Univ Of Minnesota Press, 2011. — 296 p. — ISBN: 978-0-8166-4658-6, ISBN: 978-0-8166-4659-3 This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchan’s engaging descriptions and...
2nd Edition. — CRC Press, 2017. — 267 p. Single frame film-making has been around as long as film itself. It is the ancestor to modern day special effects and animation. Despite its age-old practice, Single frame film making and stop-motion animation continues to influence media and culture with its magic. Current advances in technology and classic stop motion techniques, such...
Focal Press, 2011. — 216 p. In a world that is dominated by computer images, alternative stop motion techniques like pixilation, time-lapse photography and down-shooting techniques combined with new technologies offer a new, tangible and exciting approach to animation. With over 25 years professional experience, industry veteran, Tom Gasek presents a comprehensive guide to stop...
CRC Press, 2019. — 138 p. — ISBN13: 978-0-8153-8204-1 Rolf Giesen’s Puppetry, Puppet Animation and the Digital Age explores the unique world of puppetry animation and its application in the digital age. With the advent of digital animation, many individuals see puppetry and 2D animation as being regulated to a niche market. Giesen’s text argues against this viewpoint, by...
Continuum, 2005. — 278 p. Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context....
Palgrave Pivot, 2016. — 132 p. — ISBN13: 978-1137551627 Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children’s television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray’s Camberwick Green (1966),...
Cengage Learning, 2011. — 352 p. — ISBN13: 978-1435456136. Take an in-depth look at the art and techniques of stop-motion animation. The Advanced Art of Stop-Motion Animation helps experienced stop-motion artists enhance their craft by exploring the professional methods and advanced technology used by top film studios today. This book features expanded coverage of the basic...
Fairchild Books AVA, 2010. — 200 p. Basics Animation: Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator or articulated puppet maker. It explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling – come together in this unique art form. Students will learn to use and exploit...
Routledge, 2007. — 370 p. — ISBN13: 978-0240520605. Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading...
Focal Press, 2010. — 238 p. — ISBN13: 978-0240812199. Animating with Stop Motion Pro is comprehensive, hands-on guide to achieving professional results with Stop Motion Pro 7.0 software. Gone are the days of stop motion guesswork and waiting to see the finalized result of your meticulous, labor intensive animations. With the push of a mouse button and the Stop Motion Pro...
Taylor & Francis, 2004. — 219 p. To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need to create four walls around them, a landscape, the sun and moon - a whole life for them. You have to get inside that puppet and first make it live, then make it perform. Susannah Shaw...
2nd edition. — Focal Press, 2008. — 264 p. — ISBN: 0240520556. To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need to create four walls around them, a landscape, the sun and moon - a whole life for them. You have to get inside that puppet and first make it live, then make...
Москва: Всесоюзное бюро пропаганды киноискусства, 1982. — 78 с. Киноискусство братской социалистической Чехословакии глубоко своеобразно и многогранно. Важное место в нем занимает получившая всемирное признание национальная школа рисованного и кукольного фильма. Иржи Трнка — один из зачинателей чехословацкой мультипликации, основатель и глава пражской студии, ныне носящей его...
История пермской анимации. — С.-Петербург: Маматов, 2012. — 123 с. Мультфильмы на базе творческо-производственного объединения «Пермьтелефильм» (студия Пермского областного телевидения) создавались на протяжении 32 лет, с 1965 по 1997 годы. За это время было выпущено 40 анимационных картин (рисованных, кукольных, пластилиновых), которые демонстрировались не только местным...
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