Knopf, 1979. — 224 p. This book has a lot of amazing and beautiful photos as well as lessons/ text on how to take photos, how to use your camera, how to get certain effects with the camera, light, film speed, developing, etc.. It has a large very detailed and illustrated chapter at the end of the book on design and use of a darkroom and various darkroom techniques, which is the...
Camera Craft, 1951. — 120 p. As you are well aware, most books on photography start either with a history of the subject, or how to load a camera, or with a magnified cross-section of some material or other. I dislike to disappoint any expectation of such conventional approaches but I might just as well announce now that these pages are not embellished with photomicrographs of...
Amphoto, 1972. — 136 p.
Modern photo technology is so far advanced and foolproof that anyone who can read and follow simple instructions can also make technically satisfactory photographs of average subjects without the aid of this or any other photo guide as long as his equipment is suitable to the intended work. This is so because everything a beginner needs to know is...
4th Edition. — Prentice-Hall, 1966. — 294 p. This new edition brings up-to-date Andreas Feininger's famous book on color photography. Filled now with the latest technical developments in the photographic industry, it is more than ever before the most complete discussion of color photography put down in book form. For less than the price of two rolls of color film, you are given...
3rd Edition. — Prentice-Hall, 1957. — 304 p. This new, third edition brings up-to-date Andreas Feininger's masterful book on color photography. Filled now with the latest technical developments in the photographic industry, it is more than ever before the most complete discussion of color photography put down in book form. For a moderate price you are given not only the...
Prentice-Hall, Inc., Englewood Cliffs, New Jersey, 1969. — 415 p. — ISBN13: 152181-0. The new guide to better color photography by the author of "The Complete Photographer". Illustrated with 82 color photographs, 25 line drawings, 18 tables and charts, and 7 useful formulas. Looks at mid-twentieth century photography, including the equipment; how to "see" in terms of...
Light Impressions, 1981. — 156 p. The Color Print Book is a how-to-do-it book and much more. If you are a photographer with interests in color photography, a printmaker, or an educator in the visual arts, this book is a must. Arnold Gassan's years of experience as an educator, printmaker and photographic artist make this color book more than a step-by-step guide; it is a highly...
Simon & Schuster, 1983. — 308 p. The ability to move beyond ordinary snapshots is not a matter of expensive equipment or complicated techniques. No matter what technical advances are made, creative choice will always lie in the hands of the photographer and his/her artistic perception. The aim of this book is to reveal which choices are available so that what is a pleasurable...
Focal Press, 1998. — 212 p. — ISBN: 0-2408-0344-2. The ability to move beyond ordinary snapshots is not a matter of expensive equipment or complicated techniques. No matter what technical advances are made, creative choice will always lie in the hands of the photographer and his/her artistic perception. The aim of this book is to reveal which choices are available so that what...
Amphoto, 1982. — 168 p. Are you confused by the vast selection of color film available on the market? Are your color slides as good as you want them to be? Do you have difficulty getting accurate color in your prints? Do you want to get the most from commercial processing? Here is a book that will help you take successful color photographs. The Handbook of Color Photography, by...
2nd Edition. — Brown & Benchmark, 1993. — 310 p. Here is an authoritative, comprehensive, practical resource for understanding the ideas, images, history, and processes of color photography. It shows readers how theory relates to practice with hands-on examples and activities and includes a diverse portfolio of work from 200 photographers along with their commentary. A tear-out...
Little, Brown, 1995. — 244 p. This guide to photographing and processing in colour starts with an historical overview and moves into practical advice on types of film and how to photograph in colour in different light conditions, how to adjust for best exposure, and how to use filters to alter colour balance. Film processing is reviewed in detail, along with a section on how to...
Van Nostrand Reinhold Co., 1970. — 104 p.
This is the most complete document of one of the landmarks of modern education in art-the famous Basic Course at the Bauhaus in Weimar, Germany. Itten was the teacher who organized it at the invitation of Walter Gropius. First published in 1963 when Itten was still alive, the book has been revised and updated by Itten's widow, Anneliese...
Van Nostrand Reinhold Co., 1970. — 104 p. This is the most complete document of one of the landmarks of modern education in art-the famous Basic Course at the Bauhaus in Weimar, Germany. Itten was the teacher who organized it at the invitation of Walter Gropius. First published in 1963 when Itten was still alive, the book has been revised and updated by Itten's widow, Anneliese...
Kodak, 1981. — 102 p. – (The Kodak Workshop Series).
There are many ways of making color prints. The various processes can be as simple as one solution using KODAK EKTAFLEX PCT materials or as complicated as Dye Transfer. This book begins with the simplest process and introduces you to the ones that are more complex.
This book will help you to:
Learn basic processing and...
Amphoto, 1979. — 180 p. Levey, Irish, and Kazdan combine esthetics, composition, equipment, and a knowledge of color theory in this unique and brilliant book. They believe these aspects to be inseparable and interdependent. Photography: Composition • Color • Display is both practical and esthetic-oriented. You will find suggestions and guidelines on composition, on selection of...
AVA Academia, 2007. — 178 p. Basics Photography 03: Capturing Colour gives readers a comprehensive introduction to the subject of colour and how to master its use in the process of photographic image-making. The topics discussed range from basic colour theory to the colour temperature of light and how to use colour to maximize the impact of compositions. A full and intimate...
HP Trade, 1981. — 100 p. — (Learn photography).
Color adds impact to your photos. To exploit the effects of color, you must have a clear understanding of its many characteristics. This book shows you ways to use color creatively.
You'll see how color affects the mood of a photo—and how you can create a different mood by controlling the light. Also, how colors contrast or...
Third edition. — Rochester: Eastman Codak Co, 1919. — 113 p. The first edition of "The Photography of Colored Objects" was written by Doctor C. E. K. Mees, who stated it was an attempt to put clearly the theory underlying the photography of colored objects and the application of that theory to those branches of practice which are of the most immediate importance. While purely...
Amphoto, 1977. — 112 p. — (Modern Photo Guides). Color Photography—something we all do, but few of us perfectly! How often have you taken color pictures that you had to discard? How many transparencies have been either over- or under exposed, resulting in washedout highlights and detailless shadows? How often has the color print been too red, too green, or too blue, thereby...
М.: Искусство, 1986. — 164 с. — (Массовая фотографическая библиотека). Книга даст представление о теории зрительного восприятия и цветного зрения, об основах цветоведения. Автор рассматривает основные понятия о композиции и особенности съемки в различных жанрах. Отдельные главы посвящены съемочной технике, экспонометрии и химико-фотографической обработке цветных фотоматериалов....
Москва: Госкиноиздат, 1941. — 292 с. Книга, в которой изложены важнейшие способы цветной фотографии, а так же теория цвета. Рассматриваются такие понятия как теория цвета, цветные методы печати: субтрактивный и аддитивный. В этой книге подробно изложены различные техники цветной печати: пигментная печать, масляная с переносом. Затронуты многие аспекты и тонкости этих процессов....
Москва: Госкиноиздат, 1941. — 291 с. Книга, в которой изложены важнейшие способы цветной фотографии, а так же теория цвета. Рассматриваются такие понятия как теория цвета, цветные методы печати: субтрактивный и аддитивный. В этой книге подробно изложены различные техники цветной печати: пигментная печать, масляная с переносом. Затронуты многие аспекты и тонкости этих процессов....
Л.: Лениздат, 1965. — 144 с. Книга «Радуга на пленке» — общедоступное практическое пособие по фотографированию в естественных цветах. Рассчитана она на широкие круги фотолюбителей, уже освоивших технику черно-белой фотографии. В области цветной фотографии существует очень много названий и понятий (отчасти относящихся к цветоведению), с которыми совершенно не приходится...
М.: Мир, 1992. — 256 с. Хорошо иллюстрированное и весьма полное руководство по цветной фотографии. В книге немецкого автора популярно, но с привлечением всей необходимой информации излагается методика стандартного цветного фотопроцесса, а также приведены некоторые усложненные приемы, расширяющие изобразительные возможности цветной фотографии.
М.: Планета, 1981. — 240 с.
Здесь представлены фотографии, снятые одним из наиболее талантливых современных профессиональных фотографов. Схемы и рисунки, которые помогают понять и усвоить теорию и практику цветной фотографии. Исчерпывающие описания, в которых выражена точка зрения профессионала на особенности цветной фотографии. Книга содержит подробные рекомендации по...
М.: Планета, 1981. — 244 с. Здесь представлены фотографии, снятые одним из наиболее талантливых современных профессиональных фотографов. Схемы и рисунки, которые помогают понять и усвоить теорию и практику цветной фотографии. Исчерпывающие описания, в которых выражена точка зрения профессионала на особенности цветной фотографии. Книга содержит подробные рекомендации по обращению с...
СПб.: Тускарора, 1992. — 32 с. Постраничное изображение 300 точек на дюйм с текстовым слоем (Поиск = Ctrl+F) Оглавление От автора О процессе Е-6 в целом Черно-белое проявление Остановка проявления и обращение Цветное проявление Кондиционирование Отбеливание Фиксирование Стабилизация Приготовление набора концентрированных реактивов Концентрат черно-белого проявителя Концентрат...
К.: Тэхника, 1988. — 39 с. Изложены основы цветной фотографии и кратко рассмотрены различные фотопринадлежности, применяемые для этой цели. Рассчитана на фотолюбителей.
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