John Rupert Martin (ed.) — London: New York, 1968. — 340 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
Nora De Poorter (ed.) — Brussels: Arcade Press, 1978. — 408 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
Nora De Poorter (ed.) — Brussels: Arcade Press, 1978. — 278 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
R.-A. d’Hulst et M. Vandenven (ed.) — London: Harvey Miller press, 1989. — 402 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art...
J. Richard Judson (ed.) — London: Harvey Miller press, 2000. — 472 pp., 224 ill. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art...
David Freedberg (ed.) — London; Oxford: Harvey Miller press, 1984. — 426 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Hans Vlieghe (ed.) — Brussels: Arcade Press, 1972. — 333 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
Hans Vlieghe (ed.) — Brussels: Arcade Press, 1973. — 364 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
Svetlana Alpers (ed.) — Brussels: Arcade Press, 1971. — 532 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature,...
Egbert Haverkamp-Begemann (ed.) — Brussels: Arcade Press, 1975. — 532 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Elizabeth McGrath (ed.) — London; Oxford: Harvey Miller press, 1997. — 297 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art...
Elizabeth McGrath (ed.) — London; Oxford: Harvey Miller press, 1997. — 399 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art...
John Rupert Martin (ed.) — Brussels: Arcade Press, 1972. — 384 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature,...
Wolfgang Adler (ed.) — London; Oxford: Harvey Miller press, 1982. — 375 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Arnout Balis (ed.) — London; Oxford: Harvey Miller press, 1986. — 405 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Frances Huemer (ed.) — Brussels: Arcade Press, 1977. — 338 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
Hans Vlieghe (ed.) — Brussels: Arcade Press, 1987. — 401 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with literature, art...
J. Richard Judson & C. Van de Velde (ed.) — London; Philadelphia: Harvey Miller press: Heyden & Son, 1977. — 371 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the...
J. Richard Judson & C. Van de Velde (ed.) — London; Philadelphia: Harvey Miller press: Heyden & Son, 1977. — 425 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the...
Herbert W. Rott (ed.) — London: Harvey Miller press, 2002. — 284 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Marjon Van der Meulen (ed.) — London: Harvey Miller press, 1994. — 333 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Marjon Van der Meulen (ed.) — London: Harvey Miller press, 1994. — 252 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Marjon Van der Meulen (ed.) — London: Harvey Miller press, 1995. — 295 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
Kristin Lohse Belkin (ed.) — Brussels: Arcade Press, 1980. — 340 p. The Corpus Rubenianum holds a unique place within Art History as one of the most ambitious projects ever undertaken. Both its massive scale and sheer duration fully parallel the complexity of the oeuvre of Peter Paul Rubens. In every brushstroke he ever painted, the grand baroque master blended art with...
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