University of Chicago Press, 1986. — 372 p. In this widely acclaimed work, James Ackerman considers in detail the buildings designed by Michelangelo in Florence and Rome—including the Medici Chapel, the Farnese Palace, the Basilica of St. Peter, and the Capitoline Hill. He then turns to an examination of the artists architectural drawings, theory, and practice. As Ackerman...
Viking Press, 1961. — 286 p. Michelangelo Buonarroti was principally a sculptor and always claimed that architecture was not his profession; but, with a sculptor's vision, he saw buildings as dynamic organisms - metaphors of the human body - and he designed some of the most impressive architecture in all history. Among his best-known buildings are the Medici Chapel and the...
Penn State University Press, 2016. — 280 p. From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens...
Electa, 1994. — 143 p. — (Guide artistiche Electa). Il grande architetto vicentino nasce in realtà a Padova nel 1508; ma è la città berica che lo accoglie non ancora sedicenne quando, per motivi sconosciuti, fugge per ben due volte dalla bottega dove il padre lo aveva messo ad imparare l'arte del lapicida, ed è qui che lo scalpellino Andrea, figlio del modesto mugnaio Pietro...
Brill, 2015. — 480 p. — (The Medieval Mediterranean, Vol. 104). The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance...
Birkhäuser, 2018. — 424 S. Weltweit werden Architekturen darauf getrimmt, mediale Aufmerksamkeit auf sich zu ziehen. Palladio, der bedeutendste Architekt der Renaissance, steht am Anfang dieses Trends: Seine Architekturbilder basieren auf dem Vorrang der orthogonalen Projektion. Das Entwerfen und das Darstellen sind davon durchdrungen – dies wird nicht nur im Falle der...
McFarland, 2015. — 241 p. The Renaissance was a revolution of ideas, arts and sciences alike, with Italy at its center. Venice was among the first states to embrace new concepts in fortification, which would dominate military architecture for centuries. In the age of large galley fleets and an expanding Ottoman Empire, the mighty defenses of the Republic of Venice protected...
Cambridge University Press, 2017. — 382 p. Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was...
Cambridge University Press, 2014. — 360 p. The Tempietto, the embodiment of the Renaissance mastery of classical architecture and its Christian reinvention, was also the preeminent commission of the Catholic kings, Ferdinand of Aragon and Isabel of Castile, in papal Rome. This groundbreaking book situates Bramante's time-honored memorial dedicated to Saint Peter and the origins...
Milano: Electa, 1984. — 493 p. — (Architettura e Architetti Classici) Вторая часть архива. L'opera architettonica di Raffaello rimane ancora sostanzialmente sconosciuta ed è spesso considerata marginale rispetto alla pittura. Il volume, giunto alla quarta edizione nel 2002 e riproposto con una nuova confezione, offre un quadro completo e aggiornato dell'argomento, in modo da...
Milano: Electa, 1984. — 493 p. — (Architettura e Architetti Classici) Первая часть архива. L'opera architettonica di Raffaello rimane ancora sostanzialmente sconosciuta ed è spesso considerata marginale rispetto alla pittura. Il volume, giunto alla quarta edizione nel 2002 e riproposto con una nuova confezione, offre un quadro completo e aggiornato dell'argomento, in modo da...
Tecnostampa Loreto, 2018. — 307 p. Gli inizi di questo libro risalgono al 2014, quando fui invitato a Loreto per ricordare il cinquecentesimo anniversario della morte di Bramante, l’architetto del palazzo apostolico e del rivestimento marmoreo della Santa Casa. Allora ero impressionato dalle parti del palazzo apostolico costruite secondo il progetto di Bramante e, prima di...
Cambridge University Press, 2021. — 266 p. This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human...
Bloomsbury Publishing, 2000. — 192 p. — ISBN 1-62040-193-2,-162040-194-0, 978-1-62040-194-1. Brunelleschi's Dome is the story of how a Renaissance man bent men, materials, and the very forces of nature to build an architectural wonder. Not a master mason or carpenter, Filippo Brunelleschi was a goldsmith and clock maker. Over twenty-eight years, he would dedicate himself to...
Deutscher Kunstverlag, 2023. — 104 S. Schon seit dem 19. Jahrhundert ist die frühe Planungsgeschichte von St. Peter in Rom zu Beginn des 16. Jahrhunderts ein wichtiges Thema kunsthistorischer Forschung. Dabei steht der sog. Pergamentplan von Donato Bramante, der lediglich als Entwurfsfragment erhalten ist, im Fokus der wissenschaftlichen Untersuchungen. In vorliegender Studie...
Yale University Press, 1995. — 220 p. — (Pelican History of Art). Moving between the various centres of architectural activity throughout Italy, Wolfgang Lotz discusses with authority the work of such well-known architects as Bramante, Giulio Romano, Michelangelo and Palladio. He focuses on the different schemes for St Peter's in Rome, the projects connected with the church of...
Cornell University Press, 1987. — 248 p. Pienza, a small hill town in north central Italy, represents one of the major architectural masterpieces of the Italian Renaissance. Starting in 1459, under the sponsorship of Pope Pius II, it was rebuilt into a model Renaissance cityscape. Because its physical state has changed only slightly since the fifteenth century, Pienza offers us...
C.H.Beck, 2011. — 130 S. Filippo Brunelleschi (1377-1446) markiert mit seinem Werk den Beginn der Renaissance. Er bereitete der Zentralperspektive den Weg, schuf Bauten von Weltruhm wie die Kuppel des Doms von Florenz und das Florentiner Findelhaus und prägte seine Zeit auch als Goldschmied und Bildhauer. Als Architekt setzte er durch seine raffinierte Verbindung von Altem und...
Taschen, 2008. — 256 p. Il classico revivalista romano Nessun altro architetto nella storia dell'arte occidentale ha avuto un'influenza così spontanea eppure così duratura come Andrea Palladio. Il palladianesimo ha sfondato tutte le barriere stilistiche culturali. Si diffuse non solo in tutte le nazioni neolatine, ma tenne sotto il suo dominio la Germania, i Paesi Bassi, la...
Knopf Doubleday Publishing Group, 1986. — 252 p. A classic guide to one of the most pivotal periods in art and architectural history, The Architecture of the Italian Renaissance remains the most lucid and comprehensive volume available. From Leonardo, Raphael, Michelangelo, Palladio, and Brunelleschi to St. Peter's in Rome, the palaces of Venice, and the Medici Chapel in...
Artplace Series, 2008. — 174 p. From St. Peter’s Basilica to the Capitoline Hill, this unique resource—part biography, part history, and part travel guide—provides an intimate portrait of the relationship between Michelangelo and the city he restored to artistic greatness. Lavishly illustrated and richly informative, this travel companion tells the story of Michelangelo’s...
Yale University Press, 2006. — 571 p. Manfredo Tafuri (1935–1994) is acknowledged as one of Italy’s most influential architectural historians. In his final work, Interpreting the Renaissance, published here in English for the first time (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives,...
Princeton University Pres, 2019. — 328 p. As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened...
Princeton University Pres, 2019. — 328 p. As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened...
Сборник статей. — М.: ИАА, 1936. — 230 с. Введение. К. Тольнай. Микельанджело. К. Маковский. Архитектурные произведения Микельанджело. Э. Пановский. Плафон Сикстинской капеллы. А. Попп. Творческая история капеллы Медичи. К. Тольнай. План капеллы Медичи. К. Тольнай. Лестница Лауренцианской библиотеки. К. Тольнай. История купола собора св. Петра. К. Тольнай. Капитолий. Г. 3едльмайр....
М.: Наука, 1977. — 192 с.: ил. Сборник статей признанных знатоков истории итальянского Возрождения посвящен Леону Баттисте Альберти (1404-1472) - писателю, философу, архитектору и теоретику искусства - крупнейшему представителю гуманистической культуры Италии. Альберти был другом не только всех крупнейших гуманистов, но и таких художников, как Брунеллески, Донателло и Лука...
С.-Петербург: Издание редакции журнала "Строитель". Типография Е. Евдокимова. Троицкая ул., №18. 1897. — 106 с.
С 142 чертежами на десяти отдельных листах и 10 рисунками в тексте.
Причины, обусловившие появление архитектуры Возрождения.
Предвестники Возрождения.
Главные творцы архитектуры раннего Возрождения в Италии и их произведения.
Обзор архитектурных форм раннего...
С.-Петербург: Издание редакции журнала "Строитель". Типография Е. Евдокимова, 1897. — 106 с.
С 142 чертежами на десяти отдельных листах и 10 рисунками в тексте.
Причины, обусловившие появление архитектуры Возрождения
Предвестники Возрождения
Главные творцы архитектуры раннего Возрождения в Италии и их произведения
Обзор архитектурных форм раннего Возрождения в Италии...
Изд. второе, испр. и доп. — М.: Рипол Классик, 2018. — 407 с. Палладио не просто последний зодчий Ренессанса, не просто сверхархитектор, он — родоначальник целой архитектурной религии, носящей его имя: палладианство. Палладио сумел предложить столь богатый арсенал идей и матриц, что архитекторы по сей день черпают из него без устали и обеими руками — отталкиваясь от него,...
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