CRC Press, 2025. — 183 p. — (European Animation). This book provides a comprehensive account of Croatian animation history, as well as an analysis of background factors such as political and social circumstances and cultural heritage that influenced the great international success of Croatian animators between the 1960s and 1980s. The book focuses on the history of the Zagreb...
CRC Press, 2025. — 183 p. — (European Animation). This book provides a comprehensive account of Croatian animation history, as well as an analysis of background factors such as political and social circumstances and cultural heritage that influenced the great international success of Croatian animators between the 1960s and 1980s. The book focuses on the history of the Zagreb...
Brill, 2016. — 204 p. — (Studies in Slavic Literature and Poetics 60). This book analyses the construction of collective identity and nationhood through the representation of a contested past in postsocialist Russian, Polish and Ukrainian films and media. This volume consists of contributions written by the participants of the conference Suffering, Agency, and Memory in Polish,...
Edinburgh: Edinburgh University Press Ltd., 2009. — 272 p. This book is the first study in English to examine some of the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. It examines links between theme, genre, and visual style, and looks at the ways in which a range of styles and...
Palgrave Macmillan, 2016. — 261 p. — (Global Cinema). — ISBN: 978-1-137-50253-7. Introduction: War Trauma as Screen Memory Yugoslavia’s Wars, Cinema, and Screen Trauma Unsettling Empathies: Screen, Gender, and Traumatic Memory Happily Sick: Trauma, Nation, and Queer Affect Post-Yugoslav Heritage Cinema and the Futurity of Nostalgia Youth (Sub)Cultures and the Habitus of...
Early Works. — 113 p. The Yugoslav black wave cinema of the sixties and the seventies is one of the grand, though hidden, chapters of cinema history, so outstanding by its social and political engagement, its formal invention and its courage. This volume makes its black shine. This is Yugoslavia, and the modern cinema, at their blackest and their brightest. Mladen Dolar
Wallflower Press, 2013. — 183 p.
The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Béla Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes,...
Vilnius: Mintis, 1974. — 210 p. Turinys: Pratarme. Zvilgsnis i praeiti (1919-1940). Pirmieji lietuviskojo tarybinio kino zingsniai (1940-1941). Organizacinis laikotarpis (1944-1956). Nacionalines meniniu filmu rezisuros gimimas (1956-1964). Brandos metas (1964-1970). Dokumentinis kinas. Uzbaiga. Nuorodos ir paaiskinimai. Filmografija.
Sofia: Sofia-Press, 1969. — 152 p. What is the Bulgarian cinema of today? Which period of time does it cover? What artists and films characterize it? In search of an exact answer to these questions, trying to establish the truest characteristics of one or another artist or to find the historical roots of a film, one has to go back to 1950. For on March 20, 1950 the first...
Editura Institutului Cultural Român, 2019. — 296 p. Starting from the first Romanian film to count as cinematic art and getting to the present (and speculative future) of the national industry, Romanian Cinema Inside Out aims to spark conversation on new or rarely discussed topics concerning Romanian films of the past century. Patriotism and intellectual dissatisfaction,...
Wayne State University Press, 2009. — x, 248 p. — (Contemporary Approaches to Film and Media Series). — ISBN 0-8143-3326-5, 978-0-8143-3326-6, 978-0-8143-3838-4. Polish filmmaker Krzysztof Kieslowski died unexpectedly in March 1996 at precisely the moment he had reached the height of his career and gained a global audience for his work with the Three Colors trilogy (1993-94)....
Монография. — Кишинев: Штиинца, 1986. — 162 с. На основе многочисленных документальных источников из советских и зарубежных архивов, материалов периодической печати, воспоминаний ветеранов кино в работе воссоздана картина культурного строительства в крае, исследованы истоки первых хроникальных съемок и создания игровых лент на территории Молдавии, начиная с периода гражданской...
Кишинёв: Литература артистикэ, 1978. — 140 с.
Автор книги, Председатель Госкино Молдавской ССР, рассказывает об основных этапах развития молдавской советской кинематографии, показывает её достижения и перспективы.
В книге освещены и некоторые вопросы кинообслуживания населения, подбора и игры актёров, приводятся краткие биографические сведения о ведущих творческих работниках...
2-е изд. — СПб.: Искусство кино, Подписные издания, 2019. — 200 с. Журнал «Искусство кино» с самого прилива «новой румынской волны» публиковал о ней материалы. Постсоциалистическое пространство, а также время и люди, застрявшие в странном положении, осмысляются на разные лады Кристи Пуйю, Корнелиу Порумбою, Кристианом Мунджу и другими режиссерами. Проблематика, запечатленная...
Будапешт: Корвина, 1980. — 50 с. Охватывает период с 1923 до года издания. Содержит список литературы о венгерском кино, список наград, полученных венгерскими фильмами на фестивалях, начиная с 1960 года. Иллюстрировано фотографиями.
М.: Информация для всех, 2025. — 318 с. В данном справочном издании приводятся статистические данные посещаемости восточноевропейских полнометражных игровых фильмов, демонстрировавшихся в советском кинопрокате в 1950-х – 1980- годах. К сожалению, прокатные данные не по всем фильмам доступны. Данное справочное издание предназначено для исследователей в области кинематографа и...
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