Parkstone Press International, 2011. — 81 p. Edward Coley Burne-Jones (Birmingham, 1833 - Londres, 1898) Toute l'oeuvre de Burne-Jones peut etre comprise comme une tentative de creer par la peinture un monde de beaute parfaite, aussi different du Birmingham de son enfance que possible, un conglomerat industriel, mugissant, d'une laideur et d'une misere inimaginables. Les deux...
London: Dover Publications, 1990. — 170 p. In the brief span of his life and career, Aubrey Beardsley (1872–98) galvanized public attention in 1890s London with his exotic renderings of subjects, which often projected the sensual and the grotesque. This splendid volume brings together the best of Beardsley's work — a rich selection ranging from illustrations for Laclos's Les...
Resolutions 752х740 - 2670х3611. List of illustrations: Juvenal's VI Satire & Lucian's True History. Late Drawing, Book Covers and Illastrations. Le Morte Darthur. Lysistrata. Mademoiselle de Maupin by Theophile Gautier' Romance. Pierrot of the Minute by Ernest Douson. Pierrot's Library. Poster Designs. Salome. The Comedy Ballet of Marionettes. The Comedy of the Rheingold. The...
McGill-Queen's University Press, 2014. — 244 p. Experience taught William Blake that "Wisdom is sold in the desolate market where none come to buy." His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living....
Thames & Hudson, 2022. — 240 p. — (World of Art). A new, updated edition of this illuminating study on William Hogarth, one of the eighteenth century’s most famous artists and satirists. William Hogarth (1697–1764) was one of the great eighteenth-century painters, a marvelous colorist, and an innovator at all levels of artistic expression. In this updated volume, art historian...
London: Bradbury, Agnew & Co, 1906. — 461 p. Satirical pictures from 1890 to 1901 years from Punch. Punch; or, The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as...
N.Y.: Parkstone Press International, 2012. — 256 p. — ISBN: 978-1-78042-888-8
The English school of painting was officially recognised at the beginning of the 18th century through the work of William Hogarth. It includes works by the most famous English artists, such as Thomas Gainsborough, Joseph Mallord William Turner, John Constable, Edward Burne- Jones, and Dante Gabriel...
N.-Y.: Doubleday, 1978. — 180 p.
Монография посвящена творчеству Обри Бердслея, одного из виднейших художников английского модерна 1890х. Включает в себя введение и репродукции 60 наиболее известных его работ с комментарием к каждой. Язык английский.
London: Conway Maritime Press/Naval Institute Press, 1986. — 136 p. Nicholas Pocock (2 March 1740 – 9 March 1821) was a British artist known for his many detailed paintings of naval battles during the age of sail. In 1778, Pocock's employer, Richard Champion, became financially insolvent due to the effects of the American Revolutionary War on transatlantic trade. As a result,...
Press, 2008. — 200 p. In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelite Brotherhood, close to William Morris Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle such as John Everett Millais, Dante Gabriel Rossetti...
Delphi Classics, 2014. — 864 p. A founding member of the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti created a visionary body of paintings that defined a new art of sensuality and medieval revivalism. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in...
Delphi Classic. 2015. — 739 p.
Celebrated for his iconic depictions of the English countryside, particularly his beloved Stour valley, John Constable helped raise the status of landscape painting. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume...
Delphi classic. 2012. — 863 p.
Joseph Mallord William Turner, RA (baptised 14 May 1775 – 19 December 1851) was an English Romanticist landscape painter. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting.
Although renowned for his oil paintings, Turner is also one...
Delphi Classic. 2016. — 798 p. — ISBN: 9781786564931 The portrait and landscape painter Thomas Gainsborough was the dominant British portraitist of the second half of the eighteenth century. Credited as a founder of the British landscape school, Gainsborough sought to change the artistic tastes of his day, establishing an original and innovative approach to high art. Delphi’s...
F. A. Praeger, 1967. — 278 p. Traces the development of English painting from the Middle Ages to the twentieth century, focusing on the works of Hogarth, Blake, Gainsborough, Stubbs, Reynolds, Constable, Turner, and Bacon.
Constable, 1980. — 262 p. One of the great changes that marked the end of the Middle Ages and the beginning of a new era in Western Europe was the rise of powerful dynasties in Spain, France, Austria and England. It was a marvellously complex family affair. Their courts were the seats of national authority and at the same time the centres of an international network combining...
Yale University Press, 2005. — 300 p. Both Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer’s starting points are...
Routledge, 2019. — 202 p. The reception of Thomas Gainsborough’s Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow", as...
Oxford University Press, 2021. — 528 p. In 1643/4 the once-famous Francis Cleyn painted the unhappy young heir of Corfe Castle, John Bankes, and his tutor, Dr Maurice Williams. The painter is now almost forgotten,the painting much neglected, and the sitters themselves have left little to mark their lives, but on the table of the painting lies a book, open to an immediately...
Thames & Hudson, 1994. — 152 p. At the age of thirty-eight Dora Carrington (1893-193 2) committed suicide, unable to contemplate living without her companion, Lytton Strachey, who had died a few weeks before. Lytton was the linchpin of a life in which friendships, making a home and her own artistic output jockeyed for attention. The association with Lytton Strachey and his...
Akademie Verlag, 2012. — 302 p. In 1603, the beginning of the Stuart reign, painting was of minor importance at the English court, where the elaborately designed masques of Inigo Jones served as the prime medium of royal representation. Only two decades later, their most celebrated performer, George Villiers, the First Duke of Buckingham had assembled one of the largest and...
New York: Time Ink., 1969. — 198 p. Joseph Mallord William Turner, was an English Romanticist landscape painter. Although renowned for his oil paintings, Turner is also one of the greatest masters of Britishwatercolour landscape painting. He is commonly known as "the painter of light"[2] and his work is regarded as a Romantic preface to Impressionism
Pen and Sword History, 2011. — 240 p. The Victorian era produced many famous artists and styles. John Everett Millais and Dante Gabriel Rossetti were part of the famous pre-Raphaelite Brotherhood whose willowy models were often seen in the works of several of the artists. One of the most famous was Elizabeth Siddall, an artist in her own right, who posed for Millais’ Ophelia,...
Phaidon Press, 1976. — 198 p. Complete Edition with a critical essay and a catalogue Francis Cotes (1726 – 1770) was an English painter, one of the pioneers of English pastel painting, and a founding member of the Royal Academy in 1768.
Boydell Press, 2004. — 240 p. — (Anglo-Saxon Studies 3). Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and...
Morristown USA: Time-Life Books Ink., 1969. — 200 p. Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. He become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes
Thames & Hudson, 2017. — 368 p. — (World of Art). The relationship between art and life has been of overriding importance in the work of David Hockney, who has perhaps enjoyed greater popularity than any other British artist this century. Here Marco Livingstone traces those connections from the beginning of the artist’s career in the early 1960s through the more recent works...
Thames & Hudson, 1987. — 254 p. The relationship between art and life has been of overriding importance in the work of David Hockney, who has perhaps enjoyed greater popularity than any other British artist this century. Here Marco Livingstone traces those connections from the beginning of the artist's career in the early 1960s through to the more recent works that have...
Dover Publications, Inc., 2010. — 109 p. — ISBN: 9780486135830. The body of work achieved by Walter Crane during his long career in illustration and design reveals more than the story of a creative mind: it also tells the tale of the development of publishing during the late nineteenth and early twentieth centuries. Crane was a driving force in the world of Victorian art who...
York: The University of York, 2013. — 336 р. As historians have come increasingly to recognise, Britain’s engagement in a burgeoning Atlantic economy during the late seventeenth and early eighteenth centuries came to have a profound and lasting impact on the nation’s cultural identity. Yet, despite this recognition, the standard narrative of British art history in this period...
Tate Publishing, 2006. — 226 p. The 1770s was marked by the emergence of themes of violence, horror and the supernatural in art: the birth of the Gothic. In 1782, the unveiling of Henry Fuseli's painting The Nightmare was met with a mixture of shock and fascination. The cosmic visions of William Blake, the vast, neo-classical history paintings of James Barry and the searing,...
Phaidon Press, 1987. — 152 p. The Victorian era gave rise to some of the most beautiful and extraordinary watercolours ever painted. With their meticulous technique and discreet purpose, they convey much about the romantic and moral temperament of the age. This volume is the first general introduction to what was a particularly popular medium in the Victorian era and was, in...
Tate Gallery, 1984. — 320 p. Tracing the Pre-Raphaelite movement through its chronological development rather than by artist, this volume concentrates on the vital years from 1848 (when the Brotherhood was formed) to 1860, but also includes a substantial group of works from the following 20 years - a period during which the movement took new directions. The full range of...
Bloomsbury Visual Arts, 2019. — 248 p. Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources...
Thames & Hudson, 2020. — 224 p. — (World of Art). With clear writing, this is the ideal introduction to J. M. W. Turner’s life and work for anyone interested in British painting in its golden age. Few British artists have ever achieved such a wide range of style in oil painting, watercolor, drawing, and engraving as J. M. W. Turner. This classic book in the World of Art series...
Thames & Hudson, 2020. — 252 p. — (World of Art). With clear writing, this is the ideal introduction to J. M. W. Turner’s life and work for anyone interested in British painting in its golden age. Few British artists have ever achieved such a wide range of style in oil painting, watercolor, drawing, and engraving as J. M. W. Turner. This classic book in the World of Art series...
The Metropolitan Museum of Art, New York, 1983. — 186 p., pix. Lenders Foreword by Philippe Montebello Autor's Note Abbreviations Catalogue: The Constable Country Country Houses Osmington and Gillingham, Dorset Salisbury Hampstead Brighton London Hadleigh, Essex Stoke-by-Nayland and Helmingham, Suffolk Arundel, Sussex Biographical Summary Further Reading
The Museum of Modern Art, 1956. — 168 p. In this survey of the last century and a half of British painting, Andrew Ritchie discusses - brilliantly and informally - the amazing range and diversity of a period that bridges two worlds: early nineteenth-century Romanticism and the modern movement in England. The histor>- of British art is made up of contradictions, but certainly no...
Phaidon Press, 1996. — 128 p. Dante Gabriel Rossetti (1828-82) produced some of the most glittering and evocative images of the Victorian era. A member of the influential Pre-Raphaelite Brotherhood, Rossetti found inspiration in the works of Dante, Shakespeare and Malory, with many of his paintings depicting scenes from Arthurian legends and tales of medieval chivalry. He was...
Oxford University Press, 1997. — 239 p. Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however,...
Publisher: Turnbull and Spears, Edinburgh,1909, 156 p.
Language: English
One of the first printed biographies of Aubrey Beardsley by Robert Ross with sixteen full-page illustrations and revised iconography by Aymer Vallance.
Delphi Classics, 2014. — 900 p. Renowned as ‘the painter of light’, the English Romanticist J. M. W. Turner elevated landscape painting to an art form that rivalled history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. This is the fifth volume of a new series of publications by Delphi...
Parkstone International, 2012. — 165 p: ill. At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in...
N.Y.: Parkstone International, 2008. — 186 p. — ISBN 978-1-78310-327-0. This is a priceless testimony of the Pre-Raphaelite group since its author was the father of a major player of the movement. Bates work brings back to life the true spirit of the group while analysing in depth the historical roots and relationships between the artists within the group.
Thames and Hudson, 1987. — 252 p. — (World of Art). In this book Frances Spalding reassesses the astonishing achievements of British artists from the Edwardians Ben Nicholson and Walter Sickert to the Bloomsbury painters Vanessa Bell and Duncan Grant; from the work of Paul Nash and David Jones between the wars to that of Ben Nicholson, Barbara Hepworth, Henry Moore, Francis Bacon,...
Susquehanna University Press, 2005. — 259 p. — ISBN: 1 1575910853; ISBN13: 978-1575910857. In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and...
Pook Press, 2017. — 169 p. This book, The Art of Arthur Rackham, celebrates 150 years of one of the best and most loved artists in British history. Over his long and illustrious career, he contributed to an extensive number of books, magazines and periodicals, resulting in a vast array of original artworks. In this book, Pook Press brings together 150 of the best of Rackham’s...
Pook Press, 2017. — 169 p. This book, The Art of Arthur Rackham, celebrates 150 years of one of the best and most loved artists in British history. Over his long and illustrious career, he contributed to an extensive number of books, magazines and periodicals, resulting in a vast array of original artworks. In this book, Pook Press brings together 150 of the best of Rackham’s...
Thames & Hudson, 1993. — 220 p.: ill.:177 illustrations, 24 in color. — (World of Art). The range of artistic production in the Victorian age included history painting; topographical landscapes of the Continent and the Middle East; Landseer's royal portraits and heroic animal pictures; Pre-Raphaelite painting with its combined naturalism and symbolism; Leighton's classical...
Park South Books, 1977. — 94 p. More than a century and a half after his death, William Blake (1757-1827) remains a remarkable and controversial figure. Equally gifted as poet and painter, he produced work as arresting for its beauty as for its strangeness. For some he is an inspiring genius, a source of creativity and insight. For others he is an unsettling eccentric. William...
205 JPG. up to 1200x2000 Pixels Scottish painter Jack Vettriano born Jack Hoggan (born 17 November 1951), is a Scottish painter. His 1992 painting, The Singing Butler, became a best selling image in Britain. For his 21st birthday his girlfriend gave him a set of watercolour paints and this is when he found his artistic talent. But his breakthrough was in 1988 when he felt ready...
Harry N. Abrams, 1983. — 134 p. — (Masters of Art). James Mallord William Turner has been termed England's greatest painter. In a career that spanned the late eighteenth century and the first half of the nineteenth, he painted landscapes—luminous, mystic visions of nature — that forecast some of the most avant-garde of twentieth-century painting, frequently leaping beyond the...
Metropolitan Museum of Art, 1998. — 376 p.
Published to accompany an American exhibition of the work of the Victorian painter Edward Burne-Jones, this volume covers his whole career, not only the Pre-Raphaelite period for which he is best known. Burne-Jones created a style of romantic symbolism that had wide-reaching influence on British and European art. He was also an...
Springer, 2020. — 235 p. — ISBN 978-981-15-5705-7. Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male...
М.: Изобразительное искусство, 1987. — 267 с.
Книга посвящена жизни и творчеству выдающегося английского художника и теоретика искусства Уильяма Морриса (1834–1896).
В ней рассматриваются взгляды Морриса на судьбы искусства и художественной промышленности, на проблемы синтеза искусств, оценивается вклад художника в теорию архитектуры и книжную графику. Авторы исследуют влияние...
Л.: Искусство, 1977. — 226 с.: ил. — (Из истории мирового искусства). Эта книга — подробное исследование творчества великого английского художника XVIII века. Хогарт показан в сложной и многообразной связи с современной ему художественной культурой, литературой, театром. Автор прослеживает истоки искусства художника, рассматривает различные жанры его творчества, знакомит с...
Л.: Искусство, 1977. — 226 с.: ил. — (Из истории мирового искусства). Эта книга — подробное исследование творчества великого английского художника XVIII века. Хогарт показан в сложной и многообразной связи с современной ему художественной культурой, литературой, театром. Автор прослеживает истоки искусства художника, рассматривает различные жанры его творчества, знакомит с...
М.: Гос. Центр современного искусства : Три квадрата, 2008. — 252 с.: цв. ил. — ISBN: 978-5-94607-098-2. Эта книга очерков о виднейших представителях английского искусства принадлежит известному искусствоведу И.Н. Голомштоку, автору монографий «Тоталитарное искусство» и «Искусство авангарда в портретах его представителей в Европе и Америке». В данном случае читатель также имеет...
Зібрання картин відомого британського художника-пейзажиста Джона Еткінсона Грімшоу (John Atkinson Grimshaw). В архіві розміщено 48 зображень картин високої якості. У найменуванні вказані ім'я та прізвище художника, потім дата створення роботи та назва роботи
М.: АСТ, Астрель, 2002. — 128 с. Прерафаэлитов, знаменитых английских художников середины XIX века, называли "глашатаями модернизма". Их картины приковывали взор яркими красками и необычными сюжетами, но путь к признанию этих мятежных художников был тернист и долог. Творчество прерафаэлитов оказало поистине революционное влияние на дальнейшее развитие живописи, которая,...
Переводчик Анна Асланян. — М.: Ад Маргинем, 2013. — 144 с. Три эссе известного французского писателя американского происхождения Джонатана Литтелла посвящены творчеству художника Фрэнсиса Бэкона. Автор "Благоволительниц" предлагает вместе с ним прочитать картины одного из самых брутальных и многозначных живописцев XX века. Его интересуют не столько биографические или...
М.: Ад Маргинем Пресс, 2013. — 144 с. — ISBN: 978-5-91103-138-1. Три эссе известного французского писателя американского происхождения Джонатана Литтелла посвящены творчеству художника Фрэнсиса Бэкона. Автор "Благоволительниц" предлагает вместе с ним прочитать картины одного из самых брутальных и многозначных живописцев XX века. Его интересуют не столько биографические или...
Учебное пособие. — Саратов: Наука, 2011. — 150 с. Учебное пособие «The English Painting» представляет собой введение в курсы живописи и страноведения Великобритании для студентов факультетов иностранных языков, отделений романо-германских языков университетов. Представленное пособие может найти применение у широкого круга читателей, изучающих английский язык, английскую историю...
М.: Эксмо, 2009. — 216 с.
Имя Обри Бердслея, молодого гения, чей несравненный талант, сраженный смертельным недугом, увял, едва успев расцвести, о многом скажет человеку, знакомому с историей изобразительного искусства. К сожалению, в основном `скажет`: путь к публике у творений Бердслея был тернист не только в нашем отечестве, где долгое время даже намек на изображение в...
СПб. : Издательство Государственного Эрмитажа, 2009. — 416 с. — ISBN: 978-5-93572-376-7. Очередной том серии эрмитажных каталогов посвящен картинам художников, родившихся в Англии, Ирландии, Уэльсе, Шотландии и США, чье творчество невозможно представить в отрыве от искусства Англии. Книга состоит из двух частей: первая содержит сведения о 135 картинах, исполненных в XVI-XIX вв....
Пер. со 2-го англ. изд. П. Когана. — М.: Т-во Типографии А.И.Мамонтова, 1901. — 473 с. Содержание Предисловие к первому изданию Предисловие ко второму изданию Общие принципы Природа идей, передаваемых искусством Введение Определение величия в искусстве. Идеи силы Идеи подражания Идеи правды. Идеи красоты Идеи отношения Силы. Общие принципы, относящиеся к идеям сил Идеи силы в...
Пер. со 2-го англ. изд. П. Когана. — М.: Т-во Типографии А.И.Мамонтова, 1901. — 473 с. Содержание Предисловие к первому изданию Предисловие ко второму изданию Общие принципы Природа идей, передаваемых искусством Введение Определение величия в искусстве. Идеи силы Идеи подражания Идеи правды. Идеи красоты Идеи отношения Силы. Общие принципы, относящиеся к идеям сил Идеи силы в...
М.: Белый город, 2007. — 50 с. Книга посвящена творчеству английских художников XIX века, избравших своим идеалом "наивное искусство" средних веков и раннего Возрождения ("до Рафаэля") и объявленных позднее "глашатаями модернизма". Данная подборка иллюстраций, достаточно полно освещающих, возможно, самую красивую английскую живопись второй половины XIX века. Около 70 цветных...
М: Изд-во В.М. Саблина, 1908. — 342 с.
Введение
Английское искусство в 1844 году
Борьба прерафаэлитов
Определение и результаты прерафаэлизма
Мифическое искусство: Уатс
Христианское искусство: Гольман Гёнт
Академическое искусство: сэр Фридрих Лейтон
История: Альма Тадема
Жанр: сэр Джон Эверет Миллэс
Портрет: Геркомер
Легенда: сэр Эдвард Бёрн-Джонс
Композиция и...
М: Изд-во В.М. Саблина, 1908. — 240 с. Итак, для любителя, переезжающего Ла-Манш, эта книга не окажется ни историческим повествованием, ни исследованием, но другом, сопровождающим его в осмотре, или шедевров, представляющих собою, по его мнению, известные красоты, или посредственных произведений, которые все же способны произвести некоторое художественное впечатление, потому что в...
М.: ГМИИ им. А.С. Пушкина, 2013. — 194 с. — ISBN 978-5-9903869-3-8. Каталог выставки «Прерафаэлиты: Викторианский авангард» (11.06-22.09.2013, ГМИИ им. А.С.Пушкина, Москва), впервые опубликованный издательством Tate Publishing в 2012 году, сопровождает выставку в каждой стране. Это блестяще исполненный альбом с красочными репродукциями, детальными экспликациями и комментариями...
СПИКА, 1994. — 80 с. Перевод на русский Б. Соколова.
"Братство прерафаэлитов" - объединение живописцев, возникшее в Лондоне в 1848 году. Его главными деятелями были Холмен Хант, Миллес и Россети. Группа существовала не более десяти лет, но успела дать новое направление искусству всей викторианской эпохи вплоть до начала двадцатого столетия. Художники поставили себе целью писать...
М.: Российский государственный гуманитарный университет, 2004. — 142 с. В книге рассматривается развитие сатирической традиции в английском искусстве от Уильяма Хогарта до середины XIX в. - времени появления первых сатирических журналов. Английское искусство этого периода представляет различные виды карикатуры - бытовую, персональную, политическую и философскую. К сожалению,...
М. : Белый город. — 240 с. : ил. — ISBN 978–5–7793–2158–7. Книга, посвященная творчеству популярного у зрителей объединения английских художников («Братство прерафаэлитов»), раскрывает своеобразие их революционного для своего времени творчества, их влияние на европейское и американское искусство. Текст выходит за рамки популярного искусствоведения; творчество художников...
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