюстав Курбэ, Шамфлери, Эдуард Манэ, Эмиль Золя, Эдмонд Дюранти и другие деятели...
М.: Искусство, 1981. — 143 с.: ил.
Книга посвящена творчеству Жана-Батиста Шардена. Шарден, живописец тихих сцен из семейной жизни и скромных натюрмортов, непревзойденных по своим живописным достоинствам, - один из крупнейших мастеров французского искусства XVIII века. Художник был современником и свидетелем расцвета французского Просвещения, его бурной интеллектуальной...
М.: Искусство, 1981. — 143 с.: ил. Книга посвящена творчеству Жана-Батиста Шардена. Шарден, живописец тихих сцен из семейной жизни и скромных натюрмортов, непревзойденных по своим живописным достоинствам, - один из крупнейших мастеров французского искусства XVIII века. Художник был современником и свидетелем расцвета французского Просвещения, его бурной интеллектуальной...
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