Penguin, 2023. — 467 p.
We are now lucky enough to be living through the era of so-called Peak TV, in which television, in its various formats, has seized the entertainment mantle from movies and dominates our leisure time. How and why this happened is the subject of this book.
Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth to maturity, moving on to the basic cablers like FX and AMC, and ending with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.
Since the creative and business sides of TV are thoroughly entwined, Biskind examines both, and the interplay between them. Through frank and shockingly intimate interviews with creators and executives, Pandora’s Box investigates the dynamic interplay of commerce and art through the lens the game-changing shows they aired—not only old warhorses like The Sopranos, but recent shows like The White Lotus, Succession, and Yellow- (both -stone and -jackets)—as windows into the byzantine practices of the players as they use money and guile to destroy their competitors. With its long view and short takes—riveting snapshots of behind-the-scenes mischief—Pandora’s Box is the only book you’ll need to read to understand what’s on your small screen and how it got there.
Contents
Introduction: Broadcast Blues
I. It’s not Television. It’s HBO.
Seeding the Wasteland
“Be a Good Catholic for 15 Fucking Minutes”
Deadwood and Its Discontents
HBO’s Annus Horribilis
II. Back to Basics
FX Flips Off HBO
AMC Chases Chase
Showtime’s Bad-Good Girls
Out of Luck and Off-Key, HBO Gets Game
III. Stream or Die
Netflix’s Albanian Army
Amazon’s Women in the High Castle
Disney’s Empire Strikes Back
Can WBD’s Kid Stay in the Picture?
IV. Back to the Future
Cash Is King
Acknowledgments
Notes
Index