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История киноискусства Испании

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D
Tamesis, 2013. — 260 p. This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with...
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  • 5,01 МБ
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Greenwood Press, 1997. — 302 p. Series Foreword Introduction: Certain Tendencies in Spanish Cinema Films Directors, Producers, Cinematographers, and Critics Actors and Actresses Appendix: International Awards Won by Spanish Films, 1941-1994 Selected Bibliography
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  • 17,58 МБ
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E
Routledge, 2020. — 174 p. Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To...
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F
Boydell & Brewer Ltd., 2004. — 207 p. Acknowledgements Introduction: Texts and Contexts Post-Franco Films of the Post-War Novel: Aesthetics and History La colmena (Camus 1982): In Search of Authenticity Time of Silence, Time of Protest: Tiempo de silencio (Aranda 1986) Rural and Urban Spaces: Violence and Nostalgia in the Country and the City Rural Space Pascual Duarte (Franco...
  • №4
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Amsterdam University Press, 2011. — 331 p. — (Film Culture in Transition). — ISBN13: 978-9089643049. After General Francisco Franco died in 1975, Spanish cinema was bursting at the seams. Many film directors broke free from the ancient taboos which had reigned under Franco’s dictatorship, introducing characters who transgressed the traditional borders of social, cultural, and...
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H
British Film Institute, 1986. — 301 p. Roots and Reasons for Reaction The Modern Spanish Cinema Saying a Long Goodbye to Mother Dictatorship to Democracy, 1975-1977 Carlos Saura Stocktaking: 1977-1981 New Directions Into the Future Notes Dictionary of Post-Franco Film-makers Select Bibliography Cover: Carlos Saura's Carmen
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L
Wiley-Blackwell, 2012. — 650 p. — (Wiley-Blackwell Companions). A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and...
  • №7
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M
Scarecrow Press, 2010. — 475 p. Spanish cinema is emerging as one of the most exciting, fascinating, and special cinemas in the world. Not only are others viewing Spanish films, but they are adopting Spanish producers and Spanish actors as their own. While Spanish cinema has been maturing for a long time and has been producing excellent directors, actors, and films for...
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Scarecrow Press, Inc., 2010. — 497 p. Editor’s Foreword Jon Woronoff Acronyms and Abbreviations Chronology The Dictionary About the Author
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R
State University of New York Press, 2008. — 320 p. — ISBN: 978-0-7914-7503-4. From the origins of the New Spanish Cinema in the 1950s to the end of the last century, Burning Darkness features essays on a selection of essential films by Spain’s most important directors, including Pedro Almodóvar, Luis Buñuel, Víctor Erice, Ventura Pons, and others. Contributors focus on current...
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Manchester University Press, 2013. — 200 p. In this, the first full-length treatment of the child in Spanish cinema, Sarah Wright explores the ways that the cinematic child comes to represent ‘prosthetic memory’. The central theme of the child and the monster is used to examine the relationship of the self to the past, and to cinema. Concentrating on films from the 1950s to the...
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