Ikonotheka 2017 №27

Warszawa : Wydawnictwa Uniwersytetu Warszawskiego. — 240 s. — ISSN 0860-5769.Małgorzata Smorąg-Różycka.
“Mary has filled me with amazement that she gave milk to the One who feeds the multitudes”: Notes on the Byzantine Iconography of Maria Galaktotrophousa.
Mirosław P. Kruk.
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow.
Paulina Zielińska.
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century.
Aleksandra Sulikowska-Bełczowska.
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art.
Dorota Walczak.
The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution.
Anita Kunikowska.
Two Orthodox Churches (the Old and the New) of the Holy Apostles Peter and Paul in Kalisz.
Karolina Mroziewicz.
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs.
Zuzanna Flisowska.
Biblical Typologies as Means of Visual Exegesis: The Case of Aleksander Tarasewicz.
Joanna Sikorska.
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers.
Karolina Zalewska.
The Retable of the Main Altar from the Parish Church of Saint John the Baptist in Łekno (German: Bast), Dating from 1588.
Michał Wardzyński.
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous.
“Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia.