Edinburgh University Press, 2008. — 232 p. — ISBN10: 0748624759; ISBN13: 978-0748624751. This book is a major historical and cultural overview of an increasingly popular genre. Starting with the cultural phenomenon of Godzilla, it explores the evolution of Japanese horror from the 1950s through to contemporary classics of Japanese horror cinema such as Ringu and Ju-On: The...
Edinburgh University Press, 2023. — 289 р. — ISBN 978 1 4744 9770 1 The book examines the interaction between the audience member and Japan's film and fashion industries between 1923 and 1939, focusing on Western-inspired fashion objects (as opposed to indigenous Japanese items, such as the kimono). This interdisciplinary book examines the semiotics of dress onscreen within...
University of Hawaii Press, 2008. — 216 p. — ISBN10 0824831632, ISBN13 9780824831639. Film played a crucial part in the promotion and expansion of the Japanese empire in Asia from the first motion picture screening in Japan in 1896 right through the end of the Pacifi c War in 1945. We do not usually associate Japan’s fi lm industry with either imperialism or the domination of...
Routledge, 2020. — 397 p. The Routledge Handbook of Japanese Cinema provides a timely and expansive overview of Jap anese cinema today, through cutting-edge scholarship that ref m ects the hybridity of approaches def i ning the field. The volume’s twenty-one chapters represent work by authors with diverse backgrounds and expertise, recasting traditional questions of...
Edinburgh University Press, 2015. — 242 p. — ISBN 978-0-7486-8374-1. Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country’s cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines...
British Film Institute & Princeton University Press, 1988. — 406 pp. Over the last two decades, Yasujiro Ozu has won international recognition as a major filmmaker. Combining biographical information with discussions of the films' aesthetic strategies and cultural significance, David Bordwell questions the popular image of Ozu as the traditional Japanese artisan and examines...
Broderick Mick, Richie Donald, Sontag Susan, Noriega Chon A., Crawford Ben, Freiberg Freda, Hirano Kyoko, Norms Abé Mark, Ehrlich Linda C., Goodwin James, Dorsey John T., Matsuoka Naomi, Todeschini Maya Morioka. — Routledge, 2015. — 256 p. Hiroshima and Nagasaki evoke powerful and sombre associations of holocaust and apocalypse, a vision that gives rise to Japanese hibakusha...
Duke University Press, 2002. — 330 р. — ISBN 0-8223-2912-3 The Flash of Capital analyzes the links between Japan’s capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where...
MDPI, 2020. — 142 p. — ISBN 978-3-03943-913-3 Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan’s contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the...
Hong Kong University Press, 2016. — 245 р. — ISBN 978-988-8208-99-9 What is the appeal of cinema, and what can that tell us about social and political change? Th e turbulent history of the mid-twentieth century coincided with a peak in cinematic production and consumption in many parts of the world, suggesting that the cinema may help us to understand how change is narrativized...
Edinburgh University Press, 2022. — 354 р. — ISBN 978 1 4744 1181 3 The only Japanese director to have won the Palme d’Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan’s leading and most controversial film directors. This book is one of the first...
Duke University Press, 2013. — 253 p. In The Soul of Anime, Ian Condry explores the emergence of anime, Japanese animated film and television, as a global cultural phenomenon. Drawing on ethnographic research, including interviews with artists at some of Tokyo's leading animation studios—such as Madhouse, Gonzo, Aniplex, and Studio Ghibli—Condry discusses how anime's fictional...
Stone Bridge Press, 2022. — 365 р. — ISBN 978-1-61172-075-4 Japanese cinema reflects many elements of a nation that has developed rapidly during the past one hundred and fifty years while still demonstrating a remarkable degree of continuity with its past. Many of these aspects are different to those treated in Western cinema. Food, for example, with its exquisite visual design...
Routledge, 2023. — 264 p. — ISBN: 9780367226282 This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda,...
I.B.Tauris, 2005. — 320 p. — ISBN10: 1845110862 / ISBN13: 978-1845110864. Review ""Legends have a basis in both a perceived 'virtual' reality and in a 'true life' reality. Chris D.'s book shows both sides, which is essential in understanding how filmmaking legends are born."" -- Takashi Miike (director of such films as ""Ichi, Dead or Alive"" and ""Audition"". About the Author...
Cambridge University Press, 1997. — 173 pp. Yasujiro Ozu's Tokyo Story (1953) is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be...
Bloomsbury Publishing, 2022. — 728 p. — ISBN: HB: 978-1-5013-4353-7 In early 1936, a German film team arrived in Japan to participate in a film coproduction, intended to show the 'real' Japan to the world and to launch Japanese films into international markets. The two directors, one Japanese and the other German, clashed over the authenticity of the represented Japan and...
Harper Collins, 2017. — 49 р. n the autumn of 1980, millions of viewers in the United States and Europe tune in to the historical television drama Shōgun. Set in feudal Japan in the eventful early 1600s, the series draws Western viewers into a dramatized and exciting history of the island nation. Starring next to Richard Chamberlain and Yoko Shimada appears Japanese veteran...
Brill, 2008. — 241 р. — (Brill’s Japanese studies library ; v. 30). — ISBN 978 90 04 17138 1. There is a growing interest in Japanese fi lm throughout the world. The classical period of Japanese fi lm, namely the 1950s and ’60s of the last century have been studied and described in suff i cient detail by scholars and fi lm experts such as Donald Richie, Audie Bock, Keiko...
Columbia University Press, 2019. — 248 p. — ISBN10: 0231191626, 13 978-0231191623. What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan's...
Stone Bridge Press, 2008. — 432 p. This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching. Included are artistic profiles of everyone from Yutaka Abe to...
Edinburgh University Press, 2017. — 289 p. (Edinburgh Studies In East Asian Film) — ISBN 978 0 7486 9632 1 Among Japanese filmmakers, Ozu Yasujiro (1903–63) has long occupied a particular status. Generally recognised as one of the three most representative masters of Japanese cinema – along with Kurosawa Akira and Mizoguchi Kenji – he is best known as ‘the most Japanese’...
Peter Lang, 2019. — 338 p. The book shows the connections between Japanese historical avant-garde movements and new Japanese experimental films. The author provides insight into the development of Japanese avant-garde visual culture and experimental aesthetics, also featuring the expanded cinema after 2000. The author focuses on the detailed presentation of the chosen aspects,...
Routledge, 2010. — 240 p.
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual...
University of Hawai‘i Press, 2006. — 305 р. — ISBN-13 978-0-8248-2939-1. Reading a Japanese Film, written by a pioneer of Japanese film studies in the United States, provides viewers new to Japanese cinema with the necessary tools to construct a deeper understanding of some of the most critically acclaimed and thoroughly entertaining films ever made. In her introduction, Keiko...
Amsterdam, New York: Rodopi, 2008. — 232 p. — ISBN10: 9042023317; ISBN13: 978-9042023314. Over the last two decades, Japanese filmmakers have produced some of the most important and innovative works of cinematic horror. At once visually arresting, philosophically complex, and politically charged, films by directors like Tsukamoto Shinya (Tetsuo: The Iron Man [1988] and Tetsuo...
Liveright, 1975. — 295 p. — ISBN 0-87140-604-7. One of the world's great cinemas has remained largely unexplored in Western books. What emerges from this one is in fact the first inside view of Japanese films, directors, and artists published in English. Among the great directors whose views are presented here are Kon Ichikawa, Masaki Koayashi, and the great master, Akira...
FAB Press, 2004. — 304 p. — ISBN: 9781903254417. Fully-revised and updated edition of the best-selling guide to Japan’s most prolific and successful film director. This second edition of Agitator features * a new and expanded 16-page color section * completely updated DVD information * several brand-new reviews of Takashi Miike films including Audition, Dead or Alive, Ichi the...
Oxford University Press, 2014. — 497 p. The reality of transnational innovation and dissemination of new technologies, including digital media, has yet to make a dent in the deep-seated culturalism that insists on reinscribing a divide between the West and Japan. The Oxford Handbook of Japanese Cinema aims to counter this trend toward dichotomizing the West and Japan and to...
Duke University Press Books, 2013. — 400 p. In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of...
Boston: Academic Studies Press, 2020. — 162 р. (Studies in Comparative Literature and Intellectual History) — ISBN 978-1-64469-068-0 T ragedy is a dramatization of human fate. Whether the word “tragic” is used to describe disastrous incidents in real life or refers to a group of theatrical pieces dramatizing the fatal calamity of the protagonist, it signals horrifying events...
Indiana University Press, 1992. — 385 p. — ISBN: 0-253-34108-6. This anthology, like most critical studies, is first and foremost a communal enterprise. It would be impossible to name all those who have participated in it in some way or other, directly or indirectly. Yet the editors would be remiss not to acknowledge those people and institutions without whom this book could...
University of Michigan Press, 2009. — 208 p. The Research Guide to Japanese Film Studies provides a snapshot of all the archival and bibliographic resources available to students and scholars of Japanese cinema. Among the nations of the world, Japan has enjoyed an impressively lively print culture related to cinema. The numbers of publications match the enormous scale of film...
CRC Press, 2018. — 186 p. — ISBN13: 978-1-1385-7128-0 Through the analysis of the work of the main Japanese animators starting from the pioneers of 1917, the book will overview the whole history of Japanese animated film, including the latest tendencies and the experimental movies. In addition to some of the most acclaimed directors Miyazaki Hayao, Takahata Isao, Shinkai...
University of Minnesota Press, 2007. - 297 pp. Until 1951, when Kurosawa’s Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored. In Time Frames , Scott Nygren explores how Japanese...
Lexington Books, 2015. — 262 p. A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible...
Routledge, 2007. — 384 p. — ISBN10: 0415328489;ISBN13: 978-0415328487 Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of...
Princeton University Press, 1991. — 344 pp. With a career stretching from the chaos of war-torn Japan to the current power and prosperity of his country, the great Japanese film director Akira Kurosawa has been internationally acclaimed as a giant of world cinema. Rashomon , which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language...
Rutgers University Press, 2017. — 336 p. — ISBN10: 0813592356. Celebrated as one of Japan's greatest filmmakers, Kobayashi Masaki's scorching depictions of war and militarism marked him as a uniquely defiant voice in post-war Japanese cinema. A pacifist drafted into Japan's Imperial Army, Kobayashi survived the war with his principles intact and created a body of work that was...
Princeton University Press, 1991. — 368 p. — ISBN 0-691-00859-0 Akira Kurosawa has been called Japan's greatest liv-ing film director. In the West, he is the best-known Japanese filmmaker, and works like Seven Samurai and Yojimbo have retaineda consistent popularity both in Japan and abroad.They have, moreover, greatly influenced Western filmmaking, from gen-res suchas the...
Edinburgh University Press, 2022. — 251 р. — ISBN 978 1 4744 9463 2 This book explores the immediacy of high school fi lms, and why they resonate so successfully with teen and young adult audiences and trigger a recognisable schoolyard nostalgia in older audiences. By initially drawing on the work of Michel Foucault and Emile Durkheim, I propose that the school plays a critical...
Edinburgh University Press, 2022. — 288 p. — ISBN 978 1 4744 7580 8 From relatively humble beginnings in a King Kong-inspired Japanese studio picture, the kaijū eiga has developed into a global genre. While the origins of giant kaijū – the term often preferred to ‘monster’ – remain firmly rooted in Japan, the figure has become a transnational spectacle. This book explores how...
Wallflower Press, 2013. - 120 pp.
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity,...
Kodansha International, 2005. — 317 p. — ISBN: 978-4-7700-2995-9. The authoritative guide to Japanese film, completely revised and updated. A Hundred Years of Japanese Film by Donald Richie, the foremost Western expert on Japanese film, gives us an incisive, detailed, and fully illustrated history of the country's cinema. Called "the dean of Japan's arts critics" by Time...
Oxford University Press, 1990. - 99 pp. The Japanese cinema is one of the major national cinemas and commands the attention of world audiences. Yet there is much in the Japanese film that Western audiences, unfamiliar with the Japanese cultural tradition, may fail to appreciate, and may even misinterpret. This succinct introduction, illustrated with stills from representative...
English. — New York: Doubleday & Company, 1971. — 261 p. This book makes Japanes movies accessible to Western audiences. It is a succinct history of Japanese film through 1970 as well as an exploration of Japanese culture. The book is comprehensive and discusses both well-known classics and popular films. The author does a good job of establishing the historical basis for the...
CA: University of California press, 1970. — 234 p. Toho was of the greatest help in preparing this book. In particular I would like to mention the interest of Mr. and Mrs. Nagamasa Kawakita; the assistance of Mr. Tokugo Konishi in arranging the many screenings and re-screenings of Kurosawa's films ; that of Mr. Junichi Hayashi in acting as liason with Kurosawa, and that of Mr....
Kodansha International LTD., 1987. — 292 p. — ISBN: 4-7700-1315-9 Over the last two decades, the reputation of Japanese films has spread internationally, and this fact is witnessed by the publication of numerous books on the subject. However, all these studies on film have been written by Western specialists, from a Western point of view, which makes this book--the first work...
Oxford; NY: Berg, 2008. — 210 p. — ISBN: 978-1-84788-231-8 Between 1922 and 1956 Mizoguchi Kenji made eighty-six films. Among them, Life ofOharu (1952), Ugetsu (1953), Sansho the Bailiff(1954) are masterpieces, widely recognized as the finest expressions of the Asian aesthetic tradition. However, there are many other powerful works as well that deal with the painful experience...
Weatherhill, 1999. — 400 р. — ISBN-13 978-0834804159 This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the...
Routledge, 2000. — 255 p. — ISBN 978-1-1368-3761-6 This applies no less to filmmakers who take an historical incident or period as their mise-en-scene. It can be argued that an analysis of the processes of selection and reconstruction carried out by the historian/filmmakers can tell us more about the historian/ filmmakers and the period in which the history was written or the...
Continuum, 2011. — 210 р. — ISBN: 978-0-8264-4470-7 A superb new study of Japanese culture in the post-war period, focusing on a handful of filmmakers who created movies for a politically conscious audience.
University of Hawai‘i Press, 2023. — 336 p. — ISBN 978-08-24892951 Looking back, kimonos have long been a part of my life. My childhood was spent mostly in Japan, and during that time, my grand mothers frequently wore kimonos. And I have a vivid memory of being put in an elaborate outf i t for the shichi- go- san (seven- fi ve- three) ceremony as a seven- year- old. When I...
McFarland, 2007. — 265 p. — ISBN: 0786431369, 978-0786431366 This study examines the history of the Japanese period film and proposes that a powerful relationship exists between the past and present in Japan's narrative tradition. The first section of the book analyzes the form and function of the Japanese period film, describing the unique iconography and characteristics of...
McFarland & Company, Inc., 2008. — 265 p. — ISBN-13: 978-0-7864-3136-6 This study examines the history of the Japanese period film and proposes that a powerful relationship exists between the past and present in Japan's narrative tradition. The first section of the book analyzes the form and function of the Japanese period film, describing the unique iconography and...
University of California Press, 1998. — 332 р. — ISBN0-520-20666-5 This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international...
University of Hawaii Press, 2008. — 185 p. Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country's film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan's urban architecture,...
University of Hawai'i Press, 2012. — 192 p. Digital technology has transformed cinema’s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood’s preeminence in...
Cambridge University Press, 2001. — 416 p. — ISBN 0 521 77182 Word and Image in Japanese Cinema examines the complex rela-tionship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an impor-tant role in much of Japanese fi lm. The tension between the con-trolling order of words and the liberating fragmentation...
Мiami, Florida: Vital Books, 1998. — 639 с. — (Japanese Cinema Encyclopedia). — ISBN: 978-1-8892-8852-9 Reviews Japanese pink films, a unique genre that may be Japan's most important contribution to world cinema. Focus is on movies from major studios and distributors over the past four decades. Many of these films realistically portray S&M sex, rape, and violence, yet are...
London: Reaktion Books, 2014. - 207 pages. “Most directors have one film for which they are known or possibly two,” said Francis Ford Coppola. “Akira Kurosawa has eight or nine.” Through masterpieces such as „Kagemusha“, „Seven Samurai“, and „High and Low“, Akira Kurosawa (1910–98) influenced directors from George Lucas and Steven Spielberg to Martin Scorsese, and his...
University of California Press, 2020. — 248 p. — ISBN 780-520-351-806 Dialectics without Synthesis explores Japan’s active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy,...
Duke University Press, 2013. — 277 p. — ISBN 978-0-8223-5490-1 In January 1968, the popular fi lm magazine Eiga Geijutsu (Film art) pub-lished a dialogue—sensationally titled “Fascist or Revolutionary?”— between Oshima Nagisa, an acclaimed cinéaste and critic- representative of Japanese New Wave cinema, and Mishima Yukio, a renowned nov-elist who was to stage a failed coup...
М.: Искусство, 1987. — 271 с., 40 л. ил. В своей книге известный специалист по японскому кинематографу И. Генс рассказывает о творчестве японских кинорежиссеров 60—70-х годов. 10 портретов выявляют художественное своеобразие режиссеров, сложность и противоречивость их творчества на фоне широкой панорамы жизни и кинематографа Японии. Фильмы молодых режиссеров, «бросивших вызов»,...
М.: Искусство, 1972. — 168 с., 32 л. ил. Японское антивоенное кино, трактующее военную тему, развивалось в столкновении двух противоборствующих направлений. Оно сконцентрировалось вокруг нескольких основных тем — трагедии атомной бомбардировки, исследования сущности японской военщины и самурайства и отношения к американской военной оккупации. Эти темы раскрывались и в скороспелых,...
М.: Прогресс, 1966. — 330 с. В данной книге автор характеризует путь, проделанный японским кино с конца XIX века до наших дней, показывает его связь с общественной жизнью и общественным движением, стараясь проследить процессы, способствовавшие художественному росту японского кино в целом. В книге анализируется творчество многих японских мастеров киноискусства, имена которых мало...
М.: Издательские решения, 2020. — 452 с. — ISBN 978-5-0051-5062-2 Современное кино Японии охватывает практически все возрастные категории и все вкусовые пристрастия жителей этой страны. На рубеже ХХ и XXI вв. мир узнал имена Китано Такэси, Кавасэ Наоми, Корээда Хирокадзу и др. мастеров, которых сегодня причисляют к представителям нового японского кино. Оно во многом отличается...
М.: Издательские решения, 2020. — 452 с. — ISBN 978-5-0051-5062-2. Современное кино Японии охватывает практически все возрастные категории и все вкусовые пристрастия жителей этой страны. На рубеже ХХ и XXI вв. мир узнал имена Китано Такэси, Кавасэ Наоми, Корээда Хирокадзу и др. мастеров, которых сегодня причисляют к представителям нового японского кино. Оно во многом отличается...
М.: Издательские решения, 2020. — 452 с. — ISBN 978-5-0051-5062-2. Современное кино Японии охватывает практически все возрастные категории и все вкусовые пристрастия жителей этой страны. На рубеже ХХ и XXI вв. мир узнал имена Китано Такэси, Кавасэ Наоми, Корээда Хирокадзу и др. мастеров, которых сегодня причисляют к представителям нового японского кино. Оно во многом отличается...
М.: Радуга, 1988. — 224 с. — ISBN: 5–05–002303–3, 0-87011-507-3. В книге известного кинокритика Тадао Сато дается обзор истории развития японского кинематографа и его современного состояния. Особенностью научного метода Сато является анализ явлений кино в тесной связи с общекультурными традициями и историей японского общества. Традиции и перемены в японском кино. Два ведущих...
М.: Радуга, 1988. — 224 с. Перевод с англ. Послесловие И. Ю. Генс. В книге известного кинокритика Тадао Сато дается обзор истории развития японского кинематографа и его современного состояния. Особенностью научного метода Сато является анализ явлений кино в тесной связи с общекультурными традициями и историей японского общества. Традиции и перемены в японском кино. Два ведущих...
Пер. с англ. М.: Радуга, 1988. — 262 с. — ISBN 5-05-002303-3 Послесловие И. Ю. Генс. В книге известного кинокритика Тадао Сато дается обзор истории развития японского кинематографа и его современного состояния. Особенностью научного метода Сато является анализ явлений кино в тесной связи с общекультурными традициями и историей японского общества. Традиции и перемены в японском...
М.: Всероссийский государственный университет кинематографии имени С.А. Герасимова (ВГИК), 2015. — 336 c. — ISBN: 978-5-87149-191-1 В сборник вошли портреты наиболее ярких и интересных современных японских режиссёров, представляющих самые разные сферы кинематографа — от мейнстрима до экспериментального кино. Среди них есть и прославленные, и малоизвестные имена, есть авторы,...
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